13,197 Free Images of Hand Colored

yale center for british artetchings in the yale center for british artetchingaquatint prints in the yale center for british artromanticismthomas rowlandsonaquatinthand-colored etchingmetropolitan museum of artisaac cruikshank
Racing [set of six]: 3.Mounting, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
The Iron Steam Ship, Great Britain, Thomas Goldsworthy Dutton, 1852
lithograph prints in the yale center for british artthomas goldsworthy dutton
Racing [set of four]: 3. Preparing to Start, James Pollard, 1821
etchings in the yale center for british artjames pollard
The Englishman in France. A Cold Duck., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
South View of London Street Dockhead and Plan of the Parish of St. Mary Magdalen, Bermondrey, Surrey, William Wise, 1822
engravings in the yale center for british artwilliam wise
Conjugal Felicity in High Life, Charles Williams, 1819
etchings in the yale center for british artcharles williams (caricaturist)
Fox-Hunting [set of three of four]: 4.The Death, James Pollard, 1822
etchings in the yale center for british artjames pollard
Veue de St. James's Park pris de Rosamond's Pond, William Henry Toms, 1745
engravings in the yale center for british artwilliam henry toms
The Melton Breakfast, Charles James Lewis, 1839
stipple engravings in the yale center for british artcharles james lewis
Fox-Hunting Sketches: No. 12. The Squire's Christmas Tip, Hablot Knight Browne
lithograph prints in the yale center for british arthablot knight browne
Exhibition Somerset House Tom and Bob, Henry Thomas Alken, 1821
engravings in the yale center for british arthenry thomas alken
The Favorite Cat, Nathaniel Currier, 1838–46
prints in the metropolitan museum of artnathaniel currier
Comforts of Bath, Plate 3, Samuel William Fores, 6 January 1798
the elisha whittelsey collectionsamuel william fores
Two of a set of six: 1. Pheasants Shooting, Robert Dodd, 1790
aquatint prints in the yale center for british artrobert dodd
Tarocchi, 1457
allegorical engravings in the cleveland museum of artitalian renaissance
Plate 31, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 17, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 2, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
An Old Ewe Drest Lamb Fashion, Thomas Rowlandson, 25 October 1810
satirical art worksromanticism
Plate 1, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 4: Recruiting, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 27, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 29, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
Plate 11, from "World in Miniature", Thomas Rowlandson, 1816
prints in the metropolitan museum of artromanticism
South West View of Saint Paul's Cathedral and Blackfrairs Bridge, William James Bennett
aquatint prints in the yale center for british artwilliam james bennett
Plate III: London, London Bridge (from William Daniell's Six Views of London; Thames side), 1804
aquatint prints in the yale center for british artwilliam daniell
Stag at Bay: - Suggested by the Beautiful Picture of Edwin Landseer R.A., Esquire, John Doyle, 1846
lithograph prints in the yale center for british artjohn doyle
Hunting, Shooting, etc. [set of six]: 1. "Grow ye Britons then", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
More Short Petticoats of Highland Association Under Episcopal Examination, Franciscus Sansom, 1798
etchings in the yale center for british artfrancis sansom
The Grand-Consul of the Great Nation Perusing - John Bulls Dispatches!!!, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Fox-hunting [a pair]: 2. Four O'Clock in Town, Thomas Rowlandson, 1788
aquatint prints in the yale center for british artromanticism
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest., James Pollard, 1820
aquatint prints in the yale center for british artjames pollard
Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
'Kerbo, fra vejen mellem Bragnæs og Christiania', Heinrich August Grosch
prints by heinrich august grosch in the statens museum for kunsthand colored aquatint
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, Thomas Rowlandson, 1785
etchings in the yale center for british artromanticism
Coaching: The Elephant and Castle on the Brighton Road, Theodore Henry Adolphus Fielding, 1826
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
A set of four - Shooting: Plate III. Dogs brought the Fame & reloading, Thomas Sutherland, 1823
aquatint prints in the yale center for british artthomas sutherland
Hunting, Shooting, etc. [four of a set of six, untitled]: 2. The Check, Samuel Howitt, 1802
aquatint prints in the yale center for british artsamuel howitt
Uncle George and Black Dick at Their New Game of Naval Shuttlecock, Thomas Rowlandson, 1787
etchings in the yale center for british artromanticism
The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Bismarckfeier, Lovis Corinth, 1915
lithographs in the national gallery of art (washington, d.c.)expressionism,impressionism
Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
Fox Hunting: Leicestershire - Getting Away, Theodore Henry Adolphus Fielding, 1827
