193 Royalty-Free Audio Tracks for "Boost"

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Warm white noise-ish machinery hum normalized to -2db. Slightly less than 12 seconds, with short fade in and out. No rights reserved. All wrongs reversed. Boost no ills.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

A techno wind boosted through reverb, recorded and cut to make it dry again, compressed and limited. Also interesting in inverted wave mode.

Selected the 4th knock sound from https://freesound. Org/people/timmeh515/sounds/413293/and applied some eq magic by boosting at 5 frequencies guided by ear.

Recorded with original zoom h2, with high frequency boost.

This is a recording of noise and some wind in a village during a night. It has some boosted frequencies and might be used for interesting dark ambiences or dark backgrounds for industrial music/sfx.

No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Some real snaps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the mid frequencies. ) great for layering on top of each other! -eg.

Nighttime crickets recorded on the screened porch of a log cabin in cooperstown, new york, usa. Zoom h1n, stereo, 48k, 24-bit. Gain boosted 12 db. Minor cleanup with izotope rx. Recorded in october, 2020.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Short clip of a cat purring like a lawnmower (and drooling all over me in the process). Quality isn't amazing, but okay. Recorded with a not-so-pro sony icd-px720. Slight compression, boosted volume, and tried to cut out some of the hiss with eq without totally ravaging the clip.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Electric wood sander sanding a sheet of ply wood. Hard, loud and abrasive sound, high volume low pitch. Recorded inside a workshop with a zoom h6 recorder. Audio was post-processed to boost the audio. Wood sander was a bosch 230v.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Ambience recording of a park recorded at 5am in the morning. Various birds chirping, trees rustling, wind gets stronger towards the end. Recorded outdoors in clear sunny and windy weather using a zoom h6 recorder. Audio was post processed to boost the audio.

Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Uk farmland in early spring. Mostly bisrdsong with a few distant farm sounds, including a tractor. Field recording in a field. Zoom h5, rode svmx, deadcat, high boost on21_03_30_0630am_h5_svmx_farmland. Wav.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of my cat purring while laying down. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

I recorded my raw kick drum with a shure vocal mic and then gave it a bass boost using audacity. Not too bad considering the equipment used. It is a kick drum 22" with an evans emad 2 head, a pillow inside, and a medium quality pdp drumset.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Taken at the delta airlines terminal at los angeles international airport. I used a tascam dr-07 mkii recorder. It was approximately 12pm and i was seated in the waiting area indoors. To my right but also behind me were the boarding gates for the airplanes. I used wavepad for osx to boost the volume.

A sound made for http://trigger-rally. Sourceforge. Net/. Made in audacity using original sound http://www. Freesound. Org/people/sagetyrtle/sounds/40158/ and adding bass-boosted, fading-out white noise.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.

Taken at the van nuys fly-away bus station in van nuys, ca. I used a tascam dr-07 mkii recorder. It was approximately 9am/10am and i was seated in the waiting area indoors. The doors to my right were directly to the outside passenger loading area for buses. I used wavepad for osx to boost the volume.

Taken at the van nuys fly-away bus station in van nuys, ca. I used a tascam dr-07 mkii recorder. It was approximately 9am/10am and i was seated in the waiting area indoors. The doors to my right were directly to the outside passenger loading area for buses. I used wavepad for osx to boost the volume.

Formatted for use in the make noise morphagene. Eight chords from my fender rhodes, each on its own splice, based around an f-minor root. The rhodes is running through an mxr zw-44 for some mild overdrive, and was boosted with a focusrite scarlett dynamic octopre. See a video of this reel here: https://youtu. Be/ybhmx38n5oo.

Recording of my finger snap inside my living room. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Brushing off a down/nylon jacket, as if dusting snow (or rain or dust) off of someone's shoulders. Could be used for many different swishing noises. Recorded with stereo nt1a mics in a soundbooth. Volume boosted in audacity. No other effects.

Recording of an electric kettle boiling water in the kitchen counter of my apartment. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Recording of city ambience from my apartment window at night. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

A live recording of a 100+ choir in rehearsal. Recorded using a matched pair of rode nt5 for the left & right with an additional akg c451 for the centre. The idea of this recording was to capture the way a choirs sound fills a room. Some minor addtional eq has been used in the 35khz range boosting by 1db to give the performance a little oompf.

This is a clothing rubbing foley sound, emulates the sound of couch moving, chair adjust, writing on table, moving around in clothing. This in efforts of bringing you easy to use sound that is both editable and low in noise. Thank you and feel free to adjust,cut and boost the track. Some credit wouldn't hurt. Good luck filming. :).

This is a bass kick i made with a nice crunchy toned delay. It started life as a mono bass kick off my 808 drum machine, i converted it to stereo then inverted the right channel, i distorted it and processed it with 100% envelope to really boost the front end punch. It's c2 pitch for convenience.

A rawstyle like kick i use in my recent project, made from an 808. Feel free to use it in anyway you want. I would appreciate a note where you use it but its not required. Enjoy! :). Optimized for 155 bpm. Just boost the frequenzy around 1-2 khz and a add bit reverb ;). Listen to the track: https://soundcloud. Com/arc_tis/rawmare-wip2.

I generated this sound for a scene of a short video in which a zombie attacks my friend. It's a loud burst of roars and snarls, altered using audacity. I recorded myself doing my best zombie voice, then i lowered the pitch, boosted the bass, and added a phaser to make it more wet and added some feedback. I hope you find it useful!.

Timex analog office clock, front perspective, muted ticks. Recorded in mono 44. 1/16 from an earthworks sr69 into a zoom h4n, trimmed with a bit of gain boost and a bit of noise filtering eq.

Recorded and raised the gain very high, this is simply my fingernails gently rubbing against the fabric of my fender mustang iv amplifier. I also recorded some egg rolls cooking and got some of that spicy hot sizzle in there :) bass boosted in audacity and equalized to perfection in audacity. *if you download this sound, please write in the comments what you used it in!*.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.