2,842 Free Images of Synthetic

post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismpaul gauguinpont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismémile bernardnational gallery of artdrawings in the national gallery of art (washington, d.c.)drawings by paul gauguin in the national gallery of artengravings of maison de victor hugola fin de satandrawings by émile bernard
Studies of Jugs and Vases; A Man with Moustache and a Boy with a Hat [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Heads of a Boy and a Man (Self-Portrait?) [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Breton Boy with a Jug; Five Animal Forms [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Profile of a Boy and Self-Portrait [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Heads; Studies of Sheep [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Three sketches of a standing man seen from behind, and f.n. a house with a high roof, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings by paul gauguin in the statens museum for kunst
Crouching Monkey and Man's Head; Bones and Muscles [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Boy's Face; Two Sheep [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Profile and Four Shapes; Sketch of a Man's Head [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Femmes fellah au bain, Émile Bernard, 1900
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismpaintings by émile bernard in the musée des beaux-arts de reims
A Head of Man with Hat, Seen from Behind; A Standing Woman [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Paul Gauguin, his life and art (1921) (14768446031), Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismpaul gauguin, his life and art (1921)
Paul Gauguin, Oviri (Sauvage), 1894, partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay, Paris, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismoviri
Where Do We Come From? What Are We? Where Are We Going?, Paul Gauguin, 1897
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismpolynesia by paul gauguin
Five Sheep; Four Head Studies [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Breton Woman and a Standing Man; Head and Hand of a Monkey [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Breton Boy Tending Geese; Cows and a Figure Leaning on a Ledge [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Breton Boy in a Landscape; Study of an Arm [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Paul Gauguin, his life and art (1921) (14768447981), Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismpaul gauguin, his life and art (1921)
Man Playing Piano; Two Sheep [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Caricature and Five Forms; A Man in Profile, a Winged Creature and a Boy [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Breton Figures and Studies of Two Geese; Man Wearing Hat [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Eye and Part of Face; A Breton Woman and Two Men [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Three Studies of a Pig; Breton Boy Walking with a Jug [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Pastoral in Martinique, Paul Gauguin, 1889
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismprints and drawings in the los angeles county museum of art
"Self-Portrait" (Autoportret), by Ion Theodorescu-Sion, 1925, pastel on cardboard, photoed at Art Safari (10 February-14 May 2023), permanently displayed in the Gavrilă Simion Eco-Museum Research Institute Tulcea - Art Museum
academic art,impressionism,realism,post-impressionism,divisionism,symbolism,arta română society,tinerimea artistică,art nouveau,primitivism,synthetism,fauvism,cubism,byzantine revival architecture,poporanism,gândirea,fine arts union,official salon of painting and sculptureapril 2023 in bucharest
Here We Make Love (Te Faruru), from Fragrance (Noa Noa), Paul Gauguin, 1893–94
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismsuite noa noa
Five Studies of Heads; A Boy in Profile with Studies of Hands and Feet [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Five Sheep; Head of a Woman and Head of a Bearded Man [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Three Studies of Men's Heads, One with Spectacles; Dogs, Children, and Two Bearded Men in Profile [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Head of a Man with a Study of His Back; Various Sketches with a Peasant Woman and a Goose [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Head Studies and a Crouching Nude Woman; Two Women's Heads and a Head of Child [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Plate with the Head of a Horned Devil (Planche au diable cornu), Paul Gauguin, in or after 1895
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismwoodcuts in the national gallery of art (washington, d.c.)
