4.536 fișiere audio royalty-free pentru "Record"

Recorded by zoom h1n.

A 1906 recording of American composer Scott Joplin's Maple Leaf Rag (1899) played by the United States Marine Band. This is one of the earliest known recordings of this work by Joplin (according to a discography of 78rpm recordings of Joplin works compiled by David A Jasen in "Scott Joplin - Collected Piano Works" 1981). Converted from MP3 to Ogg Vorbis with a slight trim of the beginning and end by Major Bloodnok. The discography of Joplin's work on 78 rpm records compiled by David A Jasen in "Complete works of Scott Joplin" indicates this is the third known recording of the Maple Leaf Rag. Edward A Berlin's book "King of Ragtime" in a note on p310 indicates that the recording of 1902 listed by Jasen is not infact the work by Joplin, making the 1906 recording the second existing record. Edwards's web-page and this page demonstrate that there are no known existing copies of the 1903 cylinder recording by Wilbur Sweatman and His Band.

Victor 31463 image, Eugene Onegin : Aria composed by Peter Ilich Tchaikovsky, performed by Albert Janpolski

Rule, Britannia! by James Thomson (lyrics) and Thomas Arne (music). Sung by Albert Farrington in 1914 for Edison Records. This is Edison Blue Amberol #2486. I'm afraid the restoration is incomplete, but this is a right royal headache to clean, and it at least has a decent first verse now.

La Tipica - Polka by Carlo (or Carlos) Curti, originally published in 1895; performed by Trio Romano [i.e., Cibelli's Neapolitan Orchestra], Victor Records, New Jersey

Analog bass made in serum us ing 4 square waveforms!.

Example of Psychedelic Trance 2006

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records. This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877 Català: La cavalcada de les valquíries, interpretada per l'American Symphony Orchestra per a Edison Records en 1921. Valkyrieridtet opført af American Symphony Orchestra for Edison Records i 1921. "Ritt der Walküren" aus Die Walküre, dem zweiten Teil des Hauptwerks Der Ring des Nibelungen von Richard Wagner, uraufgeführt im Jahr 1870. La chevauchée des Walkyries, interprété par l'American Symphony Orchestra pour Edison Records en 1921.

Part of sample pack "hip+hop_vinyl" some years ago i sampled some of my vinyl records using my mpc2000. . . Sampled drum kit consists hip hop, electronic and rock records. . . . Enjoy!.

Keyboard deephouse edm loop sample masteredi made the score in maestro. Edited: adobe + fxs + mastered.

Ah! fors'è lui and "Sempre libera" from Act I of Giuseppe Verdi's La traviata. Performed by Lucrezia Bori in around August 1910 for Edison Records. Matrix number: 180-1, NPS object catalog number: EDIS 87690-a "Ah! fors'è lui" и "Sempre libera", первый акт. Исполняет Lucrezia Bori, примерно август 1910 для Edison Records.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Ostensibly, this is supposed to be a cleaned-up version of the famous radio transmissions recorded by the judica-cordiglia brothers in november of 1963, in which it appears that a female russian cosmonaut perished during a botched atmospheric reentry. What it actually is, is a combination of background sounds and a static-edited recording of a female vocalist (stellarcricket), featured in one of my completed audio projects. (if anyone finds a use for this transmission recording, please do let me know how it was used! i'm curious to see what others can do with it!). The background sounds were adapted from the following freesound creator samples:. "quindar tone" by jotliner (https://freesound. Org/s/200813/)licensed under cc0 1. 0. "transmission error (loop)" by julius_galla (https://freesound. Org/s/331337/)licensed under cc0 1. 0. "horror ambient factory #2. Mp3" by shortrecord (https://freesound. Org/s/516895/) licensed under cc0 1. 0.

A recording of flushing the toilet’s water, followed by a groaning door closing sound. Production stages : this sound was originally recorded by a group of students at university lyon 3. Then it was imported to audacity where few modifications were made. First of all, the record was precisely cut so there are no human voices in the background. Then, the sound was normalized and slightly compressed before applying the noise reduction effect. Last, but not least a constant gain was added at the beginning and lightly fading effect took his place at the end. Son du type x (continu complexe)c’est un groupe nodal des sons saturés avec une hauteur variée, suivis d’un bruit d’une haute hauteur. Le son est cannelé et constant et finisse par le son de la porte qui est métallique et aigul’attaque du son est rapide et forte, plutôt abrupte. Le grain est frémissement et rugueuxet l’allure est naturelle, désordonnée et aléatoire.

