5.028 fișiere audio royalty-free pentru "Mic"

By chance i noticed that my guitar neck was cracking, in a very nice way. I used it, ever since i noticed this, for several sound design gigs. I hope you can use it too. (recorded with two neumann km184 mics and a ssl xlogic pre-amp. ).

Construction site next to my apartment. Lots of noises of trucks and tractor clearing dirt and debris after taking down a building for a complete rebuild. Recorded with zoom h5 internal x-y mics.

Sounds from bray air display 2019 recorded july 28th 2019. Includes aircraft flybys. Commentator barely audible in background. Footsteps on beach pebbles. Recorded with tascam dr-40 using internal mics with bass rolloff cuttoff at 120hz and tascam ws 11 dead-cat wind shield (it was quite a windy day).

I recorded the sound of submerging some jars and bottles in water. Bubbling, glugging sound. The sound of something sinking for ever into the brackish waters. Earsight nano mics, tascam dr2d. Originally recorded at 96 khz, but i slowed it down to 48 khz because i liked the bigger sound. .

I stopped and recorded los angeles canyon traffic on my way to work. Nice selection of engines, cars, etc. Was on a hill, so engines pull harder going one way than the other. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

I stopped and recorded los angeles canyon traffic on my way to work. Nice selection of engines, cars, etc. Was on a hill, so engines pull harder going one way than the other. Recorded with: sound devices 702t, beyer dynamic mc930 mics.

Recording of a calm natural environment by night, with cicadas background, crickets activity, very distant light traffic, a faint faraway dog barking and the wind rustling through leaves and bushes. Format:wav 48khz 24bit stereo. Gear:zoom h6 with xy mics.

Mid/side recording of birdsong on a drizzly surrey morning. I hate to say it but i just don't want to hear any more lousy field recordings from portable devices with those dreadful 90,120 degree built in mics. If you're truly honest with yourself, they stink of amateur.

Recording made by artist, oliver payne for the greensand country landscape partnership to celebrate the sites and sounds of the greensand ridge. This recording was made on march 6th 2021 on a still day, in a dip in the middle of a small wood. Recorded with mixpre3 and clippy mics.

Sampled from a 20 inch k. Zildjian istanbul ride from the 1950s, and subsequently modified by master cymbal smith mike skiba for a final weight of 2220 grams. Recorded with stereo pm mics. This is a hard stick tip hit on the bell or cup of the cymbal.

This is a short file recorded in the ne suburban area of mpls. , mn. It is what the pond in our back yard sounds like after dark in may. Recorded with the built in mics of a marantz pmd660 at a distance of 30 yards from my deck.

Recording on a trail at mont-belair , quebec, canada. Slight wind in the leaves, a thrush and other small birds can be heard, as well as a curious mosquito who got near the mics at the end of the recording. // recorded with zoom h4n.

Unprocessed! various tones as glass touches porcelain plate. Can be good for click or hover sounds or as foley for a kitchen scene. Clean noise-free recording with a zoom h1 [xy mics]. Some parts of this recording was used for our own project. Https://speakworldlanguages. App.

Passenger plane just took off, gaining height, flying by. Recorded with ms mics of zoom h6. Might be good for ambiances. There's no ringing sound in original stereo version, it's only in preview. 48khz, 24 bit, stereo, wav. Use it anyway you like. Please rate the sound after downloading. Enjoy).

Recorded in wet area by a cornfield in northern dutchess county ny around 2005, using a matched stereo pair of (soundroom,inc) oktava 012 mics w/cardioid capsules in an x/y configuration feeding a marantz 660 digital recorder.

Grade school recess, outdoors. Mostly 4th and 5th graders, some playing basketball. Occasional vocals from the pe teacher. Light vehicular and air traffic. Mostly kids playing. Useful as ambience. Recorded 44. 1, 16 bit, on an h6 with the crossed stereo mics set at 90 degrees.

I tried to get a surround recording using mics, but there was a horrible street musician playing off in the distance. I thought it wouldn't be clear in the recording, but one of the mics picked him up quite well. The recording was ruined, so i did a little processing at home and came up with this freaky bit for your listening pleasure. Not sure if it's usable beyond listening, tho. . .

