185 fișiere audio royalty-free pentru "Tip"

4th of july party foley. Check out our other media services at: echocinematics. Com.

2 guys playing a friendly game of ping pong in the rec room

Ride from olten to aarau in a modern train. Indian guy talks on the phone. Train stops and people are coming in.

He's funny.

Hey everyone!. Feel free to use this sound in all your projects. Thanks!.

I'm not allowed to talk about it. More on this later. ;-d.

Me tapping on my desk with my finger tips.

Sounds of guy groaning when being shot. Use it for your short action films.

One small, tin, drink can (think red bull) being knocked over. (zoom h4n, 48khz, 24 bit).

Just saying heyy 👋.

Did some coughing and choking and heavy breathing for a horror short. Good for dying and probably could be used for zombie sounds.

You've been the target of an attack, and you're at the local city precinct. I'd always thought the police had a blanket in the car. Not sure why. One reaches a point where it no longer matters. Getting there can be accelerated if your rescuer arrives without thinking to bring along something, anything for you to wear home.

Man doing different sounds as if embarrassed or caught in the act, somewhat speechless trying to explain himself. Was made for a short commercial. Recorded with sennheisser mke 600 shotgun mic to a zoom h5.

An oddly shaped firework tips over in mid display. Check out our other media services at: echocinematics. Com.

A simple percussive sound effect created with ableton live's perc random 16ths preset of operator instrument.

A metal spring hit with a metal rod, recorded in xy with rode nt-5s on marantz 661. Swinging around, tips off a prayer bell.

Free pick up coin sound generated by bfxr. Follow me on youtube : https://www. Youtube. Com/channel/ucu1ntnefwlmft6mtmv9opqafollow me on facebook : https://www. Facebook. Com/indie-game-tips-2258510907589867/.

How can tell me how this sound was created?. Tips:1. The drop height is 1 meter2. The sound could have been produced by all3. Little effort. Please help me to find out. Thanks.

Recorded through the focusrite interface to reaper and edited there using my squire telecaster and squire bass. Thanks to kenny gioia for the tips. Comments welcome and use it as you like. :-).

Audio recording art assignmenthow to make liquid water color from old markersart teacher tips for classroommusic is my son's original work - not copyright infringement materials.

Recorded with my squire telecaster through the walrus slo pedal on 'dream' setting and into the computer with the focusrite interface. Edited on reaper with a shout out to kenny gioia for the tips. Comments are welcome. :-).

Title says it all, idk what else to say other than i hope you like it lol if you have any tips on making better sounds or have something you want i will try.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

I was hitting my wood desk with the tips of my fingers at the beggining then tapping my fingernails and then i was hitting my palms and the ring on my hand also made a sound.

Recorded with my epi sg through the focusrite and walrus slo pedal. Bass recorded just through the focusrite. All edited with reaper. Thanks to kenny gioia for the reaper tips. Please comment on what you may use it for. Thanks. :-).

Recorded with my squire telecaster through the focusrite interface, walrus slo pedal on 'dream' setting and into reaper. Bass was done with my mini-squire just through the interface. Thanks to kenny gioia for the reaper tips. Hope you like and comments welcome. :-).

2 or 3 motorbikes pulling up to a stop light, revving their engines loudly to show everyone just how large their exhaust tips are, and then driving away. Sorry, i don't know make or model of the bikes.

Recorded with my epi sg through the focusrite interface and walrus slo pedal on dream setting. Edited with reaper and thanks to kenny gioia for the tips. Use it as you like and please comment on what you may use it for. Thanks. :-).

This is my first noise i've ever uploaded, so any tips to improve this or any future sounds are welcome. The original sound came from a subway car screeching to a halt and it was edited with audacity and adobe premiere. Enjoy!.