It's a recording of three emtec cd-rs being broken with bare hands. I had 3 audio cd-r that were burned useless. I decided to record their last sounds. You can hear the cds cracking and breaking, me bending them and trying to break them - they were pretty elastic - i had to learn how to crack them. So at first i had some trouble. Around 0:45 you can hear as i'm bending two cds together they squeak and crackle but don't break. The sound is not edited (hence the tag "raw") - no processing was done - i just truncated the beginning and the end leaving you everything you might need. Recorded with a zoom h2 placed on my bed. I was breaking the cds above it. There was a lot of splinters around, you can hear me fiddle with them from around 2:10 on. Originally wav 96khz/24-bit. Truncated and converted to flac with audacity.

This sound effect was captured by me on video on my canon digital powershot a460 camera, i stood just above the motorway at charing cross glasgow scotland and captured this sound from the jam packed motorway, both sides were busy, i even caught the sound of a police car coming along the hard shoulder. I simply took the sound from my video. Please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

This sound file incorporates sounds from freesound. Org due to the pandemic at hand and not being able to go out and record these sounds individually. The addresses i chose are sportsman’s park racetrack (cicero) and mission hills golf club. I made a substitution with one sound file that i recorded myself in nature in my neighborhood to incorporate the sounds of a golf course. Although the other file was used from freesound. Org. This piece uses these sounds from freesound: vw golf r, by everydaysounds. Additionally, what can be heard on this file is the sounds of birds chirping and rain falling as well as the sound a fast car speeding around a track to propose some contrast. Something that could spark the listener’s interest is that not often does nature and the machines that we humans make harmonize with each other, but in this i think they flow just fine. Https://freesound. Org/people/everydaysounds/sounds/268622/.

Free open source voice overs free of charge. . . To use in your animations games or anything. . . I like to do free voice overs if you want one i can do it for you for completely free but you must join me my deviant-art page for more free stuff as well as paid stuff to if you like what i do please watch my youtube channellink: https://www. Youtube. Com/channel/ucrdm5i3kzmo8yhznba3vg3a?view_as=subscriberdeviantart: link:https://www. Deviantart. Com/xxdowntoearthfooxx there you can get free stuff aswell as stuff that cost a little bit please just click the links and i sent you in this description click the youtube link login and subscribe to my channel it would be very much appreciated if you did i will record a voice over for you and you can have fun making games animations for free and have fun with the voice over i created for you? thank you freesound users.

Recorded on a small olympus device, set next to an open sleeve of stale saltines. You can hear her in the plastic packaging grabbing mouthfuls and chewing the crackers all up. She dips into the sleeve of crackers 3 or 4 times in this recording and smacks her chops after eating it all. Sorry about her collar chiming as dog's tags tend to, i just had to record that big mouthed crunch. I've removed the loud plastic rustling sounds, to focus more on the crunching sounds as she munches on snack crackers. Great for dog food or puppy chow commercials or for a film of a beast eating at charred crispy remains. If you use it for a film put a link to your work in the comments below, i'd love to see how you use this audio of a big mouthed cutie pie cruncher dog.

Formatted for use in the makenoise morphagene eurorack module. These live acoustic recordings i made with a sony pcm m10 around my house / farm in thailand. They concentrate on the percussive hits, scrapes, cuts, frogs, insects, water wells, metal farm things, gongs, railings, fans, crushed snail shells, creaks, dogs, drips and clicks. Useful for musique concrete artists. Https://www. Instagram. Com/p/cczmpenh1n0/?igshid=13qsz9itlxntphttps://www. Instagram. Com/p/cfb6blvhexl/?igshid=b35rj1fju85rfor morphagene users, just rename the wav file "mg1" for it to be seen. The wav file can be used in any sampler but you may not see any of the morphagene slice points - so you need to slice manually. I record music as "mudlogger" using buchla easel/200e, serge 4u and eurorack instruments and as "hoan kiem chess team" using ciat lonbarde instruments. Https://mudlogger. Bandcamp. Comhttps://hoankiemchessteam. Bandcamp. Com/.