Fireworks- recording fireworks is really strange. There are two distinct things going on with fireworks- the sound of the explosion, and the powerful physical impact our bodies feel when all that sound energy reaches us. Thing is, the mics don’t have any way of capturing that physical impact; they can only record the pop sound of the initial explosion. So what ends up on tape? honestly, it doesn’t sound much different than popping popcorn in your kitchen. Even with my good mics, i think i had to boost the low end a little bit in this recording to make it actually sound more like fireworks than popcorn. But judge for yourself. Nady stereo condenser microphonefocusrite saffire pro24 interfacelogic 8 on a macbook pro4th of july fireworks over mission bay, sandiego.

I'm back with another binaural. I am attempting to capture the sounds that remind me of the places i have visited. This is a recording of fuertaventura, in the canary islands, inland in the desert, morning with the wind blowing the sand, desert mountains all around just like the wild west. I upgraded my binaural mics to roland cs-10em from my homemade ones. I'm happy if you can notice the difference. I like that they are combined mics and earphones with little windbooms. Files are recorded in:24-bit 96khz. Wav. They are as big and as high quality as i can make. Please comment :).

Medium tone drone from my paul company (india) harmonium, slightly deeper tone than my drone1 uploaded here. Recorded with zoom h4n via onboard mics, 3 feet in front of harmonium on same (floor) level. Edited with audacity 2. 06. Recorded on 2-11-15 at 3:20 pm, mountain time.

A squishy shakey wet sound of lightly soaped and wet hands being rubbed together very quickly. 27 variations in wetness and "squishiness. " good for scrubbing hands (of course) or a dog shaking water off. Recorded in 16bit / 44. 1khz wav on a zoom h4n using its internal mics.

Recording made with roland r-26 xy mics at bako national park, borneo island, rainforest ambience near a water stream during daytime of 01. 10. 2013very loud cicadas included.

I´ve found a more than 2 meters high and wide bronze artwork hanging upright. It has several blocks on its surface, looking just like a upright hanging town. On 5 of the "houses" i played a rhythm, using rather hard drumsticks für kettledrums. Recorded with zoom h4n with 2 schoeps ccm4 mics.

Soft rain on an open roof window recorded from the inside. There's a suburban hum and ambiance with a few birds chatting and some thunder in the distance. Recorded in stereo with tascam dr-100 internal mics. Subtle compression and some eq was applied. 48 khz | 24 bit.

Recorded during a wet winter storm on january 12, 2014 in nova scotia. Wind gusts were reported to be 100 km per hour with heavy rain. Recorded using a zoom h4n using onboard mics standing under an awning for cover. Curious how this ends up being used.

Traveling on tram 11 towards central station, taped voice announces in dutch that next stop is mosteresestrat, children tell their mum it's monster-straat next. Doors open and mum check out of tram with electronic card. Recording: olympus ls3 + okm binaural mics.

A summer field near a big lake in july, at dusk using zoom h4n recorder with built-in stereo mics. You can hear a quick fly buzz at 33 seconds in. You will also hear a boat in the distance towards the end. Great to enjoy with good headphones on.

There are nearly 3000 files here with the tag "thunder". . This is one of them. This one had the strike maybe a quarter mile / half km away, spring storm on the south end of denver, co. , usa. Recorded with a zoom h4n, internal mics at 120'. Raw file, no processing.

Clap for carers, 8pm 21st may 2020, southampton, ukpeople clapping, cheering, ringing bells, fireworks, car horns, ships foghorn in support of the nhs and uk care workers during the covid-19 lockdown. Zoom h1, luhd mics, deadcats20-05-21_195818_h1_luhd_clap_for_carers. Wav.

Recording of a courtyard garden fountain in the abbey gardens in bury st edmunds, suffolk. Recorded early on a sunday morning to minimalism unwanted sounds of people!. Recorded using integrated stereo mics on zoom h4 recorder. Wind sock and hpf have been used to reduce rumble.

I needed a sound effect of a body being thrown into a river for a play. This is a recording of me falling backwards into a pool. Splash_1 is a little louder, and there is some clipping. Splash_2 is a bit longer. Recorded using internal mics of a zoom h2n.

Ambience onboard the red funnel car ferry to the isle of wight. The ferry was busy and i don't think a single person was listening to the safety announcement. Olympus ls-5, built in mics, 25hz hpf.