Breton Women Beside a Fence, Paul Gauguin, 1889
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismprints and drawings in the los angeles county museum of art
Ion Theodorescu-Sion - Regrete postume, Furnica, 2 apr 1909, Ion Theodorescu-Sion, 2 April 1909
academic art,impressionism,realism,post-impressionism,divisionism,symbolism,arta română society,tinerimea artistică,art nouveau,primitivism,synthetism,fauvism,cubism,byzantine revival architecture,poporanism,gândirea,fine arts union,official salon of painting and sculpturepolitical cartoons by ion theodorescu-sion
Two Studies of a Child's Head; Two Studies of a Child's Head, a Woman in Profile, and a Man Wrestling an Animal [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Man Leaning on a Wall with Five Other Studies; Two Bearded Men Wearing Hats, and Five Other Studies [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Portret van een jongetje in Tahiti, RP-T-1959-1(R), Paul Gauguin, between 1858 and 1903
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismportrait drawings in the rijksmuseum amsterdam
A Grazing Cow; Head of a Woman with Her Hand on Her Cheek, and Head of a Man with His Hand on His Ear [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Landscape with a Cottage; Profile of Boy, Profile of Man, Two Women in a Landscape, and Five Other Studies [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Brief aan Andries Bonger, RP-D-2017-2452-52, Émile Bernard
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismmanuscripts in the rijksmuseum amsterdam
Head of a Tahitian Woman, Paul Gauguin, 1891
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings by paul gauguin in the cleveland museum of art
"Portrait of an Old Man" (Portret de Bătrân), by Ion Theodorescu-Sion, oil on cardboard, photoed at Art Safari (10 February-14 May 2023), permanently displayed in the Municipality Museum of Râmnicu Sărat, Romania
academic art,impressionism,realism,post-impressionism,divisionism,symbolism,arta română society,tinerimea artistică,art nouveau,primitivism,synthetism,fauvism,cubism,byzantine revival architecture,poporanism,gândirea,fine arts union,official salon of painting and sculptureoil portraits by ion theodorescu-sion
Stamp 1972 UAE FU MiNr1006A pm B002, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivism1972 stamps of fujairah
The Large Tree, Paul Gauguin, 1891
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismpaintings by paul gauguin in the cleveland museum of art
Ion Theodorescu-Sion - Melancolie de toamnă. — Căderea frunzelor, Furnica, 16 oct 1908, Ion Theodorescu-Sion, 16 October 1908
academic art,impressionism,realism,post-impressionism,divisionism,symbolism,arta română society,tinerimea artistică,art nouveau,primitivism,synthetism,fauvism,cubism,byzantine revival architecture,poporanism,gândirea,fine arts union,official salon of painting and sculpturepolitical cartoons by ion theodorescu-sion
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Portret van Paul Serusier, RP-P-1955-105, Paul Sérusier, 1903
pont-aven school,les nabis,synthetism,cloisonnism,symbolismlithographs in the rijksmuseum amsterdam
Geborduurd tableau Deux Baigneuses, BK-14872, Émile Bernard, 1904
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismembroidery in the rijksmuseum amsterdam
Studente op het bed in een kamer in het studentenhuis, Bestanddeelnr 252-8922, Paul Gauguin, March 1954
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismphotographs by willem van de poll in denmark (1954)
The Call, Paul Gauguin, 1902
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismpaintings by paul gauguin in the cleveland museum of art
Drie Bretonse vrouwen hangen de was op Le linge Bretonse vrouwen (serietitel) Bretonneries (serietitel), RP-P-1973-14, Émile Bernard, 1889
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismetchings in the rijksmuseum amsterdam
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La cour de l'hôtel de Sens, D.3749, Émile Bernard
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismdrawings in musée carnavalet
Verdrietige vrouw zit bij een man Menselijk leed Misères humaines, RP-P-1963-115, Paul Gauguin, 1889
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismfrench prints in the rijksmuseum amsterdam
Twee wasvrouwen wassen kleding bij water Les Lavandières, RP-P-1949-332, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismfrench prints in the rijksmuseum amsterdam
Twee Bretonse vrouwen en een man op een boot Le retour du pardon Bretonse vrouwen (serietitel) Bretonneries (serietitel), RP-P-1967-108, Émile Bernard, 1889
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismetchings in the rijksmuseum amsterdam
Ongehuwde oude vrouwen in Arles Les vieilles Filles à Arles, RP-P-1925-1017, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismfrench prints in the rijksmuseum amsterdam
Bandontwerp voor Claude Francolin, Paul Gauguin. Het leven van een groot schilder, c. 1958, RP-T-2015-41-3540
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings by unknown artists in the rijksmuseum amsterdam
Liggend meisje en geesten van overledenen Bekeken door geesten van overledenen Manao tupapau (titel op object), RP-P-1956-24, Paul Gauguin, okt-1893 - mar-1894
