File used in the coursera 'audio signal processing for music applications a7 test. The sound are the first three notes of 'mercy mercy mercy' on bass guitar (bb2-d3-eb3). The song was written by joe zawinul. Guitar: sandberg california vm4 (model 1)recording gear: steinberg ur44pedal board: tech21 bassamp deluxe.
110 bpm, c notes, middle c, with a 1/4 wobble, half as sine, half as sawtooth descending, with random sounds and filters. Compressed a bit to give ti the full sound. Useful for games or music.
Short, clean, funky notes. Great for disco, or cool funk. Notes are provided both fretted and muted. Have fun!recorded with a "fender twin reverb" by an "sm58". Standard fender strat in the bridge+middle pickup position. No reverb. Use your own!.
I built a pad with several multiosc synths, this is me pressing one key on a midi controller and letting it go. There are approximately 48 separate oscillators stairstepped on this one. I think it might have completed one cycle.
110 bpm, c notes, middle c, with a 1/4 wobble, half as sine, half as sawtooth descending, with random sounds and filters. Compressed a bit to give ti the full sound. Useful for games or music.
This is a sample of a metal kitchen mixing bowl. The first note (b, not perfect b) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale b to b.
Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).
This is a sample of a metal kitchen mixing bowl. The first note (c#, not perfect c#) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale c# to c#.
