151 fișiere audio royalty-free pentru "Inch"

Here's a old geiger counter with the tube held by a radioactive test sample, probably / hopefully fairly well decayed. Audio is recorded by hanging the headphones on a blue bluebird condenser, as the headphone connector is an unusual 1/2 inch threaded thing. The serial number of this unit is 71605.

The exhaust fan in my computer case spinning at 1000 rpm an inch from the mic. Loops seamlessly. Recorded with a roland edirol r-09hr and edited in audacity. If you use this sample, please tell me what you did with it below! links are nice too.

I set up a zoom h6 about 12 inches away from an heavy old closet door with an ancient door knob. Enjoy the freedom of creative commons!. -keith nolan. P. S. This was recorded as a mid side stereo.

This sound has the potential to be used as a great intro for a house track!i created this using logic pro x 10 on an apple immac late 2013 27 inch model. I made the loops from scratch myself, and the all of the sounds were sounds already installed in the daw. I created this at home on my computer.

Recorded my dog chewing a dental treat. Signal flow:zoom h6 > rode ntg2 (phantom power provided by h6)mic placed approximately 7 inches from mouth. Audio has been processed to remove hum/noise.

I hold a carbonated can to my microphone and open it in two motions, one to release the pressure, and the other to open the hole the rest of the way. This was a 12oz (355ml) standard soda can (specifically moxie) held in my hand a few inches from the mic, with some slight ambient humming removed in audacity afterward.

After searching the vastness of the interweb for some 6 inch zilbel samples with no luck, i finally decided to record my own bell. Theres 3 versions of 4 single samples each, 4 chokes, 4 medium and 4 hard hits. I know a lot of you out there have been searching for some samples of one of these bells for a long time so here ya go guys, totally free, full to use for whatever you want, no credit needed to be given to me. These sound amazing in a mix and really add a lot of life to your drum tracks, they dont sound over compressed (theyre dry recordings) and they dont over power everything else, nice crisp and clear. Ding away my friends!.

Hohner blues harp in c, played cross-harp (g major) for multiple “train whistle” sounds. First played high (d and f), then lower (b and d) , then a little faster. Recorded about 10 inches away with tascam dr-05. Multiple takes were trimmed and assembled in audacity.

Acoustic drums playing a groove reminiscent of abba's dancing queen, but at a slower tempo, 94bpm. Recorded with a zoom h2n in xy configuration slightly behind the drum set throne. Drums are yamaha stage custom (birch wood shells), except for the bass drum (a 16x12 inch kick from a millenium youngster kit).

This is a 36 inch/. 9 meter jacobs ladder made from a neon sign transformer, recorded from the side so the sound of the arc pans right to left. Easily editable to loop. 60hz feed here.

22" pacific kick drum. This sample has been reworked a countless number of times until i could get the most balls out of it. Great for many styles of music, maybe some slight eqing to get it in your mix.

A 3-inch folding pocket-knife opening and closing. Recorded very close to the microphone. Makes a snick/click sound. The sharp blade folds into a steel housing so the sound is metal on metal. Recorded: august 2014, with android voice recorder (mono), inside/evening in very quiet room. Noise reduction with audacity.

My window air-conditioner on the fan setting. Fan turns on for a few secs and shuts off. Recorded on yeti usb microphone on the stereo setting. Microphone was placed about 6 inches from the unit, right below the top vents where the air comes out. Some very low frequency rumble was attenuated slightly.

This sound is of a loop of chains being manipulated, along with footsteps. It is meant to invoke a sense of imprisonment or creepiness, but you may use it as you please. It was taken using a zoom h4n field recorder. The chains were 1/4 inch thick, attached to picnic tables, the footsteps are of skate shoes on concrete. 2014.

A tiny baby chipmunk chirping at me and looking at me as a stern warning. It was about 2 inches long and sitting on a tree branch about 4 feet in the air. After some time realizing i was not leaving, the chipmunk retreated into the distanct and out of my sight. Recorded on: tascam dr-05xdate: july 9, 2022location: clegg lake, uintas, utah, usa.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

Audio from a small forest brook near grafing in bavaria, germany. Recorded with a directional microphone, aimed directly at a turbulence, from about 30 cm (~12 inch) away. Use however you please, credit appreciated but not required. If you'd like to tell me what you used it for, go ahead, i'd love to hear it.

Sounds from a babbling welsh mountain stream, 5 recordings from different locations on the stream, babbling and gurgling. Also sounds like rain or boiling oil perhaps. Recorded in mono with a tascam dr07 and shotgun mic 5 inches from stream.

