1.412 pistas de áudio isenta de royalties para "Modular"

Sound made on modular. Today i cant come up with no cool name for my sound. I hope "fussy" is an okay name for a sick rhythm. "fussy" sounds sweet in my ears. Google corrects me, "do you mean 'fuzzy'?". No, i dont. I want fussy. . . Eehhh well. . . .

Using modules through analog heat. Have fun with it, make music, make sounds.

A loop with hi-pass filtering in action!.

This is my synth saying hi!.

Playing with looping envelopes that create rhythms.

Used the vcv rack grains of wrath module to mangle a sample.

You will find a pattern. . .

One patch. A little of wiggling. Different outcome.

Yeah #300.

Simple beat in c.

Recorded modular synth.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

Three sounds. 1) 2hp sh samples from 25hz bipolar lfo (doepfer a-147-2)2) 2hp sh samples from 25hz looping envelope (intellijel quadra)3) 2hp sh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) bmc 2lfosh samples from 25hz bipolar lfo (doepfer a-147-2)2) bmc 2lfosh samples from 25hz looping envelope (intellijel quadra)3) bmc 2lfosh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Working with my spring reverb.

2 voices from a 5 quantussy cell vcv-rack patch.

A patch i made in vcv-rack.

Polyrhythmic adventure with a bassdrum. Exploring with ring modulation.

A krellpatch is always fun. This is a part of a longer recording. The start and stop are natural.

Yepp, this is how quantussy light may sound. You can make it sound better!this is made quickly with vcv-rack.

Yeah! now i have got a vc switch! the jerk off is back in the rack!i have missed you.

Entropical bla bla bla. . . Read in 211. Here i'm using just one (1) sequencer :tu:.

The three parts are following the sam chaotic lfo.

Intended to do some sort of tape echo, but. . .

Vcv-rack patch5 vclfos in a ring gives you a lot of interrelated cv. Classic. Instead of vclfos you can use looping envelopes.

This sound/track is made with a modular synth and a zoom ms-70cdrwith spacehole reverb and stereocho chorus effect. The music is a patch controled by some random andlfos. I'm not interfering at all.

What you dont want to hear in your helmet after landing on an alien planet. Long title. Alien sound fx made with modular synth.

This is a raw sound-design sci-fi piece i made with a modular system using 4ms ensemble oscillator, mutable instruments clouds, strymon magneto & intellijel polaris.

Was playing with my spring reverb. This happened. Analog synths are capable of some sick sounds too. . . Sound straight from the synth. No editing or post fx anything.

Result from a vcv-rack session. A good (or bad) way to get some ideas to implement on the real modular synth. You have to admit this is - experimental.

Long techno loop in 131 bpm meant as background music for video. Made with drum machine, analog modular synth and a hardware sound module. Mastered in audacity.

Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) bastle instruments tromsø samples from 25hz bipolar lfo (doepfer a-147-2)2) bastle instruments tromsø samples from 25hz looping envelope (intellijel quadra)3) bastle instruments tromsø samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) make noise function samples from 25hz bipolar lfo (doepfer a-147-2)2) make noise function samples from 25hz looping envelope (intellijel quadra)3) make noise function samples from noise generated by barton musical circuits bmc23 decaying analog noise).

A little tune where uoki-toki polivoks vcf and intellijel μvcf are acting as vcos. I use one more sound source and that’s noise for the rhythmic sound. No sequencer. No midi. No keyboard. No over dub. Don’t know why i write this… it’s an nice experiment anyway.

Electronic loop for you.

A krell.

8 measure pedal on c using korg wavestation and. Com modular.

Another patch. Almost melodic. . .

Trying to recreate an old patch. This was totally wrong way. . .

The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .

Was playing with fm. Wasn't successful. Ended up with this. . . Something.

A little thing i wanted to record for evaluating. Is it too uninteresting?.

Today i'm supposed to play with my modular, or anything. As long as i'm not disturb the boys watching gremlins down stairs. . . Okay. I put some modules out for sale. Made this. The sound is generated by self oscillating vcfs. I love sinus wave. I will sell my triple oscillator now. It does not have sinus wave! the randomness is generated to old fashion way. I don't have any fancy random trigger modules. Bla bla bla. . . I stop there.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. I will try to do about the same on my modular.

Made this drone a couple days ago time to upload. . .

Last one with this sample. Promise!.

Techno if you play it fast. . . Or?.