209 Royalty-Free Audio Tracks for "Fragment"

Phonograph cylinder recording from Filaret Kolessa collection. This was a test recording Lesia Ukrainka said not to transcribe. It is likely that this fragment contains her own voice, but it can't be confirmed with 100% certainty. Українська: Фонографічний запис із колекції Філарета Колесси. Це був пробний валик, який Леся Українка просила не транскрибувати. Імовірно, що у цьому фрагменті зафіксовано голос самої Лесі Українки, але це неможливо підтвердити зі 100% точністю.

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro Oleksiya Popovycha without accompaniment (fragment no. 3). Performed by Hnat Honcharenko. Phonograph operated by Lesia Ukrainka, Klyment Kvitka. Date: 1908. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про Олексія Поповича», без акомпанементу (фрагмент № 3). Виконує Гнат Гончаренко. Записувач(-і): Леся Українка, Климент Квітка. Рік запису: 1908. Інструмент: немає

Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro Oleksiya Popovycha, without accompaniment (fragment no. 2). Performed by Hnat Honcharenko. Phonograph operated by Lesia Ukrainka, Klyment Kvitka. Date: 1908. Instrument: none Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про Олексія Поповича», без акомпанементу (фрагмент № 2). Виконує Гнат Гончаренко. Записувач(-і): Леся Українка, Климент Квітка. Рік запису: 1908. Інструмент: немає

A wonderful background of a busy college campus during finals week. I love how the scattered fragments of conversation show inspiration in young people. You will also hear some beautiful wind, footsteps, and some recently arrived spring migrants who are just as excited about the new semester and the humans. Recorded in april of 2017 in a beautiful wooded walking path in the middle of a major midwest university. Listen, enjoy, and think back to the times when we were young, and excited about the future. . . . About learning new things. . . . I find this snapshot quite inspiring and invigorating. Recorded with sound devices 702 and the amazing audio technica bp4025 stereo microphone.

This sound is created with two sounds that i recorded at the university. First, the sound of the zip of the pocket and then the falling keys sound. First of all, i cut the two fragment,from two different track, that i wanted for my mix. After, i first worked on the zip sound, which was pretty bad recorded but, after reduced noises, all seemed better ! i made the same thing for the other sound, the falling keys one. Then i ad the last one at the end of the first one, mix a little bit to make the two sounds seemed natural together. After, i normalized the track. At the end, i saved and export my track !.

This is a 55 seconds music file, extracted from Pyotr Ilyich Tchaikovsky's "Hamlet Op. 67" Ouverture, composed in 1888. I uploaded it in order to prove that the well known melody "Autum Leaves" composed in 1945 by Joseph Kosma was in fact plagiarized from Tchaikovsky. Ce fichier est un fragment de 55 secondes extrait de l'ouverture fantaisie "Hamlet" Op. 67, composée en 1888 par Piotr Ilitch Tchaïkovski. Je l'ai déposé sur Wiki pour montrer que le thème de la célèbre mélodie "Les feuilles mortes" de Joseph Kosma (1945) est plagié sur Tchaïkovski.

This sound is created with two sounds that i recorded at the university. First, the sound of the huge door to out, then the lighter (which helps to feel the cold around) and the sound of someone smoking a cigarette. First of all, i cut the two fragment,from two different track, that i wanted for my mix. After, i first worked on the door sound. After i reduced noises, because all seemed better after noises reduced ! i made the same thing for the other sound, the lighter and smoker one. Then i ad the last one at the end of the first one, mix a little bit to make the two sounds seemed natural together. After, i normalized the track. At the end, i saved and export my track !.

This is a very small part of a song of mine called cyanean rocks. I used. Tempo: 140 bpmsguitar: prs se santana - guitar strings: ernie ball rps 10 slinkybass: vst cobra satin - bass strings: 3 vst, 1 fenderamp: yamaha thr 10 - select aco,a gentle amount of chorus & delayprogramms: fl8, wavelab 6drums: dw, tama. I do not tune my guitar and bass with the standard tuning. Veiler's personal tuning for guitar. Mi bass -remains-> mi bassla -becomes-> sol thin string - it is a sol string like the classic solre -becomes->do# the closest to re stringsol -remains-> sol, and it is exactly the same with the upper sol- buy extrasi -becomes-> do# the closest to si stringmi cantini -remains-> mi cantini. You must perform intonational adjustment to the bridge saddlesif your guitar has permanent bridge saddles - it sounds like ass. If you don't know what intonational adjustment of the bridge saddlesgo ask a guitarist because you are not - even if you say so. [we fix the harmonics - we focus in the octave tuning usually usinghex key = allen key]. In some guitars we may have to fix the harmonics once a month. If you don't know anything, search it on wikipedia. You have to throw away the la string. You have to purchase an extra sol to replace the unused la string. If you don't understand that, please don't speak to me, i hate idiots. Effects: phase deleting 25 ms of the right channel(if you destroy a critical drum-attack remix it to the right channel). Please brush your teeth!!!.

An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Čeština: Skladba Au clair de la lune (Za svitu luny), nahraná Édouardem-Léonen Scotem de Martinville v roce 1860, je považována za historicky nejstarší zvukovou nahrávku vůbec. Македонски: Песната На месечевиот сјај (Au clair de la lune) снимена од Едуар Леон Скот де Мартенвил во 1860 г. Се смета за најстарата постоечка звучна снимка во историјата. Fragment popularnej francuskiej piosenki Au clair de la lune (pol. W świetle księżyca) zarejestrowany jako fonautogram w 1860 roku przez Édouarda-Léona Scotta de Martinville'a, który uznawany jest za najstarsze istniejące nagranie ludzkiego głosu.