4,676 Royalty-Free Audio Tracks for "Electronics"

Dubstep beat programmed with caustic 3 and mixed with ableton. 4 bars at 150 bpm big kick with snappy snare. Reverse snare and reverse spacey crash for extra effect. Busy hi hat pattern. Some gentle eq and mix compression and reverb and slight delay on hats and reverse effects. Ready to go.

This sound has been created by modifying a voice record of about 3 minutes non-sense talk. Afterwards transformed and modified by many various effects in audacity. Sounds like an alien transmission or digital matrix, transformation kinda thingy. . Feel free to use as you like under public domain.

This sound is a recorded sound from a hammer tapping the metal, i modified it using some effects :1-normalize2-change the pitch ( from a#/bb to c)3-change the tempo with percentage=-90. 000. The final sound gives an impression of something that slips over the barriers.

A gregorian chant melody line with arpeggiated harmony played from digital keyboard into a music maker midi recording. I gave it a whirl with a vst synthesizer voice called men's cathedral, twirled lots of dials and this came out.

This is the sound-signature of many of the problems with digital audio equipment, a source sound of now-unidentifiable character was mangled using a selection of iterative granular resampling, timestretching and recombination techniques, almost all of which produce noisy artefacts, intermodulation artefacts and a particuarly weird sort of very noisy geomtetric comb filtering.

This sound was recorded december 11, 2013, using an alesis qs8, a roland 550w keyboard amp, the dm1 app for the ipad 2, an m-audio preamp, and multitrack recording software: sonar 6 studio.

110 bpm, c notes, middle c, with a 1/4 wobble, half as sine, half as sawtooth descending, with random sounds and filters. Compressed a bit to give ti the full sound. Useful for games or music.

Samples from a freakenfurby, a circuit-bent furby toy by dave barnes. These are glitched speech synthesized vocalizations recorded at 32 bits by direct connection into sonar. They were downsampled to 16-bit, broken into individual cues, edited and processed and filtered to remove offset correction issues and other unpleasant artifacts.

Samples from a freakenfurby, a circuit-bent furby toy by dave barnes. These are "normal" speech synthesized vocalizations (without glitches) recorded at 32 bits by direct connection into sonar. They were downsampled to 24-bit, broken into individual cues and processed and filtered to remove offset correction issues and other unpleasant artifacts.

Sold a module. Now there is room fort dirt again. The name is well-deserved. Dirt is a filter module from synthrotek. It's so strange that i wonder if the person who built it got it right. . . It's a kit. But i bought the module second hand.

A mix of three sounds. All honor to the creators. The first sound is edited a lot by me. . . Https://www. Freesound. Org/people/parabolix/sounds/332831/https://www. Freesound. Org/people/ultradust/sounds/166432/https://www. Freesound. Org/people/cris/sounds/167685/.

Plastic dice (1) rolling on a piece of paper on a wooden table (to simulate a carton board). Recorded with a se electronics se1 cardioid mic into motu 828mk2 interface, 48khz, pointing at the source, around 30cm away. Small, slightly treated room with reflective walls.

I used ableton's:. - grain delay (spray: 80ms, frequ: 43 hz, rndpitch: 3. 19, fdb: 65, wet: 70%)- compressor with very slow release as kind of an amp-follower- carefully adjusted gate with 111ms release- very short simpledelay- overdrive- short reverb. Original sample:http://www. Freesound. Org/people/kyster/sounds/147082/.

It's a sound i got from a lost recovered wav file. It was a 24-bit file but i have imported it as a 16-bit one, the ruseulting sound is an interenstin non-uniform noise with a modulation to it. Could be a neat sound for broken electronics.

I just hooked up an 80's radio to my pc via the aux cord and recorded this horrifying thing whilst searching for a radio station on the d frequency. You can use it anywhere, just ask me before and/or mention the source. Or not.

Samples fromhttps://freesound. Org/people/skjor1/sounds/321731/https://freesound. Org/people/kyster/sounds/81737/https://freesound. Org/people/lorenzosu/sounds/49435/an interesting mix of sound to use in phonogene. I'm trying to find out how to use phonogene. How do you use it?.

