393 fișiere audio royalty-free pentru "Corp"

Adjutant's Call performed by the Concert Band of the United States Air Force Band. Track 42 from Esprit de Corps (1997).

Mess Call performed by the Concert Band of the United States Air Force Band. Track 43 from Esprit de Corps (1997).

Tattoo performed by the Concert Band of the United States Air Force Band. Track 48 from Esprit de Corps (1997).

Recall performed by the Concert Band of the United States Air Force Band. Track 44 from Esprit de Corps (1997).

Sunflower Slow Drag is a ragtime composition by Scott Joplin and Scott Hayden, performed as a wind band arrangement of a piano original. Recorded between May 23 and 27, 1994 by the United States Marine Corps Band at the Center for the Arts at George Mason University in Fairfax County, Virginia.

A drum roll performed by the Concert Band of the United States Air Force Band. Track 10 from Esprit de Corps (1997).

To the Colors performed by the Concert Band of the United States Air Force Band. Track 46 from Esprit de Corps (1997).

An abridged version of Richard Wagner's Das Liebesmahl der Apostel, performed by the United States Marine Corps Band.

The God of Abraham Praise performed by the Concert Band of the United States Air Force Band. Track 53 from Esprit de Corps (1997).

John Philip Sousa's "Esprit de Corps" (1878) as performed by the United States Marine Band. Track 5 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Esprit de Corps" (1878) as performed by the United States Marine Band. Track 5 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

Trio to "National Emblem" performed by the Concert Band of the United States Air Force Band. Track 26 from Esprit de Corps (1997).

A drum cadence performed by the Concert Band of the United States Air Force Band. Track 7 from Esprit de Corps (1997).

Two ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 16 from Esprit de Corps (1997).

Three ruffles and flourishes and "General's March" performed by the Concert Band of the United States Air Force Band. Track 13 from Esprit de Corps (1997).

Two ruffles and flourishes and "General's March" performed by the Concert Band of the United States Air Force Band. Track 12 from Esprit de Corps (1997).

Lord Guard and Guide (choral) performed by the Concert Band of the United States Air Force Band. Track 50 from Esprit de Corps (1997).

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Band. Track 5 from Esprit de Corps (1997).

Three ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 17 from Esprit de Corps (1997).

One ruffle and flourish and "General's March" performed by the Concert Band of the United States Air Force Band. Track 11 from Esprit de Corps (1997).

Four ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 18 from Esprit de Corps (1997).

Four ruffles and flourishes and "General's March" performed by the Concert Band of the United States Air Force Band. Track 14 from Esprit de Corps (1997).

One ruffle and flourish and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 15 from Esprit de Corps (1997).

An American march composed in 1938 with lyrics written in 1947. Performed by the United States Air Force Band. The U.S. Air Force song, from the 1998 album Espirit de Corps.

Lord Guard and Guide (instrumental) performed by the Concert Band of the United States Air Force Band. Track 49 from Esprit de Corps (1997).

The Army Goes Rolling Along performed by the Concert Band of the United States Air Force Band. Track 31 from Esprit de Corps (1997).

Adjutants Call, To Honor with Dignity performed by the Concert Band of the United States Air Force Band. Track 6 from Esprit de Corps (1997).

Four ruffles and flourishes and "Hail Columbia" performed by the Concert Band of the United States Air Force Band. Track 21 from Esprit de Corps (1997).

I have synthesized the nazi wehrmacht march stomp with waldorf pulse 2 and give it to the world, to the people - for free. Listen to your personal wehrmacht corps marching below your balcony or just remember those dark years while fiddling around with your sampler. What ever. Eyes straight, headphones on!.

Nearer My God to Thee performed by the Concert Band of the United States Air Force Band. Track 51 from Esprit de Corps (1997).

The Star-Spangled Banner (instrumental) performed by the Concert Band of the United States Air Force Band. Track 27 from Esprit de Corps (1997).

The Star-Spangled Banner (choral) performed by the Concert Band of the United States Air Force Band. Track 28 from Esprit de Corps (1997).

w:John Philip Sousa's w:The Thunderer, performed in 1896 by the w:United States Marine Corps Band, From Fife and Drum (1988, track 3). This is a Columbia Phonograph Company cylinder recording under the band directorship of Francesco Fanciulli.

Four ruffles and flourishes and "Hail to the Chief" performed by the Concert Band of the United States Air Force Band. Track 23 from Esprit de Corps (1997).

Gioachino Rossini's William Tell Overture (1829) on the Grand Scenes (2000) album performed by the United States Marine Corps Band, recorded June 5–9, 2000, at the Center for the Arts, George Mason University, Fairfax, Virginia. Ranz des Vaches begins at 5:14 and finale at 7:30.

Four ruffles and flourishes and "The Stars and Stripes Forever" (last 32 measures) performed by the Concert Band of the United States Air Force Band. Track 19 from Esprit de Corps (1997).