Striking matches / lighting matches close to mic'. 16 bit, 44,1 khz, mono source & output. No envelope automation, no compression, nothing except a slight hp at 26 hz. Clipping did occur on some transients for a few milliseconds (0-4 ms) on the strike due to mic' proximity (3 inches). Mic' used: samson c01 usb.

Mournful cows mooing in the night. These are my neighbor's pasture-raised cattle and they have a pretty good life but about this time every year he has to wean the calves. He separates the calves from their mothers. They are on opposite sides of a fence. The fence is a single electric wire. The mothers and their calves are inches from each other but not in the same field. It makes me so sad to hear them in such distress but they seem to get over it in a few days.

This recording was made by me on monday, october 20th, at approximately 7:30pm. It was done in my house in montgomery county, pa, with a rode ixy mic (the 30 pin version), attached to an iphone 4s. The iphone, with the mic, was placed on the sink, approximately 6 to 8 inches away from the toilet. The sound was recorded using rode's iphone recording software, then uploaded via their file transfer site, downloaded, and then imported to adobe audition cs6 being run on a mac book pro, and normalized.

Inserting a 5. 25-inch floppy disk into a micropolis 1053 i metafloppy floppy-disk drive. That's the sliding sound at the beginning. The second knock-knock type of sound is the press-down-and-hook drive latch being closed. The micropolis 1053 is a two-drives unit for s-100 bus early computers. This sound was recorded on the upper floppy-drive.

An up-close recording of a single cricket chirping. I recorded this with a shure beta 57a microphone, at my house, with the mic a few inches away from one of my housemate's crickets (don't ask). I used cubase and izotope denoise to remove noise artifacts, as well as a low-cut to remove unwanted low freqs. Recorded in mono but exported in stereo, so both the left and right audio channels are the same.

Opening and closing a scion tc 2015 model. Recording using internal xy mic from zoom h5 a couple of inches from the door handle. Cleaned the background noise with izotope rx4. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk audio. I love hearing what people are up to in different sound communities!702-860-9869.

A wonderful slice of small town life. Recorded august 27 2022 at a small town baseball game in southern illinois. Not a huge crowd, but you hear the murmur of parents, kids and of course the crack of the steel bat against the baseball. Especially good with headphones on, as i recorded this in stereo. Equipment: zoom f3. Microphones: em clippy 272 omni-directional microphones on microphone stands located 38 inches apart. Enjoy this timeless summer soundscape representing all that is good. (to paraphrase james earl jones! ).

My first ever field sound recording, made with diy mic and sony mz-n707 md, sp mode, mic gain set to "low". Tommorow will make some more :). Gilera runner sp50, 50 ccm 2-stroke scooter, with removed factory speed-limiters (some of them are in the exhaust). Mic was positioned maybe and inch above exhaust. At the begining automatic choke is engaged, hence the high idle revs. .

I layered three different snare drum takes to achieve this one. All three of those takes are from a ludwig black beauty. I did a close, stereo overhead, and stereo room mic configuration. Originally recorded/used for an 80s cover song i've been working on. Sounded nice in the mix so i thought i'd throw it on here. -yellowtree.

This is the sound of a rat gnawing its way down through our wooden ceiling (and 2 days after this recording there was a hole about an inch wide in the ceiling!). Recorded july 15th 2015 around 10 o'clock in the evening in the livingroom of my house in fredensborg, denmark, with a portable recorder zoom h2n. The soundfile was then exported from the recorder to a windows pc through usb, and normalized (i. E. Amplitude brought up to 0 decibel) using steinberg's wavelab software before uploading to freesound.

A slow, fingerpicked chord progression on a 6-string guitar. I recorded this using my zoom h4n recorder and some external, stereo microphones. The microphones were the samson c0-2 and i had them mounted on two separatemicrophone stands: 1 was pointed at my left hand on the fret board to hopefully get the finger-squeaks, and the other microphone was pointed right above the sound-hole about 3 inches above the opening. Hope you enjoy this, and since it is creative commons, feel free to use this for projects, radio or podcasts. All i ask is that you use my real name, kevin boucher, in the credits. Enjoy.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

I needed a very specific brand of lollipop with a chocolatey center for a short film i'm working on. None of my library crunch fx sounded right, so i chomped into one myself. Just call me mr. Owl. Recorded on an iphone, about an inch from my face. Just a single crunch edited to have a little extra tail. The effect came out as a satisfying crunch with decent low-mid range. Could be pitched down a bit to act as bones, or maybe a small to medium sized tree branch. I may record more of these after i visit the dentist next.