Old session file. Check out the session here: https://www. Youtube. Com/watch?v=rk40_lg_vws. Went to the local grocery store to do some stealth recording for my library. This time i promised my self to make my cuts more musical, you guys know, good outside (or) inside recording can be esthetic in many ways. When you walk around and listen carefully, you can hear music everywhere. When i got home i began chopping, an then i realized i could turn this mini recording session into some cool loops as well. I think its a good way of practicing sound design(or anything musically), to just limit your self some times. Basically got the idea when i was studying musique concréte. (concrete music). Could upload the samples if some one is interested?. I used no effects at all, no panning (stereo recordings) or no limiters/compressors. Some of the recording where made by using binaural microphones. I recorded everything with my zoom h4.

Our neighbors fought a lot. Usually at around 2am and it would go on for about an hour or two. Besides being angry and annoyed, my girlfriend and i were always curious as to what they could possibly be fighting about. I had the idea to record them via a long mic cable stretching down the hallway, strategically hidden behind a few pieces of wood, to their apartment door. My plan was to one day play this from my stereo at a loud volume around 2am. As i later thought this through i realized that this would only disturb my other quiet neighbors and was a fairly selfish act. Anyway, i used a $100 audio-technica stereo mic and recorded it directly into my computer as an. Aiff. They seem to be arguing about a stereo and someone not loving the other. It's rather sad. We no longer live in that building so i have no idea what became of them. I hope they are happier now. Enjoy.

Disclaimer: this may be loud. Check your volume. This sound is an experiment i did for a short film my crew and i are working on. I wanted to see if i could make a warning effect like the civil defense messages that play on the radio for storms and other emergencies, so i recorded my voice, and pitched it down, equalized it, put it through a high pass filter and lo and behold, i think it sounds pretty darn close. I then coupled it with a couple alert tones from my local noaa / nssl station and this sound was born. This effect could be used for an apocalyptic scenario or civil unrest, riots, looting, or anything else you desire. Not required, but it would be cool to hear if you use it for anything. Enjoy!.

Arthur Fields sings He Comes Up Smiling. Fields recorded this song in 1914 for Columbia Records (78rpm). Arthur Fields singt He Comes Up Smiling. Fields nahm diesen Song 1914 für Columbia auf (78rpm).

This sound is made using the op-x synthesis with some added reverb.

Keyboard clap deephouse edm loop sample masteredi made the score in maestro. Edited: adobe + fxs + mastered.

Different kicks to choose from. An excerpt from a soundcheck.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

The rockabilly song Dixiefried performed by Carl Perkins.Français : Dixiefried, une chanson rockabilly de Carl Perkins enregistrée et publiée par Sun Records en 1956 (durée : 2 m 27 s).

In 1926 Lansbury's Labour Weekly release a series of gramaphone records of left-wing songs and speeches. This is a recording of one of those records.

Amplified version of a well known drum break by james brown that is owned by polydor records. All credit goes to polydor records and god bless james brown for that magnificent drum break.

The Preislied, "Morgenlich leuchtend im rosigen Schein" from Die Meistersinger von Nürnberg (1868). Sung by Leo Slezak for Edison Records in 1910 This is Edison Amberol #40038

I records fireworks tonight wit the internal mic of a tascam dr 100 mk2.

The Bee's Knees performed by the Virginians, Victor 19000A

I Gave You Up Just Before You Threw Me Down

Wendell Hall performs I'm Tellin' The Birds, I'm Tellin' The Bees. He recorded it in 1926 for Brunswick Records and featured his famous whistling on it. The sound quality isn't the best, but it one of Hall's classic songs. Wendell Hall sing I'm Tellin' The Birds, I'm Tellin' The Bees, dass er 1926 für Brunswick Records aufnahm. Mit Halls bekanntem Pfeifen ist es einer seiner typischen Titel.

Several years back my older brother stumbled upon a bunch of old family reel to reel films and sat down one evening to project them on a wall and digitize them. This is the sound of that process. What you can hear, i imagine, is the noise of the projector in the left channel and the sound of the reels in the right channel. I've been obsessed with the sounds of the infinite variation in old analog hardware. As a sound designer, that infinite variation is often sought after but rarely, or accurately, reproduced through digital files in various libraries. Of if they are, they're often too short to cover whatever scene i am trying to fill. On the surface it's just noise but if you listen closer it's this wonderful cacophony of overlapping and repeating sounds that are always looping but never quite identical on each rotation. It was ripped from youtube using audio hijack at 48khz/16bit, but due to youtube re-encoding things as youtube does, it's nowhere near the source. It's still, in my opinion, a sound worth sharing. Enjoy!.