El furruco o furro es un tambor con cuero y una varilla, suele utilizarse en la música tradicional navideña, así como en la gaita zuliana y los aguinaldos. Tambien se utiliza, en algunos pueblos, en la parranda. Está constituido por una caja de madera, cilíndrica y ligeramente cónica, está cubierta por una membrana de cuero seco, vibrante. Fijada al tambor con tirantes metálicos, de modo de poder templarla de acuerdo a las necesidades y gusto del intérprete. En el centro de la membrana va fijada una espiga de madera, de poco más de un centímetro de diámetro, cuyo extremo, romo, va engastado en el cuero, y es atado fuertemente por el lado opuesto de la membrana. Dicha espiga de madera, de unos 7 centímetros de longitud, tiene forma cónica, y va aguzada en la punta. Esto tiene por objeto el que en el extremo libre va colocada una varilla de caña, de unos 125 centímetros de longitud. Esta caña es la pieza que apropiadamente manipulada por el ejecutante vibra con la caja de resonancia, produciendo un sonido ronco, profundo, de registro grave, de gran sonoridad. Pudiera decirse que el furro es el bajo en la ejecución de la gaita y de la parranda. Este sonido fue grabado como parte de una entrevista realizada por rafael rondón, director del grupo "el valle". Se realizó una grabación simple con un celular sony y luego se editó con audacity, se ecualizó y normalizó. Ver la entrevista a rafael rondón en https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica. "the furruco or furro is a drum with leather and a rod, it is usually used in traditional christmas music, as well as in the bagpipes of zulia and christmas bonuses. It is also used, in some towns, in the parranda. It is made up of a wooden box cylindrical and slightly conical, it is covered by a vibrant, dry leather membrane. Fixed to the drum with metal braces, so that it can be tempered according to the needs and taste of the interpreter. At the center of the membrane is fixed a wooden dowel, a little more than one centimeter in diameter, the blunt end of which is set in the leather, and is tightly tied on the opposite side of the membrane. Said wooden dowel, about 7 centimeters long, has a conical shape and is pointed at the tip. The purpose of this is that a cane rod, about 125 centimeters long, is placed at the free end. This reed is the piece that appropriately manipulated by the performer vibrates with the soundboard, producing a hoarse, deep, low register sound, with great sound. It could be said that the furro is the bass in the execution of the bagpipes and the party. This sound was recorded as part of an interview conducted by rafael rondón, director of the group "el valle". A simple recording was made with a sony cell phone and then it was edited with audacity, it was equalized and normalized" see the interview with rafael rondón in https://musicaqueatta. Blogspot. Com/search/label/gente%20que%20hace%20m%c3%basica.

Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.

From frederick noad's book: 'idiots guide to playing the guitar. ' noad plays it so beautifully, i could never match him, but i just wanted to try it with the electric instead. Recorded with my squire tele and squire bass into the focusrite interface. The guitar went through the walrus slo pedal on 'dream' setting with editing done in reaper. (shout out to kenny gioia for the tips). Bass was run through my behringer bxl 1800 bass amp and through the interface. Both instruments were triple tracked. Please comment on what you may use it for. Thanks. :-).

Recorded with my squier telecaster and squire mini-bass through the focusrite interface into reaper. A nod to kenny gioia for the reaper tips. The guitar was sent through the walrus slo pedal on 'dream' setting. Also added a pitch change to compliment some of the guitar parts. The bass was double tracked for better sound. Bass amp is a behringer bxl1800. Comments welcome. Bartolome calatayud was born in 1882 on the island of mallorca, received in 1899 the diploma of honor 1st class granted by the workers instructive center palma for his "superior musical knowledge in guitar playing". Although less famous in the classical guitar world, bartolome calatayud has left much enjoyable and exciting music written for classical guitarists of all abilities. He taught many pupils in majorca during his final years. He died in 1973 at the age of 91.

If you stand just underneath a commercial airplane as it's coming in to land (as was the case here at dfw airport) and so long as there's not a lot of noise around you (like loud traffic, etc. ) then when the jet passes overhead, what you can't see is that at the tips of the wings are rapidly spinning vortices of air that coil off the wingtips as the plane passes through air. These long, coiling spirals of air will eventually "close" and as that happens, it creates a momentary but bizarre, surreal sound that you really need to hear for yourself in person to get the full effect. This was the best i could capture on august 15th, 2022. Enjoy!.

Seamless loop of gaspipe or gasleak hissing continuously. This sound is the actual background noise in the frequency range 1200 to 6800 hz from my randomly generated subhorrorambience1. Wav sample. All frequencies below 1 khz (lowend) and above 8 khz (highend) have been filtered out and the volume has been normalized. I release this sound as cc0. You can do whatever you want with it and don't need to mention my name. Tips & tricks for professional mastering of dark ambient loops:. ~ (range) 1200 - 8000 hz, the highmid area of all sounds. ~ (gate) filtering in and adding subtle noise in this frequency range can addatmosphere or "air" to dark ambience but sound noisy like a tape recording. ~ (filter) filtering out noise in this frequency range can make the bass andlower frequencies (20-1000 hz) in dark ambience sound clearer but more dull. ~ (highend) frequencies above 8 khz should always be filtered out completelyand muted to 0 db, since those are only necessary in music and higher sounds.