4.292 fișiere audio royalty-free pentru "Midi"

This loop is from my new loop kit called "cloudy loop kit". You can get sounds similar to this one and a bunch of midi files as well. Here- https://www. Adamjudyproductions. Com/sound-kits/cloudy-loop-kit-25452.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 06:08, 14 July 2011 (UTC) using Sibelius 5.

Melodie von Heinrich Schütz (ursprünglich Psalmlied) zu Ich weiß, woran ich glaube, Evang. Gesangbuch 357

Vergiss nicht zu danken dem ewigen Herrn (Evang. Gesangbuch Bayern-Thüringen 602; Gotteslob Würzburg 811)

Ehre sei dir, Christe, Gotteslob (1975) 499; dort als ö-Lied gekennzeichnet; gleichlautend im altkatholischen Gesangbuch Eingestimmt.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Single note sampled from a deckard's dream diy analogue synthesizer that i built myself. Deckard's dream (ddrm) is an 8-voice analogue synthesizer designed by black corporation and inspired in the classic yamaha cs-80. The ddrm (and cs-80) is all about live performance and expressiveness via aftertouch and modulations. Therefore, sampling the notes like i did here does not make much sense and by no means makes justice to the real thing. Nevertheless, i thought it could still be useful and would be nice to share. Synthesizer: deckard's dream (ddrm)factory preset #: 14note: c-1midi note: 0midi velocity: 16.

Ein schöne Ros im heilgen Land (Klausener Wallfahrtslied), Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 891

Ri-ra-rutsch, wir fahren mit der Kutsch, wir fahren mit der Schneckenpost, wo es keinen Pfennig kost

Gott sei gelobet und gebenedeiet (Evang. Gesangbuch 214; Gotteslob (1975) 494; Gotteslob (2013) 215)

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Kimberly Hou at the 2011 Minnesota International Piano-e-Competition

Im Frieden dein, o Herre mein (Gotteslob (1975) 473; Gotteslob (2013) 216)

Messias, Jesus, einzger Sohn, Gotteslob (1975) Osnabrück 854; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 745

Das Heil der Welt, Herr Jesus Christ, wahrhaftig hier zugegen ist (Gotteslob (1975) 547; Gotteslob (2013) 498)

O Lamm Gottes unschuldig; Evang. Gesangbuch 190.1; Gotteslob (1975) 470; Gotteslob (2013) 203

Verleih uns Frieden gnädiglich, Gotteslob (2013) 475; Gotteslob (1975) 310; Evang. Gesangbuch 421

Der Tag der ist so freudenreich, Evang. Kirchengesangbuch 18, Evang. Gesangbuch Regionalteile Baden/Elsass/Lothringen, Nordelbien, Pfalz, Württemberg

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Wacht auf, ihr Christen! Seid bereit, Gotteslob (1975) Hildesheim 822; Gotteslob (2013) Hamburg-Hildesheim Osnabrück 756

Ihr Christen, hoch erfreuet euch; Gotteslob (1975) 229; Gotteslob (2013) 339Christus, du Licht vom wahren Licht; Gotteslob (2013) 546

Extended dominants/successive secondary dominants in Chopin's Op. 26, no. 1, mm.62-63. V/ii = V/V/V, V/vi = V/V/V/V.

Du mein Schutzgeist, Gottes Engel; Gotteslob (1975) Hildesheim 882; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 906

In Gottes Namen fahren wir, Gotteslob (1975) 303; Gotteslob (2013) Freiburg/ Rottenburg-Stuttgart 858

Auf, Christen, singt festliche Lieder, Originalmelodie Fulda 1778

Heilger Bernward, groß im Leben; Gotteslob (1975) Hildesheim 888; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 919

This was created with sampled percussion from the keyboard in adobe audition cs6 and recorded via logitech webcam mic. The sound was further de-noised and cleaned in audition's spectral view and effects applied to make the arrangement work. Hopefully this will prove useful to some.

Hitting a coffee can with a small rubber mallet. Cleaned for use in a sampler, and recorded with a zoom h6 with x/y 90 degree spread. Close range.

Midi recorded at the keyboard and processed through music maker's virtual drum synth. One of ten electronic drum loops with a tribal beat and human sound.

MIDI synthesized rendering of a 14th-century Rondeau, "Doulz viaire gracieus" by Guillaume de Machaut. Produced with Lilypond, after an edition of the piece in Eggebrecht, Hans Heinrich Musik im Abendland, Munich: Piper, p. 237

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

Kommt her, ihr Kreaturen all, Lied zur Sakramentsverehrung

Du, aus Davids Stamm geboren (Josefslied); Gotteslob (1975) Hildesheim 885; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 915

Gen Himmel aufgefahren ist; Evang. Gesangbuch 119; Gotteslob (1975) 230; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 781

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

Das Zeichen ist geschehen, Gotteslob (1975) Hildesheim 807; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 728

Wir wollen alle fröhlich sein (Evang. Gesangbuch 100; Gotteslob (1975) 223; Gotteslob (2013) 326)

Christe, du Lamm Gottes (Evang. Gesangbuch 190.2; Gotteslob (1975) 482; Gotteslob (2013) 208)

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Danket Gott, denn er ist gut, Gotteslob (1975) 227; Gotteslob (2013) 402; Evang. Gesangbuch 301

Hier liegt vor deiner Majestät im Staub die Christenschar, Gotteslob (2013) Regensburg 918

Nun saget Dank und lobt den Herren (Evang. Gesangbuch 294; Gotteslob (1975) 269)

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

Melodiefassung der Antiphon In paradisum zum deutschen Text Zum Paradies (Gotteslob (1975) 84; Gotteslob (2013) 515)

O Mensch, bewein dein Sünde groß (Gotteslob (2013) 267); Herr, deine Güt ist unbegrenzt (Gotteslob (2013) 427)

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

My attempt at simulating a football(soccer) stadium pa announcement. The ding dong. Played in using a midi keyboard and a vst and effected heavily to try and achieve the effect of the pa. For a request http://freesound. Iua. Upf. Edu/forum/viewtopic. Php?t=1626.

This sound consists of sine waves only playing the musical note c, each for a total of 10 seconds. Rendered as a 200/32 wav file (linear pcm, 32 bit little-endian floating point, 200000 hz) in audacity.

And old synth that's inhabited many hard drives for a about twenty years and i finally gave it a whirl. Just some random keys played on a midi keyboard. Make what you will of it.

Pange, lingua, gloriosi corporis mysterium (Gotteslob (1975) 543/544; Gotteslob (2013) 493/494)

Aus hartem Weh die Menschheit klagt; Gotteslob (1975) 109; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 727