Theme old bombtimer :. Production steps:i record the sound of a book falling on the floor. I copy the sound impact 8 times on the same track. At the end « i fade in closing ». On another track, i copy the first track. I displace this second track on the right with « time shift tool », it creates a shift. I change the pitch of this track with a percent of change of -47. On a third track i take another recording sound of a key knocking on metal. I copy this sound 8 times and put a « fade out » on all the third track. I shift the track to begin at 1sec. Description:this sound look like to an old bomb timber. There is two different sounds one look like a heartbeat and the second a clock ticking. It creates a very stressful sound because of the progressive amplification. The bomb will explode soon and we need to hurry to defuse it. Typologie de schaffer :. Masse: son cannelétimbre harmonique: éclatantgrain: itérationallure: mécaniquedynamique: graduelleprofil mélodique: ascendantprofil de masse: dilatation.

Theme scary siren :. Production step :i record a scream. I cut it and extract two different sounds from it. I change the pitch to get the sound more high-pitched. I also change the tempo to be more slow. I separate the track in two and invert the last part. With the enveloppe tool, i change some part of my track manually. I amplify the track. I also use the reverb effect and amplify the size of the room of 60%. I used the noise reduction. At the end i fade out. I used the noise reduction. Description :this sound look like a siren or an alarm. Because the sound is high-pitched, it award an horrific aspect to the track. For me this siren can take place in an old and creepy factory. In some aspect, there is some metallic noise in this sound. The no-regularity of the siren also participate to this strangeness feeling. Typologie de schaeffer :. Masse: toniquetimbre harmonique: acidegrain: itérationallure: naturelledynamique: violenteprofil mélodique: descendant puis ascendantprofil de masse: aminscicement.

This is a sound of a mercedes benz 709d mini bus driving on a really hard icy road. It was a rattly old bus, everything squeaked and rumbled on it. I videoed this journey with my canon powershot a460 digital camera, i simply took the sound from the video. It's a good sound, it turned out well thanks to the winter weather, and the rough icy road. Please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

This sound was made by me, i tied down my canon powershot a460 digital camera inside the engine bay of my 1993 rover 620si, and it's got a petrol honda engine, no turbo on this version. I had my video recording on my camera in the engine bay while i was driving. I started the engine up and took it for a drive. I simply took the sound off the video. I hope you enjoy this sound. :) please note, anybody is free to use this sound, you don't have to credit me, but it would be fun to hear how you use my sound if possible. :) here is the link to the type of licence i use. Http://creativecommons. Org/publicdomain/zero/1. 0/.

Stereo recording incorporating 2 recordings made simultaneously on the web sdr (software defined radio) in north east pensylvania (fn21mh) at http://k3fef. Com:8901/and the one at raf hackgreen in nantwich in cheshire (io83ra) http://hackgreensdr. Org:8901/i used the filename of one of the recordings for part of this new dual receivers recording mixed in goldwave and time-synched by ear. Left channel is the pensylvania receiver, right channel is the uk receiver. Heard are various stations working or trying to work w1uuu in massachusetts including stations in the dominican republic, argentina, the ukraine, trinidad and tobago, colombia and florida. Some stations are heard better in pa, some better in the uk. Lots of static crashes heard from late spring lightning storms hundreds or thousands of kilometers away from both receivers. You can find over 100 receivers athttp://websdr. Org/most allow you to record, though some have a 15-minute timer.

This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

This is a recording i made on sunday november 4th 2012 of the gentle, droning sounds of insects that were singing in a marshy area near the shore of a small lake. This is a very typical ambiance of autumn in the southern portion of illinois. If you listen carefully, you'll hear another very typical fall sound, the cry of blue jays in the heavy woods which surround this lake. One of my favorite sound-scapes. I made this with my rugged and dependable handy zoom h4n recorder, using its built-in microphones. I literaly had it sitting on a small log only about 15 feet from the water's edge. Because the insects were not very loud, i did have to crank up my record volume to 86 on the scale of 100; this means you will hear a little bit of slight wind rumble, but all-in-all i think the recording paints a good picture of the early autumn landscape and everything slows down and winds down for the bitter winter ahead. Enjoy.

public domain recording from the library of congress

Closed hat, free sound and fx.

Sax solo loop.

The Ride of the Valkyries from Richard Wagner's 1870 opera Die Walküre, the second opera in the sequence Der Ring des Nibelungen. Performed by the American Symphony Orchestra for Edison Records This is Edison Diamond Disc 80638-R, Matrix 7846-B-1-6, NPS object catalog number: EDIS 41877

Sax solo loop.