2,132 Royalty-Free Audio Tracks for "Channels"

Various noises of a textile hat, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Atmospheric engine control unit ecm pcm h#6667440 node a.

Atmospheric engine control unit ecm pcm h#6667440 node c.

A short sample of crowd noise recorded at glasgow barrowland 2005. Never used these two channels in any mixes because someone in their wisdom decided to put the ambient mics either side of the pa subs. Genius!.

This is a remix of oceas 8th loop at 130bpm, the samples in this pack were made mostly by running the original loop through a custom plugin i made with synthedit. The general idea of the plugin is to seperate the incoming audio into 8 seperate channels using high-resonance bandpass filters, then run each of the 8 channels through its own special effect including reverb, delay, harmonic generation, ring modulation, modulation of the original signal by the harmonic generation signal out, and another reverb.

Unzipping and zipping a medium sized soft laptop case. First take is unzipping, second take is zipping. Recorded in studio. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.

Unzipping and zipping a medium sized soft laptop case. First take is unzipping, second take is zipping. Recorded in studio. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.

Found a half-broken wind-up rotating christmas tree music box. . . Thing. . . Raw 24/96 ms recording; be sure to decode before use. Left channel is mid, right is side. To do this manually you should separate the channels to two mono tracks, duplicate the side track and invert the duplicate. Pan the side tracks hard left and right, and mix with the mono mid channel. Or use a plugin to do it for you :d.

Second test sample using 2 ntg3's for seperate left and right audio channels. Recorded using fostex fr2-le, mogami neglex quad xlr cables. Aircraft were about 10-20ft about microphones. .

Pressing a light switch, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Stepping on a creaky spot of a wooden floor, recorded with a roland-r26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Scratching various surfaces with fingers, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Some sounds of bed sheets recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Opening/closing a new door, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Opening/closing an old door, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Throwing some small logs on dirt, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Stepping on a freshly fallen tree, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Third test sample using 2 ntg3's for seperate left and right audio channels. Recorded using fostex fr2-le, mogami neglex quad xlr cables. Aircraft were about 10-20ft about microphones.

Recorded my 30" chau gong in the local church. It's tuned to ~91hz (around f/f#2). 4 mic setup:. Large d condensers for l/r channels (2)d112 for bass (1)røde ntg2 environment (2).

Airliner flying low over a rural area at night. These are the rear channels of a 4ch surround recording. Recorded with a zoom h2, mic's set to 120° dispersion.

Strange radio interference picked up between radio channels at 3am one morning. (i'm reasonably sure this some sort of strange em phenomenon rather than someone else's composition being broadcast; if i am wrong, i will be happy to take it down. ).

Stepping on an old fallen tree in a forest, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

This is a failed attempt at sampling a rock drumkit on 6 tracks. The channels are as follows:. 0: oh l1: oh r2: kick3: snare4: room l5: room r. I've captured this into ardour 5. 12 using 3 different audio interfaces:. Behringer umc202hd - overheads (dynamic mics)line 6 pod studio ux2 - kick and snare (condenser + dynamic)zoom h2 - room ambience (built-in xy condenser mics). This file is a 6-channel 24-bit flac file encoded using ffmpeg from the raw wav files exported from the original ardour session. There are several issues with this recording however:. 1. The tracks seem to drift, because the individual audio interface clocks were not in sync. The proper way to record multitrack audio is using a single multichannel audio interface - but i didn't have one. 2. There's either x-runs or some usb transfer issues creating small glitches and dropouts in various tracks her and there. Don't know why did this happen, as we've been tracking the real drummer's performance without these issues. Now - fixing these issues manually would be an insane amount of work, but i hope maybe someone has means to either solve them with programming a special tool, or know a tool that could fix these, and make this recorded session ready to be sliced as a drumkit for say - drumgizmo. There's some really good stuff in here - an i was able to cut and mix some really nice drum samples, that i've been using for years, but it's not ready to be fully sliced for maximum flixibility. The instrument was played by myself - it's a drumset by pearl (don't remember the details), owned by the drummer of a band i recorded this with. The band was called small hint - hence the drumkit name. We were recording an ep, and i used some free time left to capture this as well. The ep was never finished and we disbanded soon after. Regarding fixing the issues - here's what i think needs to be done:. 1. I think each hit would have to be automatically phase-aligned on all 6 channels, to correct for the drift. 2. I think it should be possible to automatically detect clicks by simply watching for a sudden change in amplitude between adjacent samples - marking bad areas and then using something like audacity's repair effect to interpolate the waveforms. I think the glitches have much steeper changes in amplitude than even the drum transients, so it should be possible to differentiate between those automatically. If you found a way to fix at least some of these problems - please let me know!. If you've made some "remixes" on freesound - i'd also love to know that. Apart from that - sample what you can out of this and make some sick drum tracks!.

Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, second take is hanging up. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.

Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, next take is hanging up, and so on. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.

Picking up and hanging up a lightweight modern home or office telephone. First take is picking up, next take is hanging up, and so on. Recorded in studio. Unprocessed. The wav file is a dual mono file. Left channel is close perspective, recorded with an akg c2000b. Right channel is a bit more distant perspective, recorded, not sure, with a rode ntg1. Both on fostex fr2-le.

