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Klaviersonate Nr. 12 B-Dur, op. 26 - III. Marcia Funebre - Andante maestoso

“Jupiter, the bringer of jollity”, part of "The Planets", Op. 32, a seven-movement orchestral suite by the British composer Gustav Holst, Excerpt for timpani article on the English Wikipedia

Melodic upper leading-tone, the subdominant/degree four (E♭) as auxiliary to the mediant/degree three (D) (in C this would be F and E♮). From the opening to Brahms Op. 56.

Klaviersonate Nr. 18 in Es-Dur, op. 31.3, Die Jagd - II. allegretto

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110

Klaviersonate Nr. 21 C-Dur op. 53 Waldstein - II. Introduzione - Molto adagio

Klaviersonate Nr. 21 C-Dur, op. 53 Waldstein - I. Allegro con brio

Klaviersonate Nr. 30 E-Dur, op. 109 - I. Vivace, ma non troppo

Klaviersonate Nr. 5, Op. 10.1 - I. Allegro molto e con brio

Klaviersonate Nr. 7 in D-Dur, op. 10.3 - II. largo e mesto

Klaviersonate Nr. 18 Es-Dur, op. 31.3 Die Jagd - I. allegro

Sonata No. 20 in G Major, Op. 49 No. 2 - II. Tempo di menuetto by Daniel Veesey

Symphony No. 6 in F major (Op. 68) - 3rd movement

Piano Concerto No. 1 in C major, Op. 15, 2nd movement – Largo (A-flat major)

Symphony no. 9 in e minor 'From the new world', op. 95 - i. adagio - allegro molto 9. Sinfonie e-Moll op. 95 (B 178) “Aus der Neuen Welt”

Klaviersonate Nr. 26, Les Adieux, in Es-Dur, op. 81a - II. andante espressivo

Sonata No. 21 in C Major 'Waldstein', Op. 53 - I. Allegro con brio by Michael Hawley

Symphony no. 8 in f major, op. 93 — iv. allegro vivace

Symphony no. 8 in f major, op. 93 — iii. tempo di menuetto