Samples fromhttps://freesound. Org/people/flcellogrl/sounds/195273/https://freesound. Org/people/joangilbardaji/sounds/237536/https://freesound. Org/people/carloscarty/sounds/463713/an interesting mix of sound to use in phonogene. I'm trying to find out how to use phonogene. How do you use it?.

A 7200 rpm western digital hard drive spins up, idles for about 15 seconds and shuts off. Nice motor noises along with the spin up. Recorded using a zoom h1n recorder very close to the hard drive. Noise reduction and cuts made using audacity.

Tons and tons of random effects played over the length of transposing static noises, then more reverb, plus effects. More noise, resampled,. . Etc etc. If virus' for your computer could talk. . This is what it would sound like.

Glitch effect made with fl studio. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2021.

The results of an attempt at using a generative adversarial network to generate minimal techno, one measure at a time. The number in the sample's filename roughly corresponds to the training epoch where the sample was taken from.

Experimental filmset. Mongolian horde sweeps over windy steppe, ready to clash swords and pillage. Rendered @48khz 32-bit fp for morphagene fans out there. Enjoy the slowly building mayhem!.

I have been working on my twelve-tone program (in chuck). 1 - random 12 tones with random note-length for prime. 2 - then retorograde is played. 3 - after that prime and retrograde at the same time (3 times). Here the note-length is a average value.

A casio pt-1 rhumba loop, 4 times and already cut loopable. Recorded with a yamaha 12xuk mixer. No fx applied. I made this because i needed it for a project and since i love this rhumba rhythm i like to share it. Around 60bmp.

I wanted to create mood for a shot video piece that was dramatic, ambient and atmospheric. I jumped on my midi-controller keyboard and generated this sound on my computer using software synths and mixed it and processed it in audacity. Useful for background music for video, or for meditation.

This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. I would appreciate it if you support me on ko-fi: https://ko-fi. Com/staycalm182.

You can use this sound in any project you want, but please also consider supporting me via patreon (1$) : https://bit. Ly/patreon22.

Semi-generative melodic analog sequence drenched in delay and reverb. Key of c pentatonic minor, 96bpm. Patch notes:. Moog matriarch sequenced by intellijel metropolis, filtered by ssf stereo dipole and reverb by noise engineering desmodus versio. Minimally post-processed in ableton with compression, eq, and transient control.

A short choir sting, but with a synthesized chorus. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

A morphagene reel culled from an improvisation i made on a eurorack modular synth. Qu-bit electronix scanned is the sole voice here. Splices in the reel are ordered from somewhat delicate (taps, pulses, etc. ) to pretty chaotic noise. All recorded into a zoom h6.

110 bpm, c notes, middle c, with a 1/4 wobble, half as sine, half as sawtooth descending, with random sounds and filters. Compressed a bit to give ti the full sound. Useful for games or music.

This is is a track with nice sound. It can be perfectly used in cinematic projects. Warm and sad pad. Original: https://evaluationrecords. Com/shop/product/ableton-live-10-template-at-the-edge-of-space/regards, andrew.

Original description: a crash symbol that has been heavily modified with reverb and other stuff. #cymbal #cinematic #cinema #crash #hit #impact.

A sample from my completely free looping pack. Redistribution + repackaging of these samples verbatim is prohibited. Download the entire pack here: https://sampleme. Sellfy. Store/p/free-looping-female-vocal-samples/.

This is a sound effect i created using chiptone. You don't need to credit me. You can download this sound effect as needed and use it for any project. I would appreciate it if you support me on ko-fi: https://ko-fi. Com/staycalm182.

You can use this sound in any project you want, but please also consider supporting me via patreon (1$) : https://bit. Ly/patreon22.

Basic drum loop. Original description:. A basic 120bpm housey loop with some subtle effects in the background. Made in fl studio.

Pressed down random keys on my electronic piano really hard. I've recorded 3 variations.

Electronic generated sonic object non human female voices modulations sample 1.

These sound like real birds but they are actually pure electronic sound, no sound of mine is non-electronic.

Electronic music produced using 8-bit sounds and modern production software/drum samples

At&t; princess desk phone w/ electronic ringer.

Electronic processed pitches.

Electronic kick with some distortion.

Electronic kick with some distortion.

Electronic kick with some distortion.

Electronic kick with some distortion.

Snare, electronic drum machine.

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .

Dance of the electronic fairies by Monplaisir