Recorded on back porch birds ambience etc. . . Chain: rsm4 & pdmic45 > art usb dual pre > zoom h1 @ 44. 1 24 > reaper > flac @ 44. 1 16 and dither level 6. Signal chain is: pyle pdmic45 condenser sent to left channel of an art usb dual pre mic preamp. . . Right channel nady rsm4 plus 20 db selected. . . Both channels sent to a zoom h1. . . Post done in reaper. Phase flip and panned figure of 8 to sides and left condenser mono for mid side.

Listen track with nice and warm sound. Track features piano. Space pad. Plugins omnisphere, kontakt (drums of war2), (factory library). Bpm 100. Ableton 9,12 midi channels. More projects here: https://evaluationrecords. Com/shop.

I've scanned the radio frequencies with an old radio and recorded with my tascam dr-05 via the headphone jack. You can hear some weird looping patterns and sound fragments from random radio stations.

Sound of two clocks, one close and the other far from the mics, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Recorded inside a closet. Low noise, not much reverb. Sounds almost machine-like with a satisfying thump. Recorded on a phone. I messed around with it to get it to sound nice. In case you do something that mixes the channels: on the opening part i copied a 5khz to 8. 5khz band from the left to the right channel, so that frequency band is mono.

A recording of ambient noises in the night, recorded with a zoom h5 handy recorder. The left and right channels have been eq'd differently to give a wider stereo feel, and a reversed version of the recording has been layered on top of the original.

A recording of me moving my h4n zoom recorder left then right a couple of times near the motor of my room fan. The result is a rumbling, wooshing kind of effect. Sound is in stereo, and is in. Wav format.

Field recording of city park, morning, close to children playyard, sounds of children,some footsteps of pedestrians. Equipment: double ortf shoeps, sound devices 633 w kortwich preamp, first two channels - mix, then separate prefade iso tracks.

Throwing a brick on dirt, recorded with a roland r-26. Some clothing noise with it as well, but you can cut it out. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Throwing a very big log on the ground, recorded with a roland r-26. Let me know if you need 4 channels (from directional and omnidirectional mics), this is a stereo mix of both.

Cosmic glow track with nice and warm sound. Track features piano. Warm and sad pad. Plugins sylenth 1, massive, zebra 2. Bpm 70. Ableton 9, 7 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew.

This clip is from a 118min recording of myself sleeping during a full moon in january 2020. It's best listened to with headphones because there's a slight delay between the l and r channels. For more information, visit https://storyofthelie. Bandcamp. Com/album/sleep-recording.

A broken space heater that clicks. Recorded with a zoom h5 using the onboard xyh-5 capsule to capture a stereo signal and a sennheiser k6/me66 for a mono track. Very minor post processing to balance the stereo/mono and pull the subs out of the side channels.

Parallel universe track with nice sound. It can be perfectly used in cinematic projects. Track features plucked. Space pad. Plugins omnisphere 2, serum. Bpm 109. Ableton 9. 12 midi channels. Project file here: https://evaluationrecords. Com/shop/ regards, andrew kn.

Alan strange inspired sequenced gong using makenoise/soundhack gear. Slight embellishment using mimeophone. Mixed down 4 - 2 channels and recorded into reaper64. 48khz 32 bit for morphagene. The original:https://www. Youtube. Com/watch?v=urzx-2enziu. Thanks makenoise team!.

Radio switching frequencies with lots of static and radio noise. Recorded on edirol r-09, 48k, 24 bps. Free to use anyway you like!.

A 1khz wave, often used as an effect for a flatline, test pattern, censorship, etc. This one more for effect (such as a movie) than a test tone. There's a nice stereo effect to make it more exciting, made by producing it as a sine wave for the left channel and a triangle for the right. The sine wave is at a slightly lower volume to make the 1khz fundamental the same volume level in both channels.

Music i made in garageband for something called victors crypt. It's driven by bass with synth and scary sounds on top to create groove but yet a spooky atmosphere. I think this would work damn well to pods, games, movies, youtube-channels or anything you can imagine. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe to and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Did this little bit in garageband for something called victors crypt. A short bit of music that makes me imagine people dancing in hells fire. I think this would work perfect to pods, games, movies, youtube-channels or anything you can imagine. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, subscribe to and watch victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Mid/side recording of my stomach after having a fizzy drink. I laid down and placed the zoom h2n directly on my stomach. All kinds of stomach ejactulations can be heard in addition to my heartbeat. Raw 24/96 ms recording; be sure to decode before use. Left channel is mid, right is side. To do this manually you should separate the channels to two mono tracks, duplicate the side track and invert the duplicate. Pan the side tracks hard left and right, and mix with the mono mid channel. Or use a plugin to do it for you :d.

6 channels of tempi driving qpas into schizoid state, the pusher's echophon. Metronome beat, on something, laid back and jazzy. Just let the tones "beat" you into submission. Reaper rendered @48khz 32 bit fp for morphagene fans out there, with markers. Enjoy the "whatever"!.

Amtrak cardinal route eastbound (chicago to new york). Recorded east of montgomery, wv, traveling approximately 40-50 mph. Recorded with josephson c700s (output is soundfield w, x, and y channels) at 96 khz, 24 bit. Encoded to stereo nos with harpex. If you would like a higher resolution version of this recording, pm me.

Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.

Surround recording of a 700hp dual-engine bavaria motor yacht cruising on the adriatic sea. The recorder is suspended in front of the vessel, recording the waves hitting the keel. The recording was done with a zoom h2. This file contains the rear channels, recorded with 120° dispersion.