822 darmowe pliki audio dla „Pas”

Please fasten your safety belts. . . . . . 495hz.

Sound of pants being unbuckled and unzipped.

Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 478:1 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:4:1

Au clair de la lune (trad., maybe Jean-Baptiste Lully), first four bars, in D mode (not the original mode: made to provide an example of the influence of the mode); made with LiLypond Au clair de la lune (trad., peut-être Jean-Baptiste Lully), quatre première mesures, en mode de ré (ce n'est pas le mode original, il s'agit d'un exemple pour montrer l'influence du mode) ; fait avec LiLypond

Slap made from sounds under cc0:slap_4. Wav by adam_npunching_bag. Flac by qubodup.

Buckling unbuckling car truck vehicle seat belt sound effect.

A bunch of the kinds of sounds you might expect to hear in a fight.

Dressing up and undressing with rustling clothes. Putting on and take off a jeans with (and without) belt. Some punches on a body and a pillow.

Marsian « toc toc ». Générer un click track. Garder une seule partie en sélectionnant les notes identiques. Effet « répéter » pour avoir six notes, et couper entre les deux répétitions pour ne pas avoir trop de blancchanger la hauteur à 113%changer la vitesse, pourcentage de modification : 10%. Typologie : x’’, itération complexe. - masse:son répété, identique, avec une pause entre chaque note. - timbre harmonique:clair. - grain:un léger grain sur le début de chaque note. - allure:un léger vide entre chaque note. Cinq répétitions de la première. - dynamique:entrée du son douce. .

Fujitsu air-conditioner compressor recorded with zoom h4n. The compressor is at least 10 years old thus making lots of squeaking noise from the fan.

Recording of a busy working epson v600 scanning a few 35mm film negatives. Lot's of adjusting sounds and transportation of the scanhead as the operation continues.

The staten island ferry "molinari" on final approach into st. George, staten island, late in the afternoon on april 04, 2021. The recording was made from the rear port side of the upper deck (where people are supposed to be quiet, but clearly don't obey the rules). Although the ambience is the in the public domain, the docking announcement over the pa system may need to be licensed through the dot. Note: this is a raw recording from a zoom h4n using the on-board x-y microphone. No processing has taken place. Ste-034. Wav, ambiance session on april 04, 2021.

This sound is completely analog. I recorded the sound of a person who was walking on the street. I chose to leave the noise of the street so that we understand that the person walks outside. I used the effect "amplification" to reduce the noise of the street and increase the sound of step. I made a fade in opening and closing, so that we have the impression that the steps are moving towards us then moves away. At the same time, i played with the pitch of the sound to accentuate this effect. Descriptif selon la typologie de schaeffer :code : x''précisions morphologie :- masse : groupe nodal / complexe- timbre harmonique : terne- grain : rugeux- allure : ne comporte pas de vibrato- dynamique : l’attaque est douce et graduelle- profil mélodique : scalaire- profil de masse : le son paraît plus calibré.

We where located in the news media viewing area called nasa causeway. This as close as anyone can get to the launch. This was the maiden voyage of the orion spacecraft, and one of the very few delta iv heavy launches. In the beginning of recording you hear nasa announcer giving countdown into loud speakers, when you reach around the 1min 50 sec mark the true booster engine sound overtakes the pa system. We are very grateful for the opportunity to share this, most powerful man made machine with 2. 1million pounds of thrust to get millions of pounds into space.

Created this sound by clinking fork and spoon together in order to simulate handcuffs dangling or being moved. Recorded with tascam dr-05.

A man and a woman having sex with lots of moans and squeaky bed noises. About: i told a couple that i'm friends with about freesound and they got real excited (pun intended). I gave them my handy recorder h2 and they did their thing. I edited the recording a bit in audacity. They are cool with this recording being put on freesound. Org and also that it's cc0 as long as it's anonymous. Have fun and if you get the chance to share intimate sounds yourself: don't be shy and just do it (but ask first)!.

Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S Text: I Nordens kalla isbetäckta dalar, var där en härjande en hungersnöd en sorglig röst i modrens hjärta talar ta dina barn, gå ut och sök dig bröd. Det yngsta barnet uppå ryggen hängde uti en påse gjord av rot och bast. Vid varje steg, det dinglade och slängde, men barnet höll sig tätt vid halsen fast. Dessutom tvenne hon vid handen leder[alt. ledde], så fromt och underligen, gård från gård. Ty hon om bröd blott för barnen beder[alt. bedde], vem kunde emot henne vara hård? Om kvällen kom hon till en riker bonde, hon bad att över natten få bli kvar. men han var stinn och inbillsk som hin onde: »För tiggarpack jag sällan nattro har.» Till prästgården vill hon när det bli kväller att där få vila över till andra dag men där var fullt av halvfulla gesäller som höllo pockande på vägalag. [Hon måste alltså åter ut att vandra till nästa by att där sitt härberg få.] När sedan bägge barnen börjar gråta, då lyfter hon dem upp på var sin arm. De frysa, ty av snön de blivit våta, hon klappar dem och värmer vid sin barm. [De lade alla fyra i en kista två fingo vila uppå var sin arm det tredje med, det yngsta och minsta man lade uppå modrens kalla barm.]

