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feldpostbriefe von hansromanticism,symbolism,romantic nationalismakseli gallen-kallelaphotographs of akseli gallen-kallelacreative commonsfree stock photosfree imagesfree photomy free stock photospeople i know
Feldpost von Hans 1943-02-25 3, 25 February 1943
feldpostbriefe von hans
Het kind Jupiter wordt gevoed door de geit Amalthea. NL-HlmNHA 1477 53008652, Cornelis Holsteyn, between 1633 and 1666
collection voorhelm schneevoogtbaroque
Feldpost von Hans 1944-06-21 6, 21 June 1944
feldpostbriefe von hans
Projet pour la chaire de Saint-Sulpice, D.8540 (2 of 2), circa 1788
pulpit of église saint-sulpicedrawings in musée carnavalet
Feldpost von Hans 1942-06-24 4, 24 June 1942
feldpostbriefe von hans
Feldpost von Hans 1942-11-10 5, 10 November 1942
feldpostbriefe von hans
Feldpost von Hans 1943-02-22 2, 22 February 1943
feldpostbriefe von hans
Feldpost von Hans 1943-11-09 2, 9 November 1943
feldpostbriefe von hans
Person On Bed With Two Small Dogs
animalssweets
Akseli Gallen-Kallela (on the left), U.T. Sirelius and Jorma Gallen-Kallela in front of Ilmarinen Ploughing the Viper-field, one of the Kalevala cupola frescoes they were painting in the National (14542162288), 1928
photographs of akseli gallen-kallelajorma gallen-kallela
Person on Phone and Chihuahua on Bed
animalssweets
Child Digging in Wet Sand
naturewater
W.C. Rives, senator from Virginia LCCN2003656281, Charles Fenderich, 1839
works by charles fenderichwilliam cabell rives
Oskari and Hannes Pero with a dead wolf in a snowy forest in Suolahti, 1918. (14728811605), Akseli Gallen-Kallela, 1 February 1918
romanticism,symbolism,romantic nationalismphotographs by akseli gallen-kallela
Akseli Gallen-Kallela with a pipe in his mouth, sculptor Alpo Sailo (the hand with a hammer on the left) and workers on the tower of Tarvaspää, 1927. (14542309008), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
Mary and Jorma Gallen-Kallela pose by the Pyramid of Cheops in 1910. (24060919084), Jorma Gallen-Kallela
jorma gallen-kallela
Prisoners cutting stone in the Nairobi plains in September 1910. (24318755059), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismakseli gallen-kallela in kenya
Mr. Hartman´s wife, daughter, son-in-law and grandchild, possibly in Chicago, 1924- Mr. Hartman met Akseli Gallen-Kallela by chance and gave him the photograph. (14725580614), 1 June 1924
romanticism,symbolism,romantic nationalismphotographs by akseli gallen-kallela
Mary Slöör (third from the left), Axel Gallén´s wife-to-be, with her family in Rapola, ca.1888. (14728514255), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismakseli gallen-kallela's family
A wintery Tarvaspää pictured from the east in the 1910s. (27323400083)
romanticism,symbolism,romantic nationalismtarvaspää
Mary and Kirsti Gallen-Kallela pictured by the Pyramid of Khafre (also known as Chephren) in late 1910. (24631222252)
romanticism,symbolism,romantic nationalismhistorical images of khafra pyramid
The Gallen-Kallelas searching for a new home in Porvoo, on the right Mary with architect Eliel Saarinen, 1911. (14728432665), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismakseli gallen-kallela's family
The atelier at Tarvaspää after was cleaned following Akseli Gallen-Kallela's demise, the side table in the image was originally from his atelier in Paris (34989830906)
romanticism,symbolism,romantic nationalismtarvaspää
Six Quartiers de Paris par Henry Monnier. 1828, BAL96-14-1, Henry Monnier
henry monnier
Feldpost von Hans 1934-11-24 Tante5, 24 September 1934
feldpostbriefe von hans
Feldpost von Hans 1944-11-28 4, 28 November 1944
feldpostbriefe von hans
Swahili girl Mariam Ascha and Kirsti Gallen-Kallela standing in front of the Gallen-Kallela family's last African home in Nairobi in October 1910 (copy 1). (24382758149)
romanticism,symbolism,romantic nationalismfriends
Akseli Gallen-Kallela in a monk´s robe, wife Mary, son Jorma and Mary´s mother Aina Slöör at Tarvaspää´s colonnade, 1928. (14542298310), Akseli Gallen-Kallela, 1 May 1928
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
A dead hartebeest antelope lays on the ground on a study trip in Nairobi in June 1909. (24571458592)
romanticism,symbolism,romantic nationalismhunting in kenya
Local men chop up the carcass of a hunted antelope in Uakamba in June 1909. (24723133496)
romanticism,symbolism,romantic nationalismhunting in kenya
A carcass of a hunted eland antelope in Makindu. (24592635431), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismakseli gallen-kallela in kenya
