1,157 Royalty-Free Audio Tracks for "All Interval"

Taffanel gaubert complete flute method exercise 27 fifths played in a miyazawa flute.

Opening and closing an old slide-up phone and pressing the buttons (with and without tones). Different phone numbers (funny pressing melodies). Dialing tone while waiting for answer. Ringing tone with vibration. Vibration only. Error melody. Message signals with vibration. Alarm tones.

The first thing i've made exploring garageband! the melody is taken from the yiddish folk song "ale brider/un mir zaynen ale brider" (all are brothers/and we are all brothers). I hope you like it!.

Edited from the sound of me shaking a bottle of water. Intended to sound like using a fill bucket in art software. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. You may use it however you please. I hope it is useful. 🎶.

Melodic and harmonic intervals. Created by Hyacinth (talk) 15:19, 18 March 2011 (UTC) using Sibelius 5.

A chorale melody containing only steps, no skips: "Jesu, Leiden, Pein, un Tod".

*Augmented octave and diminished unison on C = C♯. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: none Note how the diminished unison is essentially equivalent to the augmented unison.

Minor tenth on C - As MIDI

*Major ninth on C = D'. Equal-tempered: 214/12:1 = 1400 cents. MIDI pitch bend: none

Octave and Minor third on C

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Major thirteenth on F

*Major tenth on C = E'. Equal-tempered: 216/12:1 = 1600 cents. MIDI pitch bend: none

Minor thirteenth on F, as MIDI

Simple and compound major third (major third and major tenth).

A field recording of small waves crashing on a sandy shore. Part of the recording includes the waves splashing against a wooden structure. The waves come a fast, regular intervals; this isn't the slow rolling crash of a barrel wave on the beach. There was a bit of wind (generating the waves) which i've did my best to minimize, but if you don't want wind in the recording you're going to need to edit around it. Always curious to see where these recordings wind up, so if you use it drop me a link in the comments if you think about it.

*Septimal kleisma on C. Just: 225/224 = 7.71 cents. Limit: 7-limit. MIDI pitch bend: 60,66

*Chromatic diesis on C. Just: 27:26 = 65.34 cents. Limit: 13-limit. MIDI pitch bend: 116,52

*Breedsma on C = E♭♭♭+. Just: 2401:2400 = 0.72 cents. Limit: 7-limit. MIDI pitch bend: 30,64

*Ragisma on C = C♯-. 4375:4374 = 0.396 cents. Limit: 7-limit. MIDI pitch bend: 16,64 SAME PITCH BEND AS File:Decameride on C.mid

Melodic perfect fifth descending.

*Golden ratio on C. 1.6180339887498948482 (φ) = 833.0902963567409 cents. MIDI pitch bend: 75,74

Melodic perfect fifth ascending.

*Subminor sixth on C = G/A. Equal-tempered: 215/24=5/8:1 = 750 cents. MIDI pitch bend: 0,80 Preceded by:File:Thirteen quarter tones on C.mid

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. Limit: 3-limit.

*Major fourth (Eleven quarter tones) on C = F or G. 211/24:1 = 550 cents. MIDI pitch bend: 0,80 Preceded by:File:Nine quarter tones on C.mid

*Undecimal neutral second comma on C. 121:120 = 14.37 cents. Limit: 11-limit.

Just perfect fifth on D = A+. 3:2 = 701.96 cents.

*Five quarter tones on C. Equal-tempered: 25/24:1 = 250 cents. MIDI pitch bend: 0,80 Preceded by:File:Three quarter tones on C.mid

*Undecimal seconds comma on C = Cb↑↑- (Ben Johnston's notation). Just: 121/120 = 14.37 cents. Limit: 11-limit. MIDI pitch bend: 76,68

*255th subharmonic on C = D-. Just: 256:255 = 6.78 cents. Limit: 17-limit. MIDI pitch bend: 21,66

*Septimal diesis on C = D♭ (Ben Johnston's notation). 49:48 = 35.7 cents. Limit: 7-limit. MIDI pitch bend: 54,75

*127th subharmonic on C = ??. Just: 128/127 = 13.58 cents. Limit: 127-limit. MIDI pitch bend: 44,68

9 steps in just A12 on middle C: 23/10 = D = 1441.96 cents.

*Septimal semicomma on C = D (Ben Johnston's notation). 126/125 = 13.79 cents. Limit: 7-limit. MIDI pitch bend: 53,68

*Bohlen-Pierce three steps on C = E. 33/13 = 438.91 cents. MIDI pitch bend: 57,76

*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66

Octave on C. 32/1: 6000 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 1/8: 3600 cents.

*Bohlen-Pierce four steps on C = F. 34/13 = 585.22 cents. MIDI pitch bend: 34,59

Undecimal augmented fourth on C (15/11): F↓♯+. 536.95 cents.

Eighth octave on C. 16/1: 4800 cents.

*Bohlen-Pierce ten steps on C = A. 310/13 = 1463.04 cents. MIDI pitch bend: 22,52 1463.04-1200=263.04 cents

*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54

*Bohlen-Pierce six steps on C = G. 36/13 = 877.83 cents. MIDI pitch bend: 115,56

*Bohlen-Pierce nine steps on C = J. 39/13 = 1316.74 cents. MIDI pitch bend: 45,69 1316.74-1200=116.74 cents.

*Bohlen-Pierce twelve steps on C = B. 312/13 = 1755.65 cents. MIDI pitch bend: 103,49 1755.65-1200= 555.65 cents.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none