82,001 Free Images of Hand

hand-coloredyale center for british artetchings in the yale center for british artetchingisaac cruikshankjames gillrayoil on canvasunidentified locationportraitself-portrait
Portrait of Costanzo Patrizi, Marquis of Castel Giuliano and Knight of the Order of Malta (1654 - 1739), Giuseppe Passeri
giuseppe passerihouse of patrizi
Portrait de Charles VI en tenue de grand-Maitre de l'ordre de la Toison d'or, Johann Gottfried Auerbach, circa 1720
18th-century three-quarter view portrait paintings of men, facing right and looking at viewer18th-century oil portraits of sitting men at full length in ceremonial clothing
Meunier virnot, Jacques-Louis David, 1812
male portrait paintings by jacques-louis davidneoclassicism
At the easel., Sofonisba Anguissola, 1556
self-portrait at the easel by s.anguissolamannerism,renaissance
An Indian Lady, perhaps 'Jemdanee', Bibi of William Hickey, Thomas Hickey, 1787
1780s portrait paintings from irelandthomas hickey
Self-portrait, Boris Kustodiev, 1912
paintings by boris kustodiev with furself-portraits by boris kustodiev
Portrait of Don Ramón Satué, Francisco Goya, 1823
ramón satué (goya - rijksmuseum amsterdam)romanticism,rococo
Portrait of Madame de Rieux in Ball-Dress Holding a Mask, Maurice Quentin de La Tour, 1742
female portrait paintings by maurice quentin de la tourrococo
Portrait of Isabella of Portugal, Rogier van der Weyden, 1450s
isabella of portugal (workshop of rogier van der weyden, getty center)early netherlandish painting
Self-portrait, Adélaïde Labille-Guiard, circa 1774
female portrait paintings by adélaïde labille-guiardrococo
[Group portrait of two female children and two female servants of Jean-Gabriel Eynard], about 1850
daguerreotype portraits of switzerland1850s portrait photographs
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Corporation Hogs Journey to Smithfield in Stile, or Aldermen turned Pig Show Men, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes., James Gillray, 1791
etchings in the yale center for british artjames gillray
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?, James Gillray, 1789
etchings in the yale center for british artjames gillray
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing, James Gillray, 1797
etchings in the yale center for british artjames gillray
British Servants, with Honesty and Fidelity - Against French Servants, with Perfidy and Impudence! (Four vignettes), Richard Newton, 1795
etchings in the yale center for british artrichard newton
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy, James Gillray, 1796
etchings in the yale center for british artjames gillray
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
Satans, Return from Earth, Discovered in Council - With Belzebub and Belial -- A Sketch after Fuseli, John Cawse, 1799
etchings in the yale center for british artjohn cawse
The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
False Liberty Rejected or Fraternizing and Equalizing Principles Discarded No More Coalitions, No More French Cut Throats, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Arming in the Defence of the French Princes or the Parting of Hector and Andromache, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2), James Gillray, 1793
etchings in the yale center for british artjames gillray
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
etchings in the yale center for british artjohn cawse
The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3), Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Great Swallow All!!! Disgorging, or French Bullie too Hot for the Bears Stomach, John Cawse, 1799
etchings in the yale center for british artjohn cawse
Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1791
etchings in the yale center for british artjames gillray
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance, James Gillray, 1782
etchings in the yale center for british artjames gillray
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
John Gilpin the Second, or City Light House Volunteers Performing Their Evolutions (from: Caricature, vol. 3), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary, James Gillray, 1799
etchings in the yale center for british artjames gillray
Albrecht Dürer, Erhard Schön
prints by erhard schön in the statens museum for kunsthand-colored
Portrait of Ephraim Niles Byram, Orlando Hand Bears, 1838
sag harbor, new yorkorlando hand bears
"Portrait of the margravine Sophie Caroline Marie of Brandenburg-Bayreuth (1737-1817)", Johann Georg Ziesenis
sophie caroline marie von braunschweig-wolfenbüttelfemale portrait paintings by johann georg ziesenis
The Bombardment of Sebastopol, Edmund Walker
edmund walker (artist)day & son
Common Council Chamber, Guildhall, Thomas Rowlandson, 1808
aquatint prints in the yale center for british artromanticism
Portrait of Josef Hlávka., Václav Brožík, 1895[1]
portrait paintings by václav brožík1895 paintings by václav brožík
RusPortraits v2-134 Le comte Pierre Grigoriewitch Tchernycheff, Alexander Roslin
works after alexander roslinrococo
Staatse troep verslagen op de Dam, 1577 Serie 8 Nederlandse Gebeurtenissen, 1577-1583 (serietitel), RP-P-2009-769, 1588
hand-colored engravings in the rijksmuseum amsterdamserie 8, nederlandse gebeurtenissen, 1577-1583
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..., James Gillray, 1780
etchings in the yale center for british artjames gillray
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us.", James Gillray, 1791
etchings in the yale center for british artjames gillray
The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone, James Gillray, 1797
etchings in the yale center for british artjames gillray
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2), James Gillray, 1794
etchings in the yale center for british artjames gillray
The Gallant Nelson Bringing Home Two Uncommon Fierce French Crocodiles from the Nile as a Present to the King, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match), Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2), James Gillray, 1782
etchings in the yale center for british artjames gillray
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite, James Gillray, 1798
etchings in the yale center for british artjames gillray
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office, James Gillray, 1792
etchings in the yale center for british artjames gillray
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Russian Bruiser Getting his Dose - With his Seconds Thirds bottle Holder and (?) coming in for their Share, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock, Richard Newton, 1793
etchings in the yale center for british artrichard newton
The British Neptune riding Triumphant, or the Carmignol's Dancing to the Tune of Rule Britannia, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover, James Gillray, 1784
etchings in the yale center for british artjames gillray
Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) (from: Caricature, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795
etchings in the yale center for british artjames gillray
Mrs. Pickles Mistake or the New Papa Disappointed with Justice Shallows Attempt to Charm the Brutes, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Episcopal Delight a Scene Near Oatlands, or The Babes in the Wood, with Rawheadon - Bloody Bones (from: Caricature, vol. 3), Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton, James Gillray, 1795
etchings in the yale center for british artjames gillray
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
etchings in the yale center for british artisaac cruikshank
A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval), Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799, James Gillray
etchings in the yale center for british artjames gillray
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service, James Gillray, 1791
etchings in the yale center for british artjames gillray
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition, James Gillray, 1795
etchings in the yale center for british artjames gillray
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2), James Gillray, 1792
etchings in the yale center for british artjames gillray
Lord Howe they run, or the British Tars giving the Carmignols a Dressing on Memorable 1st of June 1794, Isaac Cruikshank
etchings in the yale center for british artisaac cruikshank
The New Mercury Dedicated to the Free and Independent Electors of Westminster, Pull Devil: Pull Baker, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?, James Gillray, 1791
etchings in the yale center for british artjames gillray
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass,... etc., James Gillray, 1783
etchings in the yale center for british artjames gillray
Sir Edgar MacCulloch (1808–1896), Kt, Bailiff of Guernsey (1884–1895), Frank Brooks, 1885
1880s portrait paintings from the united kingdom (male)frank brooks
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Le costume historique. Cinq cents planches, trois cents en couleurs, or et argent, deux cents en camaieu. Types principaux du vêtement et de la parure, rapprochés de ceux de l'intérieur de (14763750332), 1888
le costume historique, 1888ancient weapons of india
Louise Anne de Bourbon (1695-1758), Mademoiselle de Charolais as penitent, Pierre Gobert
portrait paintings by pierre gobert (house of bourbon)female portrait paintings by pierre gobert
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