68 Royalty-Free Audio Tracks for "Father"

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You found a mysterious phone on the attic of your grand-father, you dont know how it is work so you clic on different numbers. Nothing is happening for a moment but after 10 sec this sound is comming out the phone. . . Maybe someone is calling you back.
Author: Lcamsing
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01:05
first published Australia 1857 Music George W. H. TOLHURST (probably William Henry, father of en:George Tolhurst (see "Tolhurst family", Graeme Skinner, University of Sydney) Lyrics: Eliza Cook Bahasa Indonesia: Lagu Australia romantis berjudul Hati yang betul. Ditulis 1857
Author: George W. H. Tolhurst
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01:13
Outside the house with crickets. If you listen carefully, you can hear my father playing the piano inside. -----recorded with a zoom h1 with two sony lavaliere microphones attached, tucked into home-made felt pouches as windscreens, which i suspended from my glasses frames.
Author: Hargissssound
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00:34
Ambiance of staten island's south beach, with device facing the land and a distance boulevard (father capodanno boulevard). The atlantic ocean sprawls behind the recording device. Fades off as an incoming plane nears (south beach falls under newark airspace). Edited to remove wind noise. Recored on 01/07/2021 with an h4n.
Author: Ericnorcross
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00:31
48khz 24bits clean soundthis is shun laughing. I recorded this while his father was giving giggles to him on his bed. Surprisingly, the sound is very clean despite shun was moving quite a lot. It's often very difficult to find kid laughing. This one is genuine, it's an incredible recording to me. I hope you will enjoy it. Microphone rode nt5 into fostex fr2le.
Author: Nakhas
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02:18
Troopers Tribunal (1905), was a circus march written by Henry Fillmore in 1905. To conceal who it was written for from his conservative father and publisher, Fillmore intentionally misspelt "Troupers", as in, a circus troupe, as something that appeared, at first glance, to be military (according to the liner notes to Front & Center, a Collection of American Marches, U.S. Air Force Band). It is here performed by the US Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Author: Henry Fillmore (Composer, 1881–1956) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham – Greeley, CO Manager: Chief Master Sergeant James H. Moseley II – Beaumont, TX PICCOLO MSgt Ardyth Scott – Shreveport, LA FLUTE MSgt Lawrence Ink* – Rockville, MD MSgt Lucille Johnston Snell – Albuquerque, NM TSgt Sharon Weinberg – Philadelphia, PA OBOE MSgt Ronald Erler* – Falls Church, VA CMSgt Robin Forrester-Meadows – Evansville, IN ENGLISH HORN CMSgt James Moseley II – Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried – Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* – Simi Valley, CA TSgt George Stoffan – Norwalk, CT MSgt Carl Long – Hanover, NH MSgt Elizabeth Campeau – Pinckney, MI MSgt Sandra Haton* – Columbia, SC TSgt Richard Drew – Joliet, IL TSgt Brian Jones – Panama City, FL MSgt Kay Schultz – Skaneateles, NY MSgt Lorraine Haddad* – Poughkeepsie, NY TSgt Shawn Buck – Brookside, PA SMSgt Robert Little – Houston, TX BASS CLARINET TSgt David Aspinwall – Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy – Virginia Beach, VA BASSOON CMSgt Danny Phipps* – Annapolis, MD TSgt Lawrence Burke – Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* – Ellisville, MS MSgt William Marr – Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely – Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George – Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* – Dallas, TX TSgt Leslie Mincer – Charlottesville, VA TSgt Kent Wyatt – Arlington, TX TSgt Philip Krzywicki – Philadelphia, PA CORNET TSgt Andrew Wilson* – Gambier, OH SMSgt David Golden – Bethlehem, PA TSgt Michael Bosch – Bethlehem, PA MSgt William Adcock – San Jose, CA TSgt Curt Christensen – Mt. Clemens, MI MSgt Clarence Mitchell – Portsmouth, VA TRUMPET TSgt Robert McConnell – Wadsworth, OH MSgt James Bittner – Harrisburg, PA TROMBONE SMSgt Mark Williams* – Okemos, MI MSgt Jeffrey Gaylord – Western Springs, IL MSgt Lindsey Smith – Williamston, MI TSgt James VanZandt – Austin, TX EUPHONIUM MSgt Ann Baldwin* – Canton, OH TSgt Lance LaDuke – Niles, MI TUBA MSgt Jan Duga* – Columbus, OH SMSgt Edward McKee – Roselle, NJ MSgt David Porter – Alcoa, TN TIMPANI MSgt Patrick Shrieves – Freehold, NJ PERCUSSION MSgt Aubrey Adams* – Medford, OK SMSgt Mark Carson – East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison – Louisville, KY * Principal CREDITS Colonel Lowell E. Graham – Commander/Conductor/Producer Major Frank J. Grzych II – Deputy Commander/Producer Captain Scott A. Guidry – Staff Officer/Co-Producer Mr. Bruce Leek – Engineer/Digital Editing Master Sergeant Kendall S. Thomsen – Assistant Engineer Chief Master Sergeant Dana L. Steinhauser – Director of Public Affairs Master Sergeant William D. Porter II – Recording Production Technical Sergeant Robert K. McConnell – Graphic Layout Master Sergeant Elizabeth K. Campeau – Liner Notes Technical Sergeant Sharon B. Weinberg – Booklet Editor Crabtree + Company (Arlington, VA) – Cover Design Mark Custom Recording Service (Clarence, NY) – Disc Replication Lion Recording Services, Inc. (Springield, VA) – Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6-8, 1998 Catalog number: BOL-9807.