Stereo recording incorporating 2 recordings made simultaneously on the web sdr (software defined radio) in north east pensylvania (fn21mh) at http://k3fef. Com:8901/and the one at raf hackgreen in nantwich in cheshire (io83ra) http://hackgreensdr. Org:8901/i used the filename of one of the recordings for part of this new dual receivers recording mixed in goldwave and time-synched by ear. Left channel is the pensylvania receiver, right channel is the uk receiver. Heard are various stations working or trying to work w1uuu in massachusetts including stations in the dominican republic, argentina, the ukraine, trinidad and tobago, colombia and florida. Some stations are heard better in pa, some better in the uk. Lots of static crashes heard from late spring lightning storms hundreds or thousands of kilometers away from both receivers. You can find over 100 receivers athttp://websdr. Org/most allow you to record, though some have a 15-minute timer.

Feel free to use this in your games animations and please support me on this site. For custom content please message me at tomascolt12@gmail. Com. あなたのゲームのアニメーションでこれを自由に使って、このサイトで私をサポートしてください。カスタムコンテンツについてはtomascolt12@gmail. Comで私にメッセージを送ってくださいanata no gēmu no animēshon de kore o jiyū ni tsukatte, kono saito de watashi o sapōto shite kudasai. Kasutamu kontentsu ni tsuite wa tomascolt 12@ gmail. Komu de watashi ni messēji o okutte kudasai. Fühlen sie sich frei, dies in ihren spielanimationen zu verwenden und unterstützen sie mich auf dieser seite. Für benutzerdefinierte inhalte senden sie mir eine nachricht an tomascolt12@gmail. Com. Siéntase libre de usar esto en sus animaciones de juegos y por favor apóyeme en este sitio. Para contenido personalizado por favor envíeme un mensaje a tomascolt12@gmail. Com. N'hésitez pas à utiliser ceci dans vos animations de jeux et soutenez-moi s'il vous plaît sur ce site. Pour le contenu personnalisé, envoyez-moi un message à tomascolt12@gmail. Com.

Feel free to use this in your games animations and please support me on this site. For custom content please message me at tomascolt12@gmail. Com. あなたのゲームのアニメーションでこれを自由に使って、このサイトで私をサポートしてください。カスタムコンテンツについてはtomascolt12@gmail. Comで私にメッセージを送ってくださいanata no gēmu no animēshon de kore o jiyū ni tsukatte, kono saito de watashi o sapōto shite kudasai. Kasutamu kontentsu ni tsuite wa tomascolt 12@ gmail. Komu de watashi ni messēji o okutte kudasai. Fühlen sie sich frei, dies in ihren spielanimationen zu verwenden und unterstützen sie mich auf dieser seite. Für benutzerdefinierte inhalte senden sie mir eine nachricht an tomascolt12@gmail. Com. Siéntase libre de usar esto en sus animaciones de juegos y por favor apóyeme en este sitio. Para contenido personalizado por favor envíeme un mensaje a tomascolt12@gmail. Com. N'hésitez pas à utiliser ceci dans vos animations de jeux et soutenez-moi s'il vous plaît sur ce site. Pour le contenu personnalisé, envoyez-moi un message à tomascolt12@gmail. Com.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

This sound is a superposition of two records. First, i recorded a coffee machine and cut it to extract just the sound of the money that falls in. Then, i recorded the sound of keys and mix it together on audacity. I wanted to make a sound that can be repeated in a loop. So, i copied the record of the coffee machine to give a rhythm to the sound. I tried to cut the sound of the key perfectly to make a loop with the help of the option “search for crosses with zero”. Then, i added view effects. I have changed the amplification in purpose to bring out more the sound of the coffee machine. I also change the reverberation. Gradually, my sound made me think of a music in a video game that i used to play, rayman. It was difficult to describe what the sound was like, but i liked the atmosphere, so i kept it. Then, a friend told me it made him think of a frog noise, and i liked the idea. Code typologie de schaeffer : v’’précisions morphologie :sur le principe de l’écoute réduite, la morphologie du son peut-être décrite comme étant un groupe tonique car nous entendons plusieurs hauteurs. Le son peut être qualifié d’acide et éclatant. Le son paraît plutôt rugueux. Je dirais que le son est dynamique mais que l’attaque n’est pas brutale mais graduelle au moment où l’on entend le son de la machine à café. Le profil mélodique présente des variations plutôt scalaires. Pour finir on entend des hauteurs de sons parmi d’autre son.