Person Holding a Clam Shell at The Beach
backgroundnature
The Bacchanal of the Andrians, Titian, from 1523 until 1526
bacchanal of the andrians by titian in the museo del pradovenetian school,high renaissance
Computer monitor
technologycomputer
Middle school boy
heartboys
Au Diable les amis qu'on ne connait pas - May the Devil fly away with intimate friend's whom we do not know. BAL2013.23, En 1827
rencontres parisiennes (monnier)
Soldaat die zijn spies met beide handen horizontaal op schouderhoogte draagt (nr. 19), ca. 1600, BI-B-FM-007-50, between 1597 and 1608
prints by jacob de gheyn (ii) in the rijksmuseum amsterdamprints by robert de baudous in the rijksmuseum amsterdam
Lady Boyd as the Goddess Diana (9465380180), James MacArdell, 1749
countesses of errolljames mcardell
Punch - Sullivan's knighthood, Edward Linley Sambourne, 30 October 1880
edward linley sambournepunch magazine cartoons
Overturn of a Hearse, Joseph Swain, 2 May 1863
horse-drawn hearses in art1863 engravings
Feldpost von Hans 1942-11-07 7, 7 November 1942
feldpostbriefe von hans
Feldpost von Hans 1941-12-30 4, 30 December 1941
feldpostbriefe von hans
Feldpost von Hans 1943-08-19 3, 19 August 1943
feldpostbriefe von hans
Feldpost von Hans 1941-11-02 2 Freund, 2 November 1941
feldpostbriefe von hans
Feldpost von Hans 1941-12-27 4, 27 December 1941
feldpostbriefe von hans
Feldpost von Hans 1943-03-22 2, 22 March 1943
feldpostbriefe von hans
Feldpost von Hans 1941-06-08 4, 8 June 1941
feldpostbriefe von hans
Feldpost von Hans 1942-11-01 2, 1 November 1942
feldpostbriefe von hans
Feldpost von Hans 1944-11-18 5, 18 November 1944
feldpostbriefe von hans
Feldpost von Hans 1945-02-21 6, 21 February 1945
feldpostbriefe von hans
Feldpost von Hans 1943-01-28 2, 28 January 1943
feldpostbriefe von hans
Feldpost von Hans 1941-11-06 2, 6 November 1941
feldpostbriefe von hans
Feldpost von Hans 1941-11-22 5, 22 November 1941
feldpostbriefe von hans
Feldpost von Hans 1942-05-20 2, 20 May 1942
feldpostbriefe von hans (postkarten)adolf-hitler-freiplatzspende
Feldpost von Hans 1942-11-10 4, 10 November 1942
feldpostbriefe von hans
Feldpost von Hans 1942-11-26 5, 26 November 1942
feldpostbriefe von hans
Feldpost von Hans 1942-11-01 4, 1 November 1942
feldpostbriefe von hans
Feldpost von Hans 1944-08-08 6, 8 August 1944
feldpostbriefe von hans
Feldpost von Hans 1942-08-03 4, 3 August 1942
feldpostbriefe von hans
Feldpost von Hans 1943-09-18 2, 18 September 1943
feldpostbriefe von hans
Feldpost von Hans 1944-07-29 6, 29 July 1944
feldpostbriefe von hans
Feldpost von Hans 1944-12-19 5, 19 December 1944
feldpostbriefe von hans
Middle school boy
heartboys
Generic LCD Monitor
technologycomputer
Akseli Gallen-Kallela standing in front of his cupola fresco The Defence of the Sampo in the National Museum of Finland, 1928. (14542164559), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
Swahili girl Mariam Ascha and Kirsti Gallen-Kallela stand in front of the family's last African home in Nairobi in October 1910 (copy 3). (24568138722), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismakseli gallen-kallela in kenya
Giulielma Lister (3), Gulielma Lister, before 1926
gulielma lister
Akseli Gallen-Kallela with a worker at Tarvaspää planning the repairing of the building, 1929. (14542287608), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
Akseli Gallen-Kallela by the Kalevala cupola fresco The Giant Pike in the National Museum of Finland, 1928; print 1 of the photograph, with a frame. (14728335762), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
A man, possibly sultan king Uadjige, in Gumbatta in July 1910. (24058138014), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismakseli gallen-kallela in kenya
Akseli Gallen-Kallela by the Kalevala cupola fresco The Giant Pike in the National Museum of Finland, 1928; print 1 of the photograph. (14728332722), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
Jorma Gallen-Kallela standing by the Kalevala cupola fresco The Defence of the Sampo in the National Museum of Finland, 1928. (14725164951), Jorma Gallen-Kallela
kalevala frescoes (national museum of finland)jorma gallen-kallela
Three young men stand over an antelope carcass on a study trip in Makamba in June 1909. (24060981814)
romanticism,symbolism,romantic nationalismhunting in kenya
Akseli Gallen-Kallela with workers at Tarvaspää repairing the building, ca.1927; photograph 2. (14705918106), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
