667 Royalty-Free Audio Tracks for "Compress"

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

A sample shout "and blood will flow" for the more creepy creative talents out there, recorded in a dry room with some sound effects (chorus, saturation, compression) to make the sound production-ready. In this sample reverb is already excistent.

This is a glass of water being poured into another glass. There are long pours as well as a couple short ones. This was recorded using a pair of earthworks tc30s in x/y into an api 512c and then compressed with an api 527.

An imitation of hurricane force winds i made using my compressed air can and a high end sony portable recorder. Blowing the air across the mic face sideways. Raw and unprocessed. 44. 1/24bit.

A short loop with a happy theme. High dynamic range. This was made to work on a wide volume-range without using any compression. Uploaded a better volume-version with a limiter here: https://freesound. Org/people/sirplus/sounds/578066.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

High resonance experiment with ts-404. This is a somewhat average techno-ish loop. Pretty simple. Only minor editing in audacity (ie. Normalize, remove noise, compress).

Piano 3 notes c6-c7-c8, stereo, compress, 2 eq, chorus, modulation, reverb.

10 bars at 145 bpm. Dirty trap beat. Every bar is different. . . I found an old demo with tons of air and dirt and put some new clean drums over it and a bell-like sound on top. 24 bit wav. No compression.

This is a handbag zipper. First the zipper opening and then the zipper closing. I used zoom h4 handy recorder with built-in microphones. I modified the original sound and added equalized, compression and sound reduction. All with adobe audition 2014.

A techno wind boosted through reverb, recorded and cut to make it dry again, compressed and limited. Also interesting in inverted wave mode.

This started out as a basic kick drum pattern i was experimenting with in ableton, and then devolved into me applying an obscene amount of delay, echo, reverb, compression, and filtering. And now it sounds vaguely like a helicopter :).

Portable oil heater being dragged on its plastic wheels across a (slightly gritty) tiled floor. Close mic with tascam dr100. Cleaned up a bit (light compression).

Assembly line factory atmo field recording. Recorded with zoom h2n. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

Basically its a synthesized snare bottom, with a real clap layered with a white noise burst, eq'd and also filtered with what i can only really call "parallel- saturation. ".

Single hit with the clapper on a handbell, compressed and equalized with the intention of creating a lift bell sound effect. If you use this sound i would love it if you could send me a message saying what you did with it.

You can edit it in your own way , resample it , eq ,compress , do whatever you want. Have fun ! :)i`ve created it by looping a hi-hat , and then i vocoded and eq-ed the result.

A layered recording of two terracotta pots scratching against each other. Recorder/mic: zoom h4n pro (stereo x-y)processing: eq, some compression.

A violin bow scraped back and forth on various parts of the neck of my acoustic bass with a little bit of reverb and compression applied, several samples to choose from, and a bit at the end that sounds kind of like a big monster snarling. Recorded with a blue yeti blackout.

Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.

Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.

Drums recorded in stereo. Samples have compression, eq, and a slight touch of reverb / room ambience added. This makes them cut through a complete mix without further processing. Enjoy!.

3 gal. Bucket with a sony voice recorder placed on the inside. Edited with sony sound forge, eq to get rid of the crappy voice recorder sounds and added time compress 85% of original, bend pitch and reverse on end. Also added stereo pan.

Recording of a nail being hit into a wood board with a club hammer. Loud hard repetitive sound post-processed to add slight compression to the audio. Recorded inside a workshop using a zoom h6 recorder.

A group of 8 actors playing angry citizens chanting in protest "you say cut back. We say fight back!" i recorded it as a sound effect for my podcast samsara's dramas. Recorded on a stadium microphone into audacity. Compressed.

Some sound i made on fl studio. If i remember correctly, a synth sound that got to sound a certain way, then put a lot of reverb with a heavy compresser after.

It's zynaddsubfx custom patch piped through a ir convlolution reverb played with a midi keyboard. Eqd, compressed and limited using audacity.