Formatted for the makenoise morphagene. Consists cut-up collages and nonlinear loops. Combines public domain sound snippets with electronics. Best dive into the micro-sound level.
Today i put together a new lunchbox modular synth. This is the first test. Module list:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2.
Today i put together a new lunchbox modular synth. This is the first test. Module list:nonlinearcircuits geniebarton musical circuits 2lfoshzłob diode chaosdoepfer a-101-2. 2nd drone experiment.
After some patching i ended up with this. Playful. That's what i think. (link to a meanless video https://www. Youtube. Com/watch?v=9b68i1rjvkgsorry for that. )enjoy the sound.
Do not compromise with your hart. Let the modular play. Not for someone, but for you. A waveform exploration led to this graphic piece sound/music/thought.
I was trying to do some nice synth arpeggios. You know the ones you can have looping forever. Ended up with this. I have switched of the synth now - promise!dissenjoy this! :-).
In the right channel you hear uoki-toki polivoks vcf. In the left channel is the sound of intellijel μvcf. They are playing the same tones. The sounds have the same envelope but respectively vca are also affected by attenuated lfos.
This sound was made with 3 lfos, 1 vco and 1 vca. It was decided that the sound should be 30s. It took some tries for me to set the lfo that controlled the vca. The vca controls the output amplitude of the sound.
Sound made on modular. Today i cant come up with no cool name for my sound. I hope "fussy" is an okay name for a sick rhythm. "fussy" sounds sweet in my ears. Google corrects me, "do you mean 'fuzzy'?". No, i dont. I want fussy. . . Eehhh well. . . .
As i was working in an incidental sound i was continuously recording. All i saved was the ending. 2 seconds. But the sound is nice. Something in-between bass sound and bass drum sound… if you find use of it let me know.
Modular synth patch with 2 voices (vcos). One sinus wave and one triangle wave. Max reverb (hall) on my ladik d-330. Output to reverb is mono. Observe how the output from the reverb makes affects the channels. Meanless and bizarre video on https://www. Youtube. Com/watch?v=daymdm8vrz0.
The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .
An lfo set to 1hz connected to doepfer a-160 clock divider and hexinverter électronique jupiter storm "cv all". Before recording i reset the clock divider. Low tone triggered by /2middle tone by /16highest tone triggered by upiter storm output xi. I can't reset jupiter storm. Ok, what do we hear/see. Low tone every 2 secondmiddle tone every 16 secondhigh tone every 19 second!.
I decided to bring my wind chimes inside and recorded them with an mxl 910 microphone into my computer using a focusrite scarlett 18i20 interface with the gain turned up a bit. I then chopped 15 samples i liked from the entire recording and formatted them into a make noise morphagene reel containing 15 splices. I am very pleased with the results, especially when patched into clouds or using an eventide space pedal for example. Enjoy!.
nonlinearcircuits jerkoff chaos circuit is based on sprott's chaotic jerk equation. This sound is long and boring. . . But i wanted to test the nlc jerkoff. This might be of interest to someone. . . I upload an mp3 file to save disc space. . . The single module has 3 outs. 2 of them are controlling vcaa and one is connected to an envelope follower that generates a trigger when the cv is high enough. The signals in to the vca are the same (1. 5v). A way to illustrate the work of the module. Maybe.
Mind the loudness and piercing frequencies. Feedback made using only a self-patched random*source serge triple+ waveshaper, or tws+. Recorded with and formatted with splices for use with the make noise morphagene, but can use for and with whatever of course. Warning that it's it's quite high pitched so you may need to pitch it down with the morphagene's pitch knob a good bit if you want it less harsh. I think i acidentally hit splice instead of record one time so there might be a random short splice somewhere, but maybe it adds some splice length dynamics. . .
This recording is inspired by alienxxx http://freesound. Org/people/alienxxx/sounds/345510/made a little patch on my modular, still missing its (main) oscillators. I let the patch sound thru a pair of cheap computer speakers that i use as monitors. In an adjacent room, close to an open window, i put my phone and record. This is the unedited outcome. The recording was made 09:00 (16-05-11). Unfortunately nothing happened outside the window. Even the birds was quiet. I think there is a hint of feedback in the sound? first i planned to record with an old tape recorder, but i couldn’t find it. . . I think this recording should be listened to with low volume. May by it was a mistake to amplify the sound in audacity? but i think there is a nice room ambiance to the recording. Ideas for next time. Use guitar amp. Find old tape recorder. Don’t put recording device to close to window.
