227 fișiere audio royalty-free pentru "Ton"

Tons and tons of random effects played over the length of transposing static noises, then more reverb, plus effects. More noise, resampled,. . Etc etc. If virus' for your computer could talk. . This is what it would sound like.

My house sure has a ton of squeaky old doors. . . Recorded on an iphone.

A very cool, distorted pad i was playing with a ton of reverb. Very cool and unsettling feeling for this!.

My house sure has a ton of squeaky old doors. . . Recorded on an iphone.

I run my program 3 times and recorded. Joined, panned, added reverb and fade out. -----------------------------------import randomimport winsoundant = 1while ant < 25:ton = random. Choice([131, 165, 196, 247, 65, 262, 330, 392, 494])# c = 65. 41# c = 131. 8 : e = 164. 8 : g = 196. 0 : b = 246. 9# c1 = 261. 6 : e1 = 329. 6 : g1 = 392. 0 : b1 = 493. 9dur = random. Choice([2000, 3000, 4000])# duration in millisecondsprint ton, durwinsound. Beep(ton, dur)ant = ant + 1-----------------------------------.

A ton of different bips, clicks and boops that would work well for menu selection sounds.

Sorta fuzzy and spacey, kind of fast at first but with tons of noise at the end.

Redonkulous wobbly lfo dubsteppy bass sound with tons of simulated analogue overdrive. Have fun!.

My circuit bent speak and spell. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

My circuit bent speak and spell. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

The result of combining two free vst synths, for some reason it ended up sounding sort of tribal after processing it with a ****-ton of vsts.

Tons of reverb and delay, low gain. Just some chords being strummed and then the wrong chord appears.

A man heavily breathing. If you want to support me then please subscribe to my youtube channel "thadailygamer"it would help a ton. Thanks.

Telephone busy. Please leave comments.

A "thunder king" near a well, laying upside down. Tons of water coming up when explodes. (no illegal fireworks have been used or modified).

(paper noises intensify). Not high quality, but i needed paper sounds. I thought i'd share because there's not a ton of options on here.

A scary ghost screeching noise. I made this by pitching up and time stretching a text-to-speech program talking and adding tons of reverb.

Odd noise i created with a few vst's and a ton of effects in fl studio 10.

Recorded while being at the kitchen and thinking: «gosh! all those lousy trays wasting their live with crockery, while they could be the super stars in some game».

This is a note played on my guitar and slowed down a ton. . . With some added filtration. . . Works very interestingly as a pad sound.

Stereo audio rec of barrio antioquia's night sounding ambience, next to olaya herrera airport. Some carwashers, fast cars and tons of ranchera.

My circuit bent speak and spell run through the live cut plug-in. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

I used daw renoise to edit basic shepard tone and made this real. I hope you like it.

This sort of thing used to be required in every rompler. This one is my kid recorded thru a bluebird large condenser mic with metric tons of reverb, as required by law.

An 8-ton log splitter splits a log making a large crack followed by some satisfying creaking noises. Zoom f3, pluggy mics2022-12-10_113340_splitter_f3_pluggys. Wav.

My circuit bent speak and spell run through the live cut plug-in. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

A piece of paper landing on soft carpet. Recorded on a phone (probably very low quality). I made this because there just wasn't a ton to pick from and i needed paper sounds for an animation.

Created using audacity and ton generation/manipulation. Using this for when a barcode is scanned and we need to ask the user a question, could be useful in gaming/other apps. Feel free to use as you see fit :).

My circuit bent speak and spell run through the live cut plug-in. Tons of possibilities here to cut it up for one shots are use bigger pieces for loops.

I used the free lokomotiv synth as source, with shit tons of effect processing and mixdown bouncing to result in almost sounding unrecognizable from its starting point.

Chopped up a splice loop, added additional one-shots & tons of resampling, adding fx, then more resampling again. A study of construction, deconstruction, and reconstruction; rinse & repeat.

Created using audacity and ton generation/manipulation. Using this when someone scans a barcode in error, could be used in gaming/other apps. Feel free to use as you see fit :).

Humpy dumpy is going through a lot of changes, one of them is his name. He wants to be called ned and he has also has lost a ton of fat. But let the reporter tell you all of that.

I recorded the sound of me saying "cow" very loudly with a bad mic. Then i loaded on tons of effects. It sounds very evil, sort of like a scream or possibly something you might use for dubstep. Enjoy!!.

Made in fl studio by layering a ton of sounds together. I mixed and mastered it to the best of my ability. Enjoy :d.

10 bars at 145 bpm. Dirty trap beat. Every bar is different. . . I found an old demo with tons of air and dirt and put some new clean drums over it and a bell-like sound on top. 24 bit wav. No compression.

This is supposed to be the sound of a knife cutting a bush down. I made it by layering tons of public domain effects, like snapping twigs, leaf rustling, and even a salt shaker. Let me know if you use it. No credit required.

Super heavy distortion with tons of reverb and delay. Total arena rock vibe with the lead guitar player taking the spotlight. Think evh and other guitar overlords throwing down the licks for all to hear.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

A tuna can being touched and eatenmkh 416.

This started out as a really long jam session with synplant and a ton of randomized lfos and midi generators. I then resampled a snippet from it, drenched it in fx, threw ableton's resonator on it, then slapped on a utility that makes resonator play chords, which were generated from splash pro's ai keyboard.

I created and mastered a basic reggaeton groove: only kick, deep kick and tom-snare. A base over wich you can add cymbals, percussions or whatever you wish!exactly -3 db volume.

A small handheld firearm being dropped on the ground 3 times. Has tons of metallic clicking/handling sounds. Crediting me isn't required if you decide to use my sound, but it would be greatly appreciated if you do!.

Just a quick recording on the n train as it travels from 57th street to 42nd street. Can't remember what i recorded it on. Possibly the mtrack. I have tons of subway stuff. Shout out if you need help with some.

Recorded with a zoom h1 n. Waves lap gently against the sand shore, absorbed by tons of freshly strewn kelp. It is near a tide turn, so the wave action is relatively gentle. The sounds are more like lapping, and not crashing. It is a very gentle sound.

Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:66:9

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:4:3

Vater unser im Himmelreich (Evang. Gesangbuch 344) - Der vorletzte Ton der vierten Melodiezeile ist in einigen EG-Ausgaben (abweichend vom [transponierten] dorischen Modus) mit einem eingeklammerten # versehen; diese Version ist hier realisiert.

Made with a butt ton of reverberation decay, modifications to high dampening and the layering of many swishing knifes together to create a suspenseful sound effect. The application of this sound could be used for the penultimate release of something utter horrifying to be revealed on screen, chase scenes or simply an underscore/tension builder for the now victims of a monstrosity coming at them for a bit of a nibble.