On March 11, 2018, the Marine Band presented a Living History program titled Marine Corps Women’s Reserve Band Tribute. The program told the story of the talented and adventurous women who served our country in a most unique and unprecedented manner. Author of the book Bands of Sisters: U.S. Women’s Military Bands During World War II, Dr. Jill Sullivan served as a guide through the personal accounts of those very women who blazed a trail for many to follow. The Marine Corps Women’s Reserve Band of Camp Lejeune was established under the watch of 'The President’s Own' to support bond drives and was active during World War II from 1943–45. In 1944, the ensemble even sat in for one of the Marine Band’s popular 'Dream Hour' broadcasts, a program that will be reenacted in its entirety as part of this concert. The performance took place in Schlesinger Concert Hall at Northern Virginia Community College in Alexandria, Va. Conducted by Capt. Michelle A. Rakers.

John Philip Sousa's march "Comrades of the Legion" (1920), from "The President's Own" United States Marine Band's album "Semper Fidelis": Music of John Philip Sousa; Colonel John R. Bourgeois, Director

Goin' Home (Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo) performed by the Concert Band of the United States Air Force Band. Track 21 from Heritage to Horizons (2007). Previously published as track 52 from Esprit de Corps (1997).

The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Corps Band, and performed by the Concert Band of the United States Navy Band

Tiến Quân ca is the national anthem of Vietnam. This version was recorded by (likely to be) the French Far East Expeditionary Corps (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Van Cao was the author of the anthem. Please note that, Tiến Quân ca was donated to the people of Vietnam, and to the Government of Vietnam at the National Assembly of Vietnam on 15 July 2016 by the family of the author, in which the Ministry of Culture, Sports and Tourism became the management board of the anthem. Therefore, the anthem is now a public domain work and no personnel or organisations have the right to own the anthem, which means that the anthem does not require licenses to distribute on any platform, including Wikipedia. Any act of removing the anthem, banning the anthem from public distribution, or claiming the copyrights/licenses of the anthem is illegal, according to the Law of Vietnam and the Constitution of Vietnam. Tiếng Việt: Tiến Quân ca, quốc ca Việt Nam. Trình bày và thu âm bởi (có thể là) Quân đội viễn chinh Pháp vùng Viễn Đông (Corps Expéditionnaire Français en Extrême-Orient, CEFEO). Sáng tác bởi Văn Cao. Xin lưu ý rằng gia đình nhạc sĩ Văn Cao vào ngày 15 tháng 7 năm 2016, đã hiến tặng bài Tiến quân ca cho nhân dân và Tổ quốc Việt Nam. Bộ Văn hóa, Thể thao và Du lịch là cơ quan quản lý bài Tiến quân ca theo quy định pháp luật về quyền tác giả và các quyền liên quan về bản quyền. Lễ tiếp nhận được tổ chức tại Tòa nhà Quốc hội Việt Nam. Vì vậy, đây là tác phẩm công chúng và không thuộc sở hữu của bất cứ cá nhân hoặc tổ chức nào. Mọi hành vi xóa bỏ tác phẩm hoặc đánh dấu bản quyền với tác phẩm này là hành vi xâm phạm bản quyền, ngăn chặn, cản trở phổ biến quốc ca Việt Nam, trái với pháp luật Việt Nam kể từ ngày 1 tháng 1 năm 2023.

A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.

This sound was created using audacity. First of all i chose a frequency of 432 hz ( a number which includes the golden rule/proportion), then i created a gradual rise in the first 4 seconds, leading into a peak which descends so it can go up again, creating an effect of confusion. At the end, the sound raises gradually and rapidly to reach its peak once again. This sound recreates, for me, a fast- moving ufo (unidentified flying object) and includes the notion of conspiracy in our society- the changing of the frequency of the tone “la “ from 432 hz to 440 hz in 1953 by the nazis. La règle d’or- 432 hertz. Le ton « la » est une pointe centrale dans le réglage des instruments musicaux. Le ministre de la propagande en allemagne pendant l’époque des nazis a fait un décret général avec lequel il a changé la tonalité « la »de 432 hz en 440 hz. On utilise cette hauteur à partir de 1939 jusqu’à nos jours. Il y a eu des protestes de la part de professeur dussault de la conservatoire parisienne qui a fait une pétition signé par 23 000 artistes françaises mais sans aucun résultat. L’organisation internationale de standardisation(iso) a accepté en 1953 les changements et on utilise la valeur de 440 hz depuis. Des recherches montrent que ce changement a des effets incontournables sur le corps et le cerveau humain- les gens entrent dans un chaos. Ce changement a été caché du monde entier parce que c’est le point de la balance dans la nature. 432 hz est la vibration qui inclue aussi le règle d’or (ou la proportion de dieu). Quand on écoute de la musique en 440 hz la première chose qu’on remarque c’est une fatigue, aucun envie de faire n’importe quoi et beaucoup d’autres ( y inclus le mouvement de notre adn) une étude récent montre que l’utilisation de 440 hz crée des mouvais effets dans la nature et dans toutes les êtres vivantes. Cette article m’a inspirée à recréer un son avec une fréquence de 432 hz qui monte et baisse graduellement. C’est un son seul de type complexe(nodal). Il est de type v( continu varié), il est éclatant,clair et lisse. L’attaque du début est graduelle et violente. Le son varie en « hauteur » de plus fort au moins fort et l’inverse, recréant un effet d’un ovni qui passe à côté de vous.