167 fișiere audio royalty-free pentru "Festiv"

These are the sounds of real swords banging against each other. Minimal editing has been done: separated samples, some eq, some fades. . . Mostly raw in open-air noisy market environment. Sourced at a recent renaissance festival courtesy of the fine fellows at badgerblades. Comyou can ready about the sourcing here:http://www. Waste. Org/lostchocolatelab//archive/2004_12_01_lostbloggerarchive. Html#110253220904356307.

Recorded crowd of people leaving field day. I was hanging out of a 3rd story window using a roland r05. The crowd's moving from right to left with a bottleneck to the immediate left. The crowd builds up then clears a bit and so on.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

This is the 50 hz hum with interference from an led christmas light set that was in slow fade mode. I recorded it with a cable connected to the line in port of my pc. I was touching the other end of the audio cable with my fingers and with the other hand i was touching the lights.

The sounds of a moderately busy autumn afternoon right outside of the kremlin, where many tourists and locals gather for sightseeing and festivities in moscow, russia. Recorded with a sony icd-ux560f. Triadtravelogues. Com.

These are the sounds of real daggers banging against each other. Minimal editing has been done: separated samples, some eq, some fades. . . Mostly raw in open-air noisy market environment. Sourced at a recent renaissance festival courtesy of the fine fellows at badgerblades. Comyou can ready about the sourcing here:http://www. Waste. Org/lostchocolatelab//archive/2004_12_01_lostbloggerarchive. Html#110253220904356307.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

Wolfgang Amadeus Mozart: Requiem, K. 626 Salzburg Festival, 1960 Herbert von Karajan, conductor; Wiener Philharmoniker; Leontyne Price, soprano; Hilde Rössel-Majdan, alto; Fritz Wunderlich, tenor; Eberhard Wächter, baritone; Walter Berry, bass.

O Holy Night performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from A Christmas Festival (1997). This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton

Scheherazade, Symphonic Suite, Op. 35. Violin solo by Naoum Blinder. Recorded March 3 & 4, 1942 in the War Memorial Opera House in San Francisco. Victor DM-920. Transferred and restored from the original 78 set.

Aquatic recording of the famous fountain by tinguely in fribourg. Recorded underwater with an hydrophone. Recorded with an aquarian h2a xlron a sound devices 633original recording in wave 96khz 24 bit monosound ref: @ch-180625t06. Recorded during the belluard festival in fribourghttp://www. Felixblume. Com/son-seul-wildtrack-belluard/.

This is the audio sample from the disco led hack. Posted here: http://www. Darsha. Org/artwork/disco-led-hack/. Description:this is a how-to video that illustrates how to hack into a self-flickering led. This experiment was conducted during the musicmakers hacklab at the artifact festival at the stuk kunstzentrum in leuven, belgium. With arvid jense, elvire flocken-vitez and create digital music. Sample available here!thanks amine mentani!.

Drumloop realized avec une beat box de type vsti, et tous les sons ont été fait, tant que faire ce peut, par moi même, votre serviteur, défenseur de la veuve et de l'eau primée au festival de cannes,la fâmeuse, cette ville de 100 000 habitants l'été et 42 l'hivers !!.

Ave Maria in Due performed by the Concert Band of the United States Air Force Heritage of America Band. This recording was done at Ogden Hall at Hampton University. This was the first Christmas/Holiday CD accomplished under Captain Lang’s baton. Track 6 from A Christmas Festival (1997).

Stereo ambience of people passing by at the kulturforum in berlin. This is a large open concrete space next to the berlin philharmonic hall. It's a warm summer evening and the berlin philharmonics have just finished an open air concert. The recording starts about 15 minutes after the end of the concert while everyone is leaving the place, maybe about 1000-1500 people. The crowd is generally in a happy and talkative mood. There are lots of international folks and tourists, so you'll not only hear german, but also english and lots of other languages. After six minutes or so there is also a police siren in the background. Recorded with a zoom h6 (xy mics). In the same pack there is also a second recording starting directly at the end of the concert with people applauding. It is can be found here.

I noticed there were no dry ice on oven rack sounds here so here is a recording of dry ice interacting with a steel oven rack. As the dry ice melts it creates vibrations on the metal that evolve as the material travels across the surface. It is an awful sound resembling a combination of saxophone, violin, bagpipe and screaming (any species). This was recorded on halloween 2018. It was a tradition in my family when i was a kid to get some dry ice on halloween and fill beakers with colored water to surround the candy display. The addition of dry ice on oven rack sound effects developed later and truly scared a lot of kids because it is so loud and terrible. These days we make some dry ice kief as well which makes the holiday even more festive and weird.

If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .