3.618 fișiere audio royalty-free pentru "Electronică"

Sci-fi alarm 3recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi alarm 1recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

Sci-fi alarm 2recorded from a circuit bent randomly modified casio ctk811 via the line out into a spirit folio mixer and m300 tc electronics processor and recorded at 24bit/96khz on a tascam dr60mk2. Edited and normalised in sound forge 13.

A strange synth like sound that seems fitting for some extraterrestrial lifeform or object. You are free to use this sound however you like, all i ask for is credit. Thank you.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

A small piece of music made a sunny day in november.

3 cell quantussy patch. One cell acts as "controller cell". When the controller cell starts a new cycle a noise is heard defining the start of one cycle and at the same time the ending of the previous. Here we have three short cycle.

This is the sound of a machine which dispenses fluids using a compressed air system it is used at berg (upf) to craft electronic circuits for their biomedic works. Learn more at: http://berg. Upf. Edu/.

Synthesized bells no resonance.

Several electronic bells assembled into a signal.

Processed electronic bells samples.

Using a bubble sample processed into a special attack.

Electronic processed sounds.

Assembly of several samples of same origin setting a melody.

Sequence staring from a sound with different reverberation ptovesses in a remix.

Elaborated percussion sound composed of several independent elements.

Comnposite electronic percussion sample (reversed + normal).

Sample modulation ib a series of pitches.

Imitation xylophone melody.

Electronic remix of different sounds creating a crescendo.

Working with feedback. This is just "work in progress". But cool. When this "neuron" doesent have contact it gets upset.

Different variations of clicking and sliding from a computer mouse.

A sound i, my self, will use for an instagram film made with imovie. I'm trying to learn that program a little.

Simplified quantussy cell x 3 playing.

Simplified quantussy cell x 3 playing.

Simplified quantussy cell x 3 playing.

Interference.

I record my modular synth performing. I select parts - silence to silence - under 30 seconds. Machine composition - human selection. Warning this is very electronic. . . I'm patching up quantussy cells to make this. Much work for. . . What?.

Use ableton 10. 120bpm.

Phono lock beep sound.

Electronic beep sound.

Glitchy monotribe loop.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

The selected track. . . Electronic it is. . .

I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.

My synth creates 24 tracks. No scale known to human. . . Track start are marked by a high-hat sound. Some are short!. 0:00 track 11:57 track 22:02 track 32:08 track 42:32 track 54:015:455:515:576:02 track 106:066:216:316:357:06 track 15 my favourite7:317:347:407:55 hmmm okay8:38 track 209:409:469:51 interesting11:53 track 24.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

New session with quantussy cells as an engine for machine composition. New key and some changes. Just listen.

Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.

A fairly simple patch in vcv-rack. Reuse/feedback of cv makes the patch change in a nice way.

Same flask as before, but with enhanced eq and added fx channel. Akg p220.

Create sci fi machine from cognito_perceptu's "helicopter-takeoff. Wav" sound: audacity (sound is stereo) - cut 29. 0s to 30. 0s. - effect→tremelo…waveform type: sinestarting phase: 0wet level: 50frequency: 10 hz- effect→echo. . Delay time: 0. 01decay factor: 0. 6. - effect→repeat. . . Number of repeats add: 22.

A modulated version of a bi-tonal vocaloid sound.

Some screech sound.

Beeps 8 times.

Patch on a large modular analog synth, mainly doepfer but with some sputnik and intellijel modules. Sounds very arp 2600-ish, a soundcape reminiscent of birdsong and tweets. Mainly tuned filters seeded with pink noise.

Electronic noise.

Series of processed electronic bells.

Assembly of electronic sounds.