175 Royalty-Free Audio Tracks for "Accent"

A sting / stab (or stinger) to use for an accent, transition, or fx. Good for horror, science fiction, etc. Gear: pro tools 10. 3. 9, korg triton, concert bass drumcreated on: april 26, 2015. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

This is the sound of an arrow pulling back and crashing a group of pots and pans or glass bottles. I was heavily inspired by a sound effect from “cartoon express”. Again, this was made from scratch like the last sound i posted. You can use this sound however you want. Just give me credit!.

This is a sound of running feet slipping on a banana and crashing into one of somebody’s glass bottles. Like the last sound, i was inspired by a cartoon trax volume 1 sound effect. You can use this sound however you want. Just give me credit!.

Sound from near my flat (great barr birmingham uk) at around 4am. There are various bird sounds within this file aswell as being able to hear the m6 motorway in the distance (i did try to accent this by pointing the mic in different directions). There are also 3 types of footstep sounds, grass, dirt with stones, concrete slab. My wind shield isnt the best so hopefully you can find some use of the sounds!.

Matthew english's recording at time and tide museum for the yarmonics sound library. International students discussing great yarmouth and the museum. "the museum smells like just fish. ". Part of the yarmonics sound library. Sounds of great yarmouth recorded as part of the yarmonics sonic arts festival sept 2018 by various contributors. Festival organised by the norfolk and norwich sonic arts collective and originalprojects. Www. Yarmonics. Com.

I created another file to play when you don't recognise a telephone number that calls you, this time the people in the hoax have scottish accents and the music is deliberately degraded to make it scratchy, tinny and annoying. I was inspired by those nasty auto-switchboards you encounter now whenever you call anywhere, my thoughts were that if a spam caller conected to an auto-switchboard hopefully they would remove your number from their listings thinking it a business (most scammers and spammers only want to call residential numbers). Please enjoy using this to annoy the hell out of those bothersome spam callers. The music is royalty free for personal use.

Td-3-tg recorded with zoom h-1. Td was performing slide through octaves with "slide" button pressed in program, and subsequent cs were played, in octave -1 and 0, and higher c in octave 0 and +1, back and forth. Program takes 7 16th notes and the space between notes takes 9 rests. Tempo of the td-3 was set to maximum and the volume control was set to high amount, to let zoom h-1 with rec level setting to 37, be driven up to -6db. Sound recorded in 96khz and 24bits. Trimmed and saved in flstudio edison, what made sound 32bit. No amplify, no normalisation. "tune" knob of td-3 was set to maximum as well as "cut off", "envelope" and "accent". "resonance" and "decay" was set to one o'clock. "waveform" swicth was set to square. No distortion. Zoom h-1 was plugged by a cable, td-3 output to line in. Cable was named vitalco - 1/8 inch trs to 1/4 ts, male to male, 3m.

library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.

A young man practices playing basketball, while his mother watches on. Some speaking with australian accents.

Typing on a computer keyboard. Have fun.

I like to put special attention into not only the sounds and rhythms used in my work, but also the shape of the tracks itself when looked at in an audio editor. I enjoy working with dc-offsetted sounds, as i believe that, although there is not much of a difference when listened to, they must be picked up differently somehow by the brain.

My sons fisher price corn popper. I needed a sound to simulate a ball popping factory kind of effect. This is the basic track with accented pops.

A bongo martillo with some accents.

Ghost note drumming: ghost notes indicated by parentheses, main notes distinguished by accents.

A recording of crowd ambience at a beer festival in manchester, uk.

Remo djembe recorded on an sm57. No effects/eq. Good for percussive accents.

Stock fl-studio drum samples thrown together haphazerdly on the channel rack. . .

I say "shi-kyu you're so trash" a handful of times with different accents and empjasis. For chikyuprod, shi-ki-yu. Wav.

Atmosphere just outside birmingham new street station, with luggage trolleys, footsteps and brummie accents greeting people. Recorded on an olympus ls-10 with an internal mic.

40+ repetitions of the word "hello" with various inflection and faux accents. Recorded with sure sm7b via presonus iostation at 24bits 44. 1hz; no effects or gate, mixed down at 192k, 24 bit mono.

Recorded on marantz pmd661 with rode ntg-2. Sound of builders taking down scaffolding in a large echoey space. Sporadic clanging and banging sounds throughout and occasional muffled voices (with cockney accents). Good ambient sound for builders working in a cathedral, empty art gallery or some other large, open space.

My voice acting provided for free cc0 free public domain. I recorded this for a cool project. I'm willing to do projects for free and without credit, i like talking in impressions and coming up with voices and accents to speak in, it's not hard for me. I'm recording this on a blue yeti, i love yetis. Hear for yourself the sound quality. Edited in audacity.

Five is four: a polyrhythmic analog-synth loop with ambiguous five or four time signature. Slightly frantic sounding, arpeggiator-like rising pattern a bit like a shepard tone, it's a 5/4 pattern, but accents are distributed in 4/4. 180 bpm, key is a-minor (a-minor then f-major). Two loops marked in wav file, first is the bare synth pattern, loop is samples 0 to 640,000; second is with a pad, loop is samples 960,000 to 1,600,000.

This is a recording i made for one of my songs. I found it nice to run the group's output through the ohmforce ohmicide and have some fun with the separate bands. The original loop consists of me, drumming on my metal kitchen-sink with drum-brushes. The snary accents are the brushes on the back of my acoustic guitar. All recorded with a neumann u87 and mangled through a ua solo610 with tube-gain cranked up. The bassdrumsound is also an handplayed sound from my nord lead. All recorded in 48/16.

What if we could hear sounds from another planet ?. In this imaginary place, people can visit zoos under water. Here is the sound of a yhtem, recorded by a visitor from inside his personal submarine. The recording device was found by a member of the zoo staff, as it was floating over the water. It gave no more informations about what happened to the visitor, except that according to several monster's specialists, the yhtem « sounded hungry ». In the real world, this sound was created using the sound of a very brief scream. At the background was a noisy street, and some cars were passing by. I used two different screams and mixed them, before decreasing speed and tempo in audacity. -. Xson « cannelé ». Le son « d'arrière plan » est étouffé, plutôt doux, mais il y a des « accents » rugueux, acides, lors du grognement. L'attaque est graduelle. On distingue quelques notes, différentes hauteurs. Variation scalaire.