The eerily quiet soundscape of a small midwestern town during the covid-19 shutdown. . . This was recorded in town, on a friday night (april 3rd, 2020) at a time when there is almost always more traffic, people and families walking and talking on the sidewalks. . This recording started at 11pm at night. . . What a strange, weird eerie feeling of this track. You will hear a lot of steady wind gusts, dry leaves being moved around by the strong southerly flow. . Equipment: sony pcm-m10 recorder sitting on a small tripod about 3 inches from the ground. . . I had to really crank up the gain on this one because everything was so quiet---almost as if the neighborhood was holding its breath. . . . Hope you enjoy this unique ambiance.

I was surprised this still worked. This is an old ibm selectric ii typewriter, with correcting tape, the “quieter” selectric at the time. It’s about 80 pounds, a real back-breaker. The carriage return bell is broken, unfortunately, so the best you might hear it is rattling due to the belt vibration. Recorded with a tascam dr-05, without the low-cut since i wanted a beefy sound. Placed direcly above the roller, about 12 inches away. I swapped the channels in audacity to match perception & sampled down to 48khz. Description: i roll in some paper, type a few paragraphs from some copy, and roll it out when i’m done. Man, can you type fast on these machines!.

Just having some fun with the 6 inches of snow that we received. The first part of this is me walking/breaking some ice that had formed in a low area and then me walking on snow, which has a frosty glaze on top of it. Recorded with the handy/zoom h-4n recorder using its built-in microphones. The built-in microphones can be adjusted to pick up sound from 90 degrees around the microphones to 180 degrees. For this recording, i had them on 180 degrees. *note, you will also -- if you listen carefully -- hear a male robin singing in a tree. Pretty unique combination - the snow and ice being crunched with the typical sound of spring in background. He must have been one tough bird!.

I found this fairly small low area, in deep woods, with about 5 inches of water in it. I wouldn't really say it is a pond because it will probably be dry in a month or so after the spring rains. (i think ecologists would call this small body of water an "ephemeral" pond). These spring peepers were putting on quite a chorus as the sun was going down. You'll hear a different sounding frog - or peeper - several times in: at 9 seconds in, 13 seconds in and 15 seconds in. When i first heard it, it sounded like a creaky door! hope you find this fascinating and enjoyable as well. Would make a great soundtrack for a swampy piece. Recorded using my trusty rode ntg-2 going into a zoom h4n recorder.

My mother's house is the keeper of a trend by sligh grandfather clock named bonnie. Each time i pass by it, i admire the sound. I decided to capture it. It's mostly a clean recording outside of the occasional bird chirp or atmospheric sound. Easy to clean up, edit, and loop. Enjoy!. Recorded using an oktava mk-012-01 through a focusrite scarlett 2i2 audio interface; captured at 96k 32bit float, and bounced down to 48k/24bit in pro tools on windows 11. The mic was placed about two inches away, perpendicular to the face of the clock with the dial window open. The only processing i applied was a fabfilter proq3 48db/oct low cut at 110hz to eliminate of some of the room/ac rumble.

Amicus No.: 31386294, Performer Heading: Victor Military Band, Performer: Victor Military Band, Title: "O Canada" [sound recording] / [Calixa Lavallée], Composer Heading: Lavallée, Calixa, Generic Label: Victor, Transcribed Label: Victor, Numbers: Issue no.: 17999, Matrix no.: [16871], Take no.: 1, Side no.: B, Notes: Distributor: Victor Talking Machine Co., Camden, Manufacturer: Victor Talking Machine Co., New Jersey, Recorded: [9 Dec 1915], [Camden, NJ], Victor Talking Machine, Released: [ca 1916], Issue Type: primary label, Discographical reference: disc; Abrams, unpublished research, recording date, release date and matrix number, Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch, Genre: Anthems ; National anthems; Hymnes nationaux, Canada, Location: 0004 1376 1379

Clean, dry recording of a smartphone touchscreen being rapidly tapped as if a message was being written on it. Could just as easily be used as sounds from using (writing, playing mobile games, browsing, etc) a tablet or really any relatively small touchscreen device. Tapping speed and length between taps varies throughout the recording, but overall i tried to make it sound as natural as possible while still offering options for more granular placement. Recorded with an akg p170 into a tascam 208i audio interface at 48khz/24-bit. Microphone was positioned 5-6 inches away from source. A 120hz high-pass filter was applied to remove unnecessarily pronounced bass frequencies.

