461 Royalty-Free Audio Tracks for "Gates"

Walking thorugh the islamic quarter, near damaskus gate in the old city of jerusalem. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

Someone, please. ****recorded inside ftv building, vca, melbournea recording of me saying 'someone dj'recorded with samsung s10e voice recorder. Post-processed in logic pro x with expander, noise gate and eq.

Walking thorugh the islamic quarter, near damaskus gate in the old city of jerusalem. Binaural recording with soundman okm`s and a h4n. If you want to support my work, please visit:jardinsonore(. )bandcamp(. )comthere you find a lot more.

A walk around my house. I start in my house and walk out to the front yard. I then walk on the fake grass as planes roar overhead and cars drive on the street. After that, i go through my side gate and walk on rocks.

Grabación con geofono diy sobre porton de chapa. Se escuchan las vibraciones del transito. Grabado en arguello, cordoba, argentina. --------------------------------------------------------------------------------. Geophone diy recording, installed on metal gate. We can hear the traffic vibrating. From arguello, cordoba, argentina. Grabado con roland r26 y geophono geospace.

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording was about 9 fps. Microphone was facing the gate of the projector, 10 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the take-off reel at 7. 10, exits the gate at 7. 22, and becomes free of the last roller at 7. 30, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

A rendition of this sound:. Http://www. Freesound. Org/people/kollege/sounds/8153/. Just ran it through abelton live. 1. Autopan/gate 2. Erosion 3. Eq eight 4. Ping pong 5. Reverb 6. Compressor (all automated). Please enjoy.

A narrated walk around my house. I start in my house and then head outside to investigate my dog's barking. I then walk on fake grass as the sounds of cars whizz by. After that, my brother and i walk through my side gate and on rocks.

A mix of (1) bsumusictech's metal door in mu 1. Wav file (http://freesound. Org/people/bsumusictech/sounds/83507/) and (2)julien matthey's jm_amb_int_lift 01 - sequence. Wav file (http://freesound. Org/people/julien%20matthey/sounds/112354/) to make a crashing elevator gate sound. Both sounds are licensed under the creative commons 0 license. .

A mix of (1) bsumusictech's metal door in mu 1. Wav file (http://freesound. Org/people/bsumusictech/sounds/83507/) and (2)julien matthey's jm_amb_int_lift 01 - sequence. Wav file (http://freesound. Org/people/julien%20matthey/sounds/112354/) to make a crashing elevator gate sound. Both sounds are licensed under the creative commons 0 license.

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

Recorded on 13/10/2008, at los angeles international airport (lax) at a united airlines boarding gate (can't remember which one), los angeles, usa. Recorded with a zoom h2 in 2-channel surround mode, without a windshield. File has not been modified, only cut short from a longer recording.

This track reflects how the brahman from the track crystal heartbeat continues his meditation. He discovers that the created connection is a gate between this world and the world of crystals. He is one little step closer to fully experience the infinite "unity of things", "the stream of life that flows in and through all things. ".

General ambiance at gate 29 from piedmont triad intl. Airport in greensboro, nc on august 18, 2018, at about 9:30 am, as i was waiting for a flight to nyc. Includes some distinct conversation, announcements, background music and distant plane sounds. Recorded with a shure mv88 attached to an iphone 8.

These are some remixes of hello_flowers, the ones here are all the screaming pack hit with some major reverbcut in audacity, tone and pitch taken down and multiplied compressed,and run through d. Blue glitch, (mainly a stretcher a pass a crush andthen a gate etc. ) there are also some pads made from massive.

Three female goats recorded via my samsung phone and extracted the audio and to my best cleaned it up with audition and normalized through audacity. They are from little gate farm in east sussex a care farm. Tried running it through melodyne and think they are bleating in c4 g.

A female kid goat recorded via my samsung phone and extracted the audio and to my best cleaned it up with audition and normalized through audacity. They are from little gate farm in east sussex a care farm. Tried running it through melodyne and think sheis bleating in c4 g.

I used ableton's:. - grain delay (spray: 80ms, frequ: 43 hz, rndpitch: 3. 19, fdb: 65, wet: 70%)- compressor with very slow release as kind of an amp-follower- carefully adjusted gate with 111ms release- very short simpledelay- overdrive- short reverb. Original sample:http://www. Freesound. Org/people/kyster/sounds/147082/.