Akseli Gallen-Kallela painting the Kalevala cupola frescoes with an assistant in the National Museum of Finland, 1928. (14748644983), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
Akseli Gallen-Kallela painting his cupola fresco The Forging of the Sampo in the National Museum of Finland, 1928. (14725615681), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismphotographs of akseli gallen-kallela
Greetings to the Gallen-Kallelas from Ida Aspelin-Haapkylä, written at Christmas 1917. Backside of the photograph of her with her husband Eliel Aspelin-Haapkylä, in the 1910´s. (14725776854), Akseli Gallen-Kallela, 1 December 1917
the photographic collection of akseli gallen-kallelaromanticism,symbolism,romantic nationalism
Spring Dandelion in Pastel Colors 2021
springgift
Child Playing Handheld Video Game 2021
technologyschool
Person Holding Blue Mussel Shell with Seaweed at The Beach
backgroundnature
Beautiful Blonde Hair Blue Eye Pink Eyeshadow Woman
peoplebeach
The Effects of Prosperity, Isaac Cruikshank, 1794
prints by isaac cruikshank in the british museumsatirical prints in the british museum
Generic Gaming Keyboard/Mouse
technologycomputer
Jakob Kulle Hos kloka gumman, Jakob Kulle, 1875
clogs in artjakob kulle
Portrait of a Monk, Gerard David, 1500
portrait paintings in the cleveland museum of artearly netherlandish painting
Library pages books
technologybusiness
The Burning of the Andrew by the Dutch frigate 'Fortuin' at the Battle of Scheveningen, also know as the battle of Texel or the Battle of Ter Heijde, August 1653, Willem van de Velde the Younger
marine paintings by willem van de velde (ii)marine paintings in the wallace collection
Akseli and Jorma Gallen-Kallela with an unknown mason making the Kalevala cupola frescoes in the National Museum of Finland, 1928. (14705595476), Jorma Gallen-Kallela
photographs of akseli gallen-kallelajorma gallen-kallela
Swahili girl Mariam Ascha and Kirsti Gallen-Kallela standing in front of the family's last African home in Nairobi in October 1910 (copy 2). (24058972213), Akseli Gallen-Kallela
romanticism,symbolism,romantic nationalismakseli gallen-kallela in kenya
Feldpost von Hans 1935-08-16 Tante4, 16 August 1935
feldpostbriefe von hans
On pleure aux Mélodrames. Delicious sympathy at a melodrama. BAL2013.40, Henry Monnier, En 1827
henry monnier
Generic Gaming Desktop
technologycomputer
A singular situation, or I by-myself I in the dumps!!, Isaac Cruikshank, 1798
prints by isaac cruikshank in the british museumsatirical prints in the british museum
Soldaat die zijn spies naar voren steekt door zijn rechterhand over te brengen van de punt naar de voet van het wapen (nr. 23), ca. 1600, BI-B-FM-007-53, between 1597 and 1608
prints by jacob de gheyn (ii) in the rijksmuseum amsterdamprints by robert de baudous in the rijksmuseum amsterdam
Soldaat die zijn spies op zijn rechterschouder draagt, de punt schuin naar de grond gericht (nr. 11), ca. 1600, BI-B-FM-007-46, between 1597 and 1608
prints by jacob de gheyn (ii) in the rijksmuseum amsterdamprints by robert de baudous in the rijksmuseum amsterdam
Soldaat die zijn spies met zijn rechterhand bij zijn rechterzijde draagt, de punt schuin omhoog gericht en vlakbij zijn buik (nr. 21), ca. 1600, BI-B-FM-007-51, between 1597 and 1608
prints by jacob de gheyn (ii) in the rijksmuseum amsterdamprints by robert de baudous in the rijksmuseum amsterdam
Soldaat, van voren gezien, die zijn spies met beide handen rechtop voor zich iets boven de grond vasthoudt (nr. 2), ca. 1600, BI-B-FM-007-43, between 1597 and 1608
prints by jacob de gheyn (ii) in the rijksmuseum amsterdamprints by robert de baudous in the rijksmuseum amsterdam
Soldaat die zijn spies met zijn linkerhand bij zijn rechterzijde draagt, de punt schuin omhoog gericht (nr. 13), ca. 1600, BI-B-FM-007-48, between 1597 and 1608
prints by jacob de gheyn (ii) in the rijksmuseum amsterdamprints by robert de baudous in the rijksmuseum amsterdam
Soldaat die zijn spies bijna horizontaal boven zijn rechterschouder draagt (nr. 9), ca. 1600, BI-B-FM-007-45, between 1597 and 1608
prints by jacob de gheyn (ii) in the rijksmuseum amsterdamprints by robert de baudous in the rijksmuseum amsterdam
Soldaat die met zijn rechterhand de punt van zijn spies naar voren steekt en met zijn linkerhand de schacht vastpakt (nr. 22), ca. 1600, BI-B-FM-007-52, between 1597 and 1608
prints by jacob de gheyn (ii) in the rijksmuseum amsterdamprints by robert de baudous in the rijksmuseum amsterdam
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