4.292 fișiere audio royalty-free pentru "Midi"

Vom Himmel hoch, da komm ich her, Evang. Gesangbuch 24; Es kam ein Engel hell und klar, Gotteslob (1975) 138; Dies ist der Tag, den Gott gemacht, Evang. Gesangbuch 42

Fantasiestücke, Op. 12, Nr. 7, "Traumes Wirren", by Robert Schumann (16 KB, 2:43 minutes)

Ehre sei dir, Christe, der du littest Not (Evang. Gesangbuch 75)

Sankt Martin ritt durch Schnee und Wind, Gotteslob (2013) 545

Nederlands: Frederic Chopin: Ballade #4. Afkomstig van: http://www.ibiblio.org/mutopia/cgibin/piece-info.cgi?id=422, publiek domein

First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement

Ach lieber Herre Jesu Christ, Evang. Gesangbuch 203

Herr, gib du uns Augen, die den Nächsten sehn, Evang. Gesangbuch Bayern-Thüringen 649

Was mein Gott will, gescheh allzeit (Evang. Gesangbuch 364)

MIDI Transcript of listening to the song "Down by the Riverside". Additionally copied correct rhythm from an outdated schoolbook. Transkription des Lieds "Down by the Riverside". Korrekte Rhythmen aus einem extrem alten Schulbuch kopiert.

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Ein Kind ist uns geboren heut, Gotteslob (1975) 136

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

Es, es, es und es, es ist ein harter Schluss

Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.

Popular tune from Latvia Wir, an Babels fremden Ufern (Gotteslob (2013) 438)

Such, wer da will, ein ander Ziel, Evang. Gesangbuch 346

The second piece in the surviving fragments of Mozart's first compositions; from the Nannerl Notenbuch.

Agnus Dei from Missa in Festis Apostolorum, instrumental midi version

B♭ natural minor scale ascending and descending.

Ludwig Ernst Gebhardi: Kanon Ehre sei Gott in der Höhe

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

Tantum ergo sacramentum (Gotteslob (1975) 541; Gotteslob (2013) 496)

Kirchenlied Bei dir, Jesu, will ich bleiben (EG 406); Herz und Herz vereint zusammen (EG 251)

Consonant harmonies based on the odd harmonic overtones 3/5/7/9.

Wir weihn der Erde Gaben (Gotteslob (1975) 480; Gotteslob (2013) 187)

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

*Quarter-comma meantone perfect fifth on C. 3:2÷(81:80)1/4 = 696.58 cents.

Jetzt, Christen, stimmet an, Trebnitzer Hedwigslied

Maria, Maienkönigin, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 896

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

I used a midi loop of a guitar sound and an effect to create a weird down-shifting trailing short melody sample. I used ableton live and its grain delay plugin.

German church hymn Ein Danklied sei dem Herrn; Gotteslob (2013) 382

Nun danket alle Gott, spätere Form, Evang. Gesangbuch 321

G♯ natural minor scale ascending and descending.

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Gott soll gepriesen werden, Gotteslob (2013) Hamburg/Hildesheim/Osnabrück 823

Am Sonntag, eh die Sonn aufging; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 780

Mit Freuden zart zu dieser Fahrt, Evang. Gesangbuch 108

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

Heilger Geist, o Tröster mein; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 785

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

O hilf, Christe, Gottes Sohn, Gotteslob (1975) 181

Fantasiestücke, Op. 12, Nr. 8, "Ende vom Lied", by Robert Schumann (17 KB, 4:01 minutes)

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Ja, ja, ja, ach ja, 's ist traurig, aber wahr