1,901 Royalty-Free Audio Tracks for "D 946 – 3 Klavierstücke (impromptus)"

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Schubert Impromptu in E flat

Sah ein Knab ein Röslein stehn

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Schubert, Op. 4 n. 3.

Schubert, Op. 4 n. 3.

Quintfallsequenz in Schuberts Es-Dur-Impromptu op.90,2

Українська: Шуберт. Експромт №3 op,90 (запис з концерту в Миронівці, 2 грудня 2016) Schubert Gb Impromptu #3 op.90 (live recording from Myronivka in 2016)

Beethoven Symphony 3, 1st movement, bars 45–49

Symphony No. 3, 1st movement bars 1-9

1st release date: 1924 1st recording date: January 1924 Place of recording: unknown Author(s)/Composer(s): Franz Schubert (1797-1828) Music arranger(s): none Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer(s): Claire Dux (1885-1967) Vocal range: instrumental Title/Work: Heidenröslein, D 257, Op. 3, No. 3 Content: - Genre(s): Tone poem

Der Tod und das Mädchen (La jeune fille et la mort), lied composé par Franz Schubert, interprété par Ernestine Schumann-Heink (1861–1936) en 1919

*Three secors on C. 18/53/19 = 350.15 cents.

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Istrian scale in Schubert's Symphony No. 8 in B minor (1922), 1st mvt., bars 13-20.

Symphony No. 3 in E Flat Major Eroica, Op. 55 - I. Allegro con brio

Symphony No. 3 in E Flat Major Eroica, Op. 55 - II. Marcia funebre Adagio assai

*3 steps in 41 equal temperament on C. Equal-tempered: 23/41:1 = 87.80 cents. MIDI pitch bend: 12,60

*3 steps in 14 equal temperament on C = ??. Equal-tempered: 23/14:1 = 257.14 cents. MIDI pitch bend: 36,50

*3 steps in 10 equal temperament on C = ??. Equal-tempered: 23/10:1 = 360 cents. MIDI pitch bend: 25,51

*3 steps in 31 equal temperament on C. Equal-tempered: 23/31:1 = 116.13 cents. MIDI pitch bend: 21,69

*3 steps in 34-et on C. Just: 23/34. Equal-tempered: 23/34:1 = 105.8823529411764705 cents. MIDI pitch bend: 112,65

Symphony No. 3 in E Flat Major Eroica, Op. 55 - IV. Finale Allegro molto

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

John Philip Sousa's "The Liberty Bell" (1893) as performed by the United States Marine Band. Track 48 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

Sousa's "The High School Cadets" (1890) as performed by the United States Marine Band. Track 40 from the band's album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Col. Jason K. Fettig.

The 'D-Beat' in musical notation.

D-beat drum pattern 2a.

D-beat drum pattern 2b.

D-beat drum pattern 3.

D-beat drum pattern 1.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

*Square root of three on C. √3 = 950.98 cents. MIDI pitch bend: 40,48

D chord in all fourths tuning.

Scarlatti Sonata K319, bars 62-80, octatonic descending bassline

D harmonic minor scale ascending and descending.

D natural minor scale ascending and descending.

D melodic minor scale ascending and descending.

John Philip Sousa's "Corcoran Cadets" (1890) as performed by the United States Marine Band. Track 39 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On Parade" (1892) as performed by the United States Marine Band. Track 45 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Manhattan Beach" (1893) as performed by the United States Marine Band. Track 49 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Washington Post" (1889) as performed by the United States Marine Band. Track 38 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Beau Ideal" (1893) as performed by the United States Marine Band. Track 47 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Thunderer" (1889) as performed by the United States Marine Band. Track 37 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

*3 steps in 17 equal temperament on C = D♮ (Easley Blackwood's notation). Equal-tempered: 23/17:1 = 211.76 cents. MIDI pitch bend: 98,67

John Philip Sousa's "The Directorate" (1894) as performed by the United States Marine Band. Track 50 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Triton" (1892) as performed by the United States Marine Band. Track 46 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Quilting Party" (1889) as performed by the United States Marine Band. Track 36 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Charlatan" (1898) as performed by the United States Marine Band. Track 55 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.