Tell me pretty maiden from Leslie Stuart and Owen Hall's Florodora (1899 in London; 1900 on Broadway). Sung by the "Edison Sextette" (Ada Jones, George S. Lenox, Corinne Morgan, Grace Nelson, Bob Roberts and Frank C. Stanley) for Edison Records. It Edison Gold Moulded Record #8260. Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit. "Tell me pretty maiden" is a double sextet, sung by six girls, matched in looks, all 5'4" inches tall and 130lbs, and their six suitors. This recording cuts their number in half, since, although it is difficult to get six people in front of a recording horn, it is even more difficult to get twelve.[1] This recording consists of only the first verse. A vocal score is available at The International Music Score Library Project.

It was time to mow the lawn, and it was a beautiful day for mowing. 80 degrees and sunny. Not much breeze at all. For the production: i took the zoom h1 out and set it by the porch about 2 feet up off the ground. Recorded at 96k 24bit. The low cut and agc were disabled. Once recorded, i finished it off with a small amount of airwindows "air" with the 22k tap opened all the way up. For the mower: i used a 21 inch 140 cc "550ex" series briggs & stratton gas walk behind push mower. When i finished mowing my yard, i approached the recorder up to about 2 feet, then i cut the engine. I start it again and let it idle in close proximity for about 8 seconds, still at a distance of about 2 feet, then cut the engine one last time. I'm sure this could potentially come in handy for those outdoor scenes where you could use some distant neighborhood activity or a close-up start/stop. Enjoy!.

As our planet becomes increasingly crowded, finding a quiet, natural, tranquil place to listen to pure nature becomes harder. Even in the rural area of deep southern illinois you have to really try hard to find a place where the man-made sounds aren’t everywhere. However, i found just such a place on september 9th, 2012 at the cache river state natural area. This very peaceful recording was made at around 3:00pm in a grassy field bordering a small pond. The pure, droning sound of the insects of late summer make this soundscape almost hypnotic. If you listen closely towards the middle and end of this recording, you can hear the pleasant chipping of sparrows and the not so pleasant call of a crow off in the distance. Recording made with the handy/zoom h4n recorder, using the internal built-in stereo microphones. I mounted my recorder on a small tripod literally 3 inches from the ground so my recorder was actually hidden in the grasses and goldenrods of late summer.

This is a recording of an office paper shredder starting up. This model of paper shredder has a button that you can press to run it briefly in reverse, in order to clear paper jams and clean the blades. If the shredder hasn't been used in a while, it takes several seconds to start, and makes a cool noise while doing so. The click at the start of the recording is the switch being pressed. You then hear the motor struggling to start up for about five seconds, and finally it comes up to speed. The high-frequency crackling you hear, particularly once the motor is running smoothly, comes from bits of paper still rolling around in the blades (easy to convert into a campfire or rain). There's another click at the end when the reverse button is released. I uploaded this because several parts of the recording sounded like they'd lend themselves to morphing in various ways to create other interesting noises. Recorded with a hand-held zoom h4n, stereo 96 khz / 24 bits, with the built-in mics, positioned about six inches above the rotating blades of the shredder.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.

This recording was done on a balmy day in early november at the shore of a small lake in southern illinois. Even though it was november, i was in a short-sleeve t-shirt, because of the warm weather that we had been having. However, there was a huge, approaching mass of cold air from canada approaching which resulted in some tremendous, steady winds, gusting up to 40 miles an hour. I literally had my zoom h4n recorder sitting in some sedge-type grasses inches from the lake, which enabled me to get the clear, crisp sound of the wind-driven wages breaking over the small rocks and sticks. Occasionally you will hear a dull roar of the wind, which i was able to decrease a bit using my graphic equalizer, although as you listen to the entire piece you will notice that i just could not eliminate all of the “wind roar”,. Still, i think this is an effective, realistic sound-record of what happens when cold air hits head on with warm air over a lake. Again, this was recorded using the zoom h4n digital audio recorder, using the built-in stereo microphones. Enjoy.

A stockholm, sweden commuter rail x60 train (alstom coradia nordic) on the then j35 (bålsta - nynäshamn) line arriving at and leaving from the älvsjö station. It was a cold day, if i recall correctly between -10 to -20°c (-5 to 15°f) and there was about 1 or 2 centimeters (1/4 to 1/2 inch) of powdery snow. 00:00 warning signal at crossing (for commuter train employees only) with train arriving in background. 00:21 footsteps in cold thin snow layer00:25 squealing as the train comes to a stop00:36 doors opening00:41 driver announcing that the train will depart for stockholm central station and bålsta station00:55 warning sound before doors are closing and more footsteps00:58 doors closing01:11 squealing as the train start to roll. Recorded friday december 18, 2009, 10:01 am (utc + 1 h), with the built in mic of a canon digital ixus 950 is camera (which could be used to record audio only). File straight off from the camera with the exception of id3 tags added with foobar2000 v1. 3. 4.

