A bee is flewing in the microphones,then other one. Listen to all the little shocksbirds, some voicesile de groix, brittany, france, 2021. Recorded with schopes msrecorded on sounddevice 633stereo wave, 24 bits, 48khz.
Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.
It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.
Piano sound produced with fl studio 10 for the aspma course peer assesment 7 (part 2). Original sound from http://freesound. Org/people/hmartelb/sounds/328547/. This sound is the stochastic component of the hps model analysis using sms-tools. The parameters used in the analysis were:. Window-type = hamming;window-size = 3001;fft-size = 4096;magnitude-threshold = -120;minimum-duration-of-harmonic-tracks = 0. 1;maximum-number-of-harmonics = 200;minimum-fundamental-frequency = 80;maximum-fundamental-frequency = 280;maximum-error-in-f0-detection-algorithm = 5;max-frequency-deviation-in-harmonic-tracks = 0. 01;stochastic approximation-factor = 0. 05;.
Did this punching a shirt 4 times, and then rubbing the shirt with another 4 times. I found it great for torso and leg hits(first 4), and great for de-grappling moves and push aways(last 4).
Various slap sounds recorded in a both with an neumann u87i. There is a metallic resonance from one of the music stands. The slaps hit various body parts (face, neck, belly). Feel free to use however you like.
I used the ben burtt technic to design this punch; mixing a whip tail sound with a the sound taken from hitting a jacket with a baseball bat. Here is a link where ben explain the technic for indiana jones punches:. Http://collider. Com/ben-burtt-dennis-muren-indiana-jones-blu-ray-interview/. I used logic to chop the whip tail up and blend it to make my own punch.
A fast building white noise with added filter sweep and fade-out, layered with a pulsating synthesized bass tone with a slow attack and an affected decay.
This is the ambience i created for my sci-fi sitcom accidentally reckless of a dropship of some kind approaching a battlefield (and certain death). The bare bones was created from a field recording of the x-1 bus going down attercliffe road towards sheffield city centre, during a period in 2017 when they were constantly resurfacing the stretch that goes past the swingers club, resulting in the bone shaking rattling sounds you can hear. I then layered on some laser and rocket noises (already uploaded) and some engine type sound effects and shuttle flypast effects that i don't think i've uploaded yet. I hope it's useful for someone else and no need to credit. Just share the freesound love!.
This is a music track i made using reason propellerheads 4. Playing with the arpegiator´s velocity, it has a heart-attack feeling perfect for creating and maintaining dramatic climax. . ! enjoy and comment if you like.