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismlithographs in the rijksmuseum amsterdam
Portrait of the artist's son Clovis, born on 10 May 1879, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings by paul gauguin in the statens museum for kunst
Twee boerinnen met mutsen bij hooibergen op het land Geneugten van Bretagne Joïes de Bretagne (titel op object), RP-P-1973-217, Paul Gauguin, 1889
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismfrench prints in the rijksmuseum amsterdam
Zeven vrouwen aan het water op Martinique Sprinkhanen en mieren Les cigales et les fourmis (titel op object), RP-P-1925-1016, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismfrench prints in the rijksmuseum amsterdam
Heuvellandschap met akkers Paysage L'Epreuve (serietitel), RP-P-1967-1064, Paul Sérusier
pont-aven school,les nabis,synthetism,cloisonnism,symbolismdrawings by paul sérusier
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Landscape, Paul Sérusier, 1893
pont-aven school,les nabis,synthetism,cloisonnism,symbolismlithographs of france in the cleveland museum of art
Gauguin in Kon-Tiki - IMG 9255, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismkon-tiki museum
Twee zittende Maori vrouwen Tahiti L'Epreuve (serietitel), RP-P-1967-1060, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismfrench prints in the rijksmuseum amsterdam
Drie vrouwen en koe op rotsen bij de zee Verschrikkingen van de zee Les drames de la mer (titel op object), RP-P-1925-1018, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismfrench prints in the rijksmuseum amsterdam
Maria met Kind Ja Orana Maria La Vierge et l'Enfant L'Epreuve (serietitel), RP-P-1967-1063, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismfrench prints in the rijksmuseum amsterdam
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Portret van Stéphane Mallarmé, RP-P-1962-297, Paul Gauguin
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismetchings in the rijksmuseum amsterdam
N° 30 – « – Voici l'argent. », 4414.30, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 4 – « Il comprit qu'il était le naufragé de l'ombre. », 4414.04, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 36 – « Et les valets souffletaient Jésus-Christ. », 4414.36, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 12 – « Cham assis dépassait les colosses debout. », 4414.12, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 17 – « O vision chevaux aux croupes pommelées. », 4414.17, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 1 – « Depuis quatre mille ans, il tombait dans l'abîme. », 4414.1, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 29 – « Le brigand Barabbas est en prison. », 4414.29, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 41 – « Barabbas, ou Jésus nommé Christ », 4414.41, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 20 – « Ils avaient entassé Pinde, Ossa, Pélion. », 4414.20, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 44 – « On élève la croix en jurant, en frappant. », 4414.44, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 31 – « Le païen remua ces affreux blocs dormants. », 4414.31, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 37 – « Christ est debout devant ces hommes ténébreux. », 4414.37, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 46 – « Elle allait, comme l'algue erre… », 4414.46, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 7 – « Monde terrible et plein d'êtres prodigieux. », 4414.07, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 13 – « Il avait deux lions d'Afrique pour molosses. », 4414.13, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 40 – « Christ couronné d'épine et vêtu d'écarlate. », 4414.40, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 24 – « Fit tout à coup éclore un astre - Liberté. », 4414.24, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 14 – « La Guerre, se dressant comme un pâtre éveillé. », 4414.14, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 19 – « La main de Jéhovah se dresser derrière elle. », 4414.19, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 42 – « Jésus sortit, portant une croix sur l'épaule. », 4414.42, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 38 – « Les fossoyeurs de croix piochent sur le Calvaire. », 4414.38, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 23 – « D'affreux brouillards vivants qui devenaient des hommes. », 4414.23, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 43 – « Le long de l'arbre obscur il lève ses deux bras. », 4414.43, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 32 – « Quel est celui qui vient par le frais chemin vert », 4414.32, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 3 – « Tout à coup il se vit pousser d’horribles ailes. », 4414.03, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
N° 5 – « Comme sur une braise il se mit à souffler. », 4414.05, Émile Bernard, En 1935
pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolismengravings of maison de victor hugo
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