Recorded in the kitchen, filtred in ableton live 9. I used gate, eq, compressor (3 times), reverb, erosion and chorus. As i think, it'll be cool to use with another snare sound. The recording made on iphone 5s. Let me know if you'd like me to upload an original file without any filters.

I recorded myself winding up an old wall-clock in my living room to use in a song. I used the built-in microphone in an ipad, re-recorded to cubase, added a bit of compression, a gate, and a limiter. It's a stereo file, but the sound is mono.

Sampled from an old transistor organs rhythm unit. Recorded with a rme babyface. Cut and processed using audacity, reaper and ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Two ponies nickering enthusiastically for their sunday lunchtime feed of muesli and carrots. Location: a horse pasture field gate, south east uk. Recorded with:device: iphone 4sapp: recorder plusoriginal format: m4a. Recording date: summer 2015. This was m4a file i uploaded to soundcloud then downloaded to pc and converted to. Mp3,. Ogg and. Wav with online-audio-converter. Com.

Nice trick working with doepfer a-101-1 vactrol vcf. Noise to lp in. Gate to cvf in 1 out straight to mixer. Low frequency. High emph. Lp 0, bp about 5 and hp 0. Added a bass and my sampled voice. . .

The roar of a industrial rooftop ventilator coming to life (starts at 00:10). It is a large and scary whirring, mechanical, grinding sound. Used in episode 10, "decoherence" of the genius-podcast audio drama, and used to be the sound of the thames flood gate being deployed.

Recorded in a backyard in kibbutz mefalsim, israel. 27/03/2020 friday afternoon 15:57 you can hear birds, the sound of leaves, wind and car on the road (the apartment is close to the main gate) you can also hear trucks leaving and entering the kibbutz's factory and tractors rushing towards the end of the day.

Remix of this::. Http://www. Freesound. Org/people/bronxio/sounds/239080/. Pitched it up an octave, gave it a saw hpf lfo, and a saw vol gate (cleans up the rhythm) then added the original octave lower in the mix. Made it sound more digitized. Good sound for starting off a track. 고맙습니다.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Sounds expressing tension - hence the name. All makenoise / soundhack modules. Rene 2 sequencing telharmonic h output. Into mimeophon output into optomix. Maths envelope triggered by gate from rene 2. Maths lfo provides flange in mimeophon. Recorded using reaper. Rendering 48khz 32 bit stereo. Thanks to all from makenoise. A real source of inspiration.

Some generative campfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise. Everything was sent into a reverb and a stereo expander.

Two-pole circuit breaker recorded held in my hand, also pressed against a wooden board for more resonance. And some rattling mechanical handling noises at the end. Useful as electrical switch click. 96 khz, 32-bit float. Tlm-103 mic straight into pro tools. The only processing is a mild gate. At least it has a good noise floor.

Started with me playing with doepfer a-146-2 as gate delay. Went on using it as a wave shaper. Went on and on. . . It's not a very big patch. But the outcome is nice. It's a mix of chaos and random. Yes i'm using jerk off and sloth. Analog modular synth fun.

Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

Using a finger and a small blackroll tube, i recorded a few plopps with a rode nt-usb mini and the rode podcast recording software. Noise gate and compression were turned on at the time of recordings. For me, it sounds a little bit like a cork popping from a bottle, but it has a richer sound, somewhat overdoing it. . . Good for sfx though.

This is a little recording on my tascam dr-44wl in kjfk airport new york, waiting to fly home with my wife. There was a bird flying around the in the building at our gate, which two young kids were loving. You can hear them say they see the poop, which i did see too lol. Recorded at 320kbps mp3.

A sound of a tightening wrench (a bike repair kit) being spun around to produce its distinct ratchet like sounds. Foley fun: put to 25% of its rate and you get convincing metallic gear sounds, apply a tiny bit of reverb, maybe layer it with some screeching sounds from other users (or me, your choice) or a slow gate shutter to get a nice mechanical door opening sample.

This is a recording of a guitar loop heavily processed. Equipment used = yamaha pacifica guitar, roland duo capture audio interface, sony acid pro 7. 0, sony sound forge pro 10, fl studio 10, waves plugins (comp-gate and morphoder), antares filter, cycling 74 pluggo (sizzle delays), korg ms 20 emulