67 Royalty-Free Audio Tracks for "Drawning"

Sound of a metal utensil being quickly drawn across a hard surface and allowed to ring. Could be used as a sword glint kind of sound.

Sound of a knife edge against another. I slowed it down to 50% speed in post to deepen the sound. Recorded with zoom h6 stereo mics.

- rail curtains in a quiet bedroom being drawn quickly from open to closed- recorded with an se electronics x1- unprocessed audio- used originally as sfx for a play in oct 2019.

An mp3 raw audio recording of a sword being quickly drawn from a leather sheath. (this is a replacement audio for a previous version i had uploaded that contained much more background noise. ).

Possibly the squeakiest internal door ever. Includes the comparatively minor squeaking noise of opening the door, followed by the long, drawn-out squeaking and groaning noises that are the agony of it closing again. Recorded at the men's changing room, seaburn centre gymnasium, sunderland, north east england!.

This a sound effect i created in acid pro for a play. It is intended to represent a conflagration with an explosive start, a fire alarm and then the approach of fire engines. The play was set in the eighties. It is made from a combination of sounds drawn from field recordings, freesound effects and purchased sound effects.

Recorded sand on a large piece of paper being dragged across a rubberized dance floor (marley). Space had a twenty foot ceiling. Recorded with a tascam im2 stereo condenser microphone and ipod touch. This version has longer, drawn out drags.

Synthesized sound of a sharp sword being drawn. This was created using dexed, a yamaha dx7 emulation, with a touch of chorus. En garde, scurvy cur.

An ambient sort of sound done by doodling around in photosounder. Using the white spray with the harmonics on i drew two squiggly lines across the image horizontally, then flipped the image 90 degrees counter-clockwise, then with a wide dark brush i darkened some areas of the image to make the sound progress for a narrow band continuous noise to a full bandwidth squiggly kind of noise.

created and formatted for use in the make noise morphagene. The sounds contain elements that i’m drawn to like dynamics, distortion, rhythm, and artifact noise. If users are looking for noise floors, breathing drum loops, and grimy textures, hopefully they will find it inspiring or useful enough to let it occupy the 64. 7 mb of space on their microsd cards. .

A raw audio recording of a sword being slowly drawn from a leather sheath. (this is a replacement audio for a sound i had made earlier, with the background noise at the beginning and end taken off. ) see timbre's noise reduction remix of the sound for a much cleaner version without background hissing noise - https://freesound. Org/people/timbre/sounds/417194/#comments.

A 30-second loop i made (part of a larger song) experimenting with house and funk, and trying to fit in as many sounds as possible with no regard to the norms of good audio quality. Influences drawn from kool and the gang's "stand up and sing" and the jane remover remix of "4ever" by that kid. Anti-copyright. Feel free to use, alter, bootleg, pirate, and distribute however you see fit.

The sound of the bottom of a ceramic mug, dragged over the metal grating of a coffee machine. It sounds like a sword drawn from a scabbard. Recorded using a zoom h6 in the kitchen. Applied a filter to remove unwanted low and very high frequencies. Also corrected the volume level to adjust all four recordings to the exact same level. There are some minor distracting noises - i assume from my shirt while moving the mug over the surface. Also a fan is very faintly audible in the background. If you are interested in a very clean recording of this sound, please let me know.

I created this sound to add to the freesound. Org library of sound, because, to obtain use on a sound here, one of the stipulations was that i had to add a sound here at freesound. Org. I love sounds. My senses have always naturally been fine tuned to appreciate the subtle cues in sounds, although, as an artist, i am more drawn to create music or visual art, rather than sounds, but i gave it my best try here. This is a sound i have been doing for years, since a very young child actually. Basically the sound is achieved by making three sounds with my mouth. . . 1. Sucking my lips together, and then opening my mouth, 2. Bringing lips back together and forcing air out 3. And then the sound of my tongue pressed just under my front teeth, and flicking my tongue down. I do this very fast. Enjoy!.

A very peaceful, melancholy soundscape i recorded on labor day weekend in some woods, about 20 feet from a popular lake in the midwest. There was a small cove in between my setup and several campers across the way. . . They undoubtedly were enjoying one last time with nature starting to change from summer to autumn. The main sound is that of insects, not sure what the species is, but, they have a beautiful, drowsy "tick-tick-tick" sound that repeats. . . To me, this sound signals the very subtle, almost imperceptible march towards the autumn equinox. I swear, the longer you listen to this captivating insect, you're drawn into, almost like a hypnosis state of reflection. . . A couple things to listen for:(1) around 1:13 a very low splash. (2) at 1:38 a lone goose honks. (3) starting at 2:30 some very low volume, muted camper conversations. (4) at 2:36 a louder splash. (5) 2:41 more beautiful, un-hurried muted camper conversations. No doubt talking about how they need to break camp and return to the real world, but the "tick-tick-tick" of the insects have a strong hold on them. No, stay a little while longer; have another cup of coffee, talk about your accomplishments over the past summer,. This was recorded around 10am on sunday morning, september 6th, 2020 in illinois. Mixpre-6 audio recorder and the sennheiser mkh 416 microphone. Enjoy this audio snap-shot of the natural world winding down summer!.

Here are some recordings of some of my basic woodwork tools. I'll try and get better recordings in the future but i share a workshop and it is rarely quiet enough to get good recordings. All recordings are me working on a piece of 25mm thick walnut timber. Listening back has made me realise that all of these tools need sharpening!! :). The recordings are as follows:. 00:00 - 00:26stanley block plane fine shaving the edge of the timber. 00:28 - 01:33stanley 5m retractable tape measure, metal blade and plastic casing. Tape being wound out and drawn back in. 01:36 - 03:30milwaukee m12 battery drill. Trigger being pressed, chuck opening and closing and bits being changed. Drilling into timber. Driving screws into the timber and removing them again. 03:32 - 05:14lie nielsen crosscut tenon saw cutting across the grain of the timber. 05:17 - endgeneral purpose wood saw 'ripping' along the grain of the timber. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics. Low cut on the sd which in basic mode is 80hz (i think). There is no processing to this recording other than to ‘normalize’ the levels. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.