Coal coast nsw bush recording attempt with the kids. They struggle to keep still and i, the recordist, slowly lose my patience / belief that a recording is possible. Good demonstration, however of the 360 sound panorama of the hooke verse, binaural mics used. Stereo 24bit 48khz format.

4ch-surround field recording of the interior of a car during heavy rain. Very neutral with no other contaminating noises, so it's ideal as a backdrop. . . Recorded with a zoom h2n. These are the rear channels of a 4ch surround recording. Mics set to 120° dispersion.

Night: high winds with gusts. Record inside a wooden shed, 12 ft by 30 ft. Low roar of wind outside with louder, higher velocity gusts. Creaking of wood structure, bang of object on wall. Recorded with oss (jecklin disk) system using two josephson c617 mics with microtech-gefell mk221 capsules.

Dartington crystal wine glass struck with a rubber headed mallet on the rim. Recorded at home on may 5, 2014 at 11. 30 p. M. Equipment used: zoom h2 handy digital recorder, front mics, wav recording 24 bit 48khz at 60 cm from glass (small room) imported as mp3.

Ambient sound of a backyard during day time in a quiet street of the city - people talking far away, birds singing. Recorded with zoom h5 with its xy internal mics. Location: tel aviv, israel.

From the source: "An AIFF recording of two lovely old guys playing the gamelan xylophone in Bali. Recorded last October with a PMD660 Marantz in 16 bit with internal mics. A little bit of air around it but a very beautiful little tune and perfect for background to something. Enjoy."

A binaural recording of mallard ducks at a fishing lake in the wilds of north yorkshire (near helmsley). There is an unexpected pheasant 'take-off' at 1:24. Recorded using a home-made pair of primo em172 binaural mics into a zoom h2. N.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

Brushing off a down/nylon jacket, as if dusting snow (or rain or dust) off of someone's shoulders. Could be used for many different swishing noises. Recorded with stereo nt1a mics in a soundbooth. Volume boosted in audacity. No other effects.

City sewer outflow to the baltic sea in gdynia, poland. Outflow dry, zoom h4n's internal mics placed 30 cm inside a sewer outflow (about 1m diameter) directly to the sea. No editing whatsoever. If you're as sick as me, you could hear the waves coming in and out of this tight pipe. . .

Test recording using pair of nt55 omni mics mounted end to end (using modified female-to-female xlr coupler) in a blimp. Recording on quiet but breezy day in norfolk village garden: sounds of birds etc. And, towards the end, a car going past. Recorded via sound devices mixpre-d and tascam dr70d. No processing except normalising.

This is a recording of a church bell ringing before the evening service. Bell is playing a slightly flat b3 (around 240hz) with nice harmonics (very loud at d4). I was recording it on my laptop from the yard behind the church using two shure ksm32 large condenser mics and a rme fireface uc. Hpf at 60hz, no postprocessing.

A metallic bowl which when rubbed circuitously with a pestle style cylinder creates a beautiful note that gradually builds into a full ringing tone. I'm unsure if this is technically a tibetan signing bowl or not. . . Feel free to correct me. Recorded on a tascam dr-40 internal mics, set to xy position , in a converted farmhouse.

Gorgeous sound of two vintage british diesel locos pulling a 13 carriage train. Recorded using the built in mics on a cannon powershot g15 then processed to try and remove as much wind noise using izotope ozone in m/s mode, (much of the wind noise was in the side channel).

Field recording made at the south side of the lincoln memorial in washington d. C. Recorder is facing the tidal basin to the southeast, with ohio drive and it's traffic in the mid-range. Recording conducted in march 2012 with a zoom h2, mics set to 90° dispersion.

4ch-surround field recording of a tv editing suite with all machines running. Very useful as a neutral backdrop for any kind of motion picture or radio play requiring an "techy" feel to the atmosphere. Recorded with a zoom h2, these are the rear channels, mics set to 120° dispersion.

Mud and rocks river. Created by strong rains on the top of a volcano. After the rains, mud comes down dragging rocks. Night. Iruya, very small town in salta, northwest argentina. Recorded using zoom h4n internal mics (stereo xy setup) and rodentg-2. 3 meters distance.

This is the announcement made inside a sanisette (a self-cleaning, high-tech street toilet found throughout paris) when the door opens after pressing the button to go in. The mechanical noises are unavoidable because the announcement is triggered by the opening of the door. Recorded with zoom h4n built-in mics / 94 khz / 24-bit stereo.