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I picked up a home-grade reel to reel machine at a thrift store and and this is the tape which was in it. A father sends messages from home to his son in the u. S. Navy during the vietnam war, including fatherly advice about cars and shopping overseas and anxiously awaiting his sons return. He provides sample fodder at 14:19 about musical gear lust and otherwise provides an insight to the times. As no parties in this recording are explicitly identified, and while i did not record this, i am the de facto owner of the recording at this point and think it best to preserve it by posting it here as cc0. 180hz notchfilter(60x3)otherwise untouched.
Author: Parabolix
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Faith of Our Fathers
Author: Melody: Henry F. Hemy (1818-1888); setting & sound file: Rabanus Flavus (Peter Gerloff)
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Session 1, find more koto in this sound pack. The recorder wasn't optimally placed in the session 1 recording, so sometimes you might hear some low impact noises transitioning through the table to the recorder. Some eq (low cut) should be able to fix this. We went to my friend's father to record a koto, a traditional japanese zither-like (table harp) instrument, consisting of a large wooden base with long strings for plucking. The strings are tuned in the japanese pentatonic scale, allowing a mystic, mysterious, beautiful harmony. It was my first time ever playing this instrument, so don't expect wonders lol. But i tried to "feel" the instrument as well as i could, working from my limited keyboard and guitar playing skills. I improvised simple patterns, and also tried to work with call and response ideas, and bass notes, plucking the low strings with my fingers, and then plucking the high ones with a pick. Happy listening, chopping, and remixing!. In kashiwa, chiba, east of tokyo. Mid october 2016. Zoom h2n stereo ms recording in 96khz, 24bit.
Author: Rutgermuller
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Samples. . . .
Author: Kathakaku
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An arrangement of "God of Our Fathers" by George William Warren, by Thomas Powell Knox of the United States Marine Band, played by the Marine Band. This arrangement was played at the first inauguration of U.S. President Ronald Reagan.
Author: Composition: George William Warren (1828–1902) Arrangement: M.Gy.Sgt. Thomas Powell Knox, U.S. Marine Band (1937–2004) Performance: United States Marine Band
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This piece is a reconstruction of the audio recorded outside of my fathers office.
Author: Mmelika
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God of Our Fathers performed by the Concert Band of the United States Air Force Heritage of America Band. Track 55 from disc 1 of Ceremonial Music (2005).
Author: Untitled
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01:28
Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there
Author: Untitled
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06:09
Field-recording of the ambience in a small rural village in nicaragua. You can hear a car, near and distant birds, kids and fathers voices, the waves from the near managua lake, and some other bugs typical of the afternoon sounds.
Author: Patobottos
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If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .
Author: Antwerpsounddesign
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A sample of church bells from a pamplona side street. Recorded in 1985 on a sony walkman using the in-built mics. Recorded onto tdk d90 cassette and stored since then in damp cellars, sheds, and long forgotten drawers. Just today transferred to digital using my fathers old decca legato tape player which we purchased in the early 70s to enable us to send messages to my uncle who had emigrated to australia. Dad says the player cost over £30 then which was more than a weeks wages at the time. I was inter-railing around europe at the time but the recording seems to stop in pamplona. Six weeks later all my money and passport was stolen while in crete and i made my way home via the british consulate in athens.
Author: Plantmonkey
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Sample of a busker playing the accordion in a pamplona side-street in 1985. Recorded with a sony walkman using the in-built mics. Some background talking. Recorded onto tdk d90 cassette and stored since then in damp cellars, sheds, and long forgotten drawers. Just today transferred to digital using my fathers old decca legato tape player which we purchased in the early 70s to enable us to send messages to my uncle who had emigrated to australia. Dad says the player cost over £30 then which was more than a weeks wages at the time. I was inter-railing around europe at the time but the recording seems to stop in pamplona. Six weeks later all my money and passport was stolen while in crete and i made my way home via the british consulate in athens.
Author: Plantmonkey
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