aquatint prints in the yale center for british arttheodore henry adolphus fielding
Velocipede. Winner of the St. Leger at the York Spring Meeting. 1828, Edward Duncan
aquatint prints in the yale center for british artedward duncan
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office, James Gillray, 1792
etchings in the yale center for british artjames gillray
Portrait of an Irish Chief; Drawn from Life at Wexford, James Gillray, 1798
aquatint prints in the yale center for british artjames gillray
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes, James Gillray, 1795
etchings in the yale center for british artjames gillray
A New Irish Jaunting Carr. The Tandem - or Billy in HIs Sulky, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Les poissons et le cormoran (The Fish and theCormorant), Pierre Quentin Chedel, published 1759
etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry
John Bull in a Rage, forcing nic Frog to Fight against his Will, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass,... etc., James Gillray, 1783
etchings in the yale center for british artjames gillray
Cottage and Two Cows Being Milked, Thomas Girtin, 1805
etchings in the yale center for british artthomas girtin
Waiting Room at the Admiralty--.(No misnomer) - Plate 6, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Mr. B seeking the Bubble reputation - Plate 5, George Cruikshank, 1820
aquatint prints in the yale center for british artetchings by george cruikshank
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets, James Gillray, 1802
aquatint prints in the yale center for british artjames gillray
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas), James Gillray, 1791
aquatint prints in the yale center for british artjames gillray
The West India Flower Girl, Louis Charles Ruotte
etchings in the yale center for british artlouis-charles ruotte
Villa, Gabriel Lory, 1811
prints in the national gallery of art (washington, d.c.)aquatint prints
Psittacula Swinderniana. Swindern's Parrakeet, Edward Lear, 1832
lithograph prints in the yale center for british artbird illustrations by edward lear
The Disappointment, or, The King's Evidence treated with the caution he deserves, William Dent, 1791
etchings in the yale center for british artwilliam dent
Clapham Manor-House, Surry, John Hassell, between 1804 and 1822
aquatint prints in the yale center for british artjohn hassell (artist)
The Welsh Sailor's Mistake, or Tars in Conversation, Thomas Rowlandson, 30 June 1808
george moutard woodwardromanticism
Abyssinian Parrakeet (Plate 39), Edward Lear, 1832
lithograph prints in the yale center for british artbird illustrations by edward lear
View of the Front of the New Public Buildings, Guildford, Robert Havell senior, 1819
aquatint prints in the yale center for british artrobert havell
Attractive surprise long
backgroundbusiness
Character cheerful child
vegetablescharacter
Racing [set of six]: 2. Weighing, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
How to Escape Losing, Thomas Rowlandson, 22 November 1791
the elisha whittelsey collectionromanticism
Het-Hoog-en Hager-Huys van Engelandt. Coronation of the Prince of Orange, Romeyn de Hooghe
etchings in the yale center for british artromeyn de hooghe
Cupid's Magick Lantern, George Murgatroyd Woodward, 31 January 1797
the elisha whittelsey collectiongeorge moutard woodward
Coaching: Paris Diligence, Thomas Rowlandson, circa 1810
etchings in the yale center for british artromanticism
Lobster Sauce. The Unexpected Visit., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
None but the Brave deserve the Fair. Honour., Isaac Robert Cruikshank, 1830
etchings in the yale center for british artisaac robert cruikshank
Running out of the Course, Thomas Rowlandson, 1 January 1799
samuel william foresromanticism
The Effects of British Valour on the French Directory, George Murgatroyd Woodward, 1798
etchings in the yale center for british artgeorge moutard woodward
Two Pair of Candidates Proposed to the Independant Electors of Middlesex, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Hunting, Shooting, etc. [set of six]: 1. Duck Shooting, Samuel Howitt, 1796
aquatint prints in the yale center for british artsamuel howitt
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Hunting, Shooting, etc. [set of six]: 5. "And o'er the lawn", Samuel Howitt, 1794
aquatint prints in the yale center for british artsamuel howitt
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
The Opening of the Waterloo Bridge on the 18th June 1817, Augustus Charles Pugin, 1818
aquatint prints in the yale center for british artaugustus charles pugin
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
Between Two Stools The Bottom Goes to the Ground, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
The Little Green Man or the Bath Bugabo, or the Widows Terror, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Colonel Mordaunt's Cock Match at Lucknow, Richard Earlom, 1792
mezzotint prints in the yale center for british artrichard earlom
A Charge of Bastardy before Justice Juggle, George Murgatroyd Woodward, 1790
etchings in the yale center for british artgeorge moutard woodward
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