Synthesized MIDI rendering of Guillaume Dufay's "Ave Regina", c.1450, Ox. Bod. Can. misc. 213 f.62, after facsimile in W. Apel, The Notation of Polyphonic Music (1960), facs. 26. Created with Lilypond.
Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.
Autor: The original uploader was Hyacinth at English Wikipedia.
Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.
Was messing around on the piano and started fingering this line. Switched it over to bass. Combination of two basses and some plucking sound: all just sound card midi sounds. Tweaked the bass deeper with audacity. Peace out and enjoy.
A calm sound for interfacing main menus. Created by accident in fl studio whilst editing a synth midi note. Reminds me of the early 90s-00's interfacing sounds which were quite placid, melancholic and tuneful.
The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.
Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110
Seht, die gute Zeit ist nah, Evangelisches Gesangbuch 18; Gotteslob (2013) München-Freising 748
Autor: Melodie: traditionelles tschechisches Weihnachtslied, von Friedrich Walz 1972 um eine Wiederholung verkürzt; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
Example of syllabic and melismatic text setting. MIDI doesn't convey the quality of syllables flowing. Source: "Jesus Christ is Ris'n Today" (Methodist Hymn Book, 1933, No. 204). Created by Hyacinth (talk) 01:28, 18 July 2012 (UTC) using Sibelius 5.
An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg
Autor: The original uploader was Hyacinth at English Wikipedia.
5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.
Pc speaker sounds, recorded by mic'ing the tower. Quite noisy, but still very funky in a beat. I used bawami to get my own midi files to play through the pc speaker in order to produce these sounds.
Enharmonic scale [segment] on C. Quarter comma meantone temperament. Note that in this depiction C♯ and D♭ are distinct rather than equivalent as in modern notation.
Autor: Created by Hyacinth (talk) 03:05, 4 April 2011 (UTC) using Sibelius 5.