Amicus No.: 31386781 Performer Heading: Price, Percival, 1901-1985 Performer: Percival Price, carillonneur Title: O Canada ; God save the King [sound recording] / [Calixa Lavallée] Composer Heading: Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 216504 Take no.: 1 Side no.: A Notes: Distributor: Victor Talking Machine Co., Montreal Manufacturer: Victor Talking Machine Co., Québec (Province) Recorded: 1 Jul 1927, Ottawa, ON, Victor Talking Machine Released: [Sep 1927] Issue Type: primary label Comments: Additional information/information additionnelle: Actual moments during playing of Carillon Bells, Victory Tower, Ottawa, July 1, 1927 ; Music for "God save the King" is probably traditional. Discographical reference: disc; Numerical List of "His Master's Voice" - Victor recordings 1929, release date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; National anthems; Chansons patriotiques; Hymnes nationaux, Canada Location: 0016 2083 2086 Web location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31386781

I recorded these spring peepers in upstate ny on march 18, 2022 in a wetland area. Spring peepers are small tree frogs. They are rarely seen, but during mating season in the spring, they are often heard. They are generally about one inch (2. 5 centimeters) in length, or about the length of a paper clip, and their weight averages from 0. 11 to 0. 18 ounces (3 to 5 grams). Spring peepers are known for the males’ mating call—a high-pitched whistling or peeping sound repeated about 20 times a minute. However, the faster and louder they sing, the greater the chances of attracting a mate. They often congregate near water and sing in trios, with the deepest-voiced frog starting the call. They begin breeding early in the spring and call on warm spring nights and during the day in rainy or cloudy weather. Females lay their eggs in vernal pools, ponds, and other wetlands where fish are not present. A female may lay anywhere from 750 to 1,200 eggs, which attach to submerged aquatic vegetation. Males fertilize the eggs as they are laid. Depending on the temperature, eggs can hatch within two days to two weeks. The tadpoles have gills to breathe underwater and tails to help them swim. Tadpoles transform into frogs over the course of 6 to 12 weeks. Spring peepers are said to have short lives, living three to four years at most.

*Amicus No.: 31385055 Performer Heading: Jarvis, Harold (Harold Augustus), 1864-1924 Performer: Harold Jarvis, tenor with orchestra Title: O Canada : Canadian national hymn [sound recording] / [A.B. Routhier, lyrics] ; [Acton, Jas, transl.] ; [Calixa] Lavallée, music Composer Heading: Routhier, A. B.; Lavallée, Calixa,; Acton, Jas Generic Label: Berliner Transcribed Label: Victor Numbers: Issue no.: 5517; Miscellaneous no.: 2 Notes: Distributor: Berliner Gram-O-Phone Co., Montréal Manufacturer: Berliner Gram-O-Phone Co., Québec (Province) Recorded: Camden, NJ, Victor Talking Machine Released: [1 Aug 1908] Issue Type: primary label Comments: Single sided disc; sales/use/price licence appears across top of label; HMV symbol on label; "His Master's Voice"; patented 1897, 1908; Victor Talking Machine Co. matrices, sales/use licence in Canada only, appears arcing as a single-line across bottom of label. Title of Acton's translation : O Canada, beloved fatherland, copyrighted 1907, by The Home Journal, Toronto. Discographical reference: disc; Encyclopedia of Music in Canada, 1992, composer/lyricist; The Toronto Daily Star, release date, release year Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; Chansons patriotiques Location: 78/10 20,341 Website location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31385055

If i had known that my best friend moaned like this, i'd have fucked her years ago so i could have enjoyed it much better when she was far more innocent. She wanted my dick for a long time, i could tell that. She was instantly my pants and i'd find the wettest pussy i've yet to know. After kissing, i stuck my hand down her tight leggings, my hand slowly going over her panties to rub her beautiful pussy. Her panties were soaked. I think i grew an extra inch i was so hard off her wetness. She was so wet i needed waders and even though i have a decent sized cock, it kept slipping out of that wet pussy. She thought i kept pulling out and begged me to stop teasing her at one point. She also sucks dick like a pornstar, it was amazing. She's consented to all this. Just trying to help her 'daddy' out now. As she calls me. It was such a satisfying cum. She was shaking as i filled her up. And now that she started calling me daddy. . . The next times only going to be so much better. . . Feel free to use recording. Shout out to >passionateautistic< might come in handy one day.

O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413