115 Royalty-Free Audio Tracks for "Core"

Sound pack with recordings of the corsair dark core rgb wireless mouse. Pressing every button on the mouse in order. Various clicking sounds. Recorded with the zoom h6 with the xyh-6 stereo cardiod microphone. Unprocessed.

Drum loop with lots of digital mechanization to give it a tinny sound. May be a remix of another freesound sample, but it got lost after the upload so i can't remember the description and links i planned.

The sound of a creaky door, recorded with my zoom h5. Processing: noise-removal (reafir), mild compression/coloration (molot vst), and convolution reverb (reverberate core; factory preset: medium plate ts).

Loop i made while producing a track, layered a bunch of drums, carved out the bottom end and synthesized my own, and then compressed it all together, and excited a bit.

This is the first sound in a new pack of sounds where i shall use a virtual ans for the audio, i got the idea from pschrandt's sounds (check him out at https://freesound. Org/people/pschrandt/). With this one, i was just playing around a bit with the spectrogram brush.

Stereo recording (decoded stereo from a core sound tetramic recording. B-format version also on freesound) sounds are kind of whooshy, very non-present. Very good for non-distinct urban-city bg's. Really useful in helping cover dialog ambient shifts. At :21 two guys on bikes with a boombox pass - one of the weirdest sounding things i've recorded.

As titled, i cannot really describe this sound much more as it is abstract and can mean different things to different people. Anyway, 6 variations using the same core layer, 24 bit 48000 khz. Feel free to use it in your projects ! credit is always appreciated of course.

Wrote/recorded short a mellow dance song at 120 bpm in ableton live 9:muugy for synth sound. Jarble bass (ableton stock plugin) for bass sound. Kit-core 808 and kitcore jarble for percussion section. Nylon concerto for the guitar plucked section. Additional notes:-11. 6 lufs integrated-0. 9 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

Feedback loop involving jupiter storm, a-147-2vcdlfo and a-101-1 vactrol vcfcv injected from 2 x sloth and intellijel quadra expander in quadra moodsome spring reverb. After ~1min i switch "noise core disruptor" (jupiter storm) off. Evaluation of patch/soundone cycle is about 28 sec - goodonly short sounds - badamplitude variation - goodpitch variation - goodtimbre variation - goodmusical value - low to mediumentertaining - high, or what?. Merry christmas! :-).

The 100% genuine and original htx sound in stereo :p. 3 merged samples featuring 21 group-panned notes with portamento and plenty dialed up effets like chorus, delay and reverb, everything except external panning, digial dc-filtering and volumeramps are comming straight out of the novation x-station. Rumor has it that the core of the original thx-sound actually was programmed in csound in case you want to recreate the original. A google search will give you the right pointer. Fixed high-pass version without the dc and normalized. Individually packed for freshness.

I took a few one-shot samples from a bunch of free packs i downloaded off the net (legally), i gave the kick some subtle crunchy distortion in the high end whilst trying to retain it's core sound and it's punch, i altered the transients and the pitch of the samples to make them pop more and sound more to the point and i placed a coloring compressor on the master to give it a bit more overal volume raise without causing it to clip in a bad way.

Note: i must-asch you to download the newer sonically identical htx sound ii. Wav as it is properly filtered. Https://freesound. Org/people/sirplus/sounds/332566/. The 100% genuine and original htx sound in stereo :p. 3 merged samples featuring 21 group-panned notes with portamento and plenty dialed up effects like chorus, delay and reverb, everything except external panning and volume-ramps are coming straight out of the x-station. Rumor has it that the core of the original thx-sound actually was programmed in csound in case you want to recreate the original. A google search will give you the right pointer.

Soundscape of a city street in chicago during winter. Sunday, january 31st 2016 at 6:05pm. Continual planes, trains, and cars passing. Occasional pedestrians. Cta "l" trains audible at the nearby thorndale red line stop. Mic: core sound tetramicrecorder: zoom f8. Converted to b format using vvtetravst, then processed to stereo as wide cardioids at + and - 45 degrees using ambisonics toolkit (atk). Light noise reduction applied using izotope rx 7 spectral de-noise. High pass filter applied to reduce low end rumble. Some editing done to remove wind buffeting. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

This recording was made in the path of totality of the august 21st 2017 eclipse, in the woods surrounding devil's kitchen lake in southern illinois. It's a stereo extract from a longer, 88 minute b format recording. The purpose of making the recording was to see how the eclipse affected the sounds produced by insects and birds. In this extract, totality occurs exactly 10:00 minutes in; and ends at exactly 12:38. This mirrors the time totality occurred at devil's kitchen lake: from 1:20:27pm to 1:23:05pm central time. Mic: core sound tetramicrecorder: zoom f8. Panorama of the recording site: https://photos. App. Goo. Gl/t2m3esbcm71l4wzza. With thanks to jay needham for being a good host, and guidance on where rattlesnakes like to hang out. Please note that this is a 48k 24bit flac file - flac files can be easily read and converted by audacity [https://www. Audacityteam. Org/] and reaper [http://reaper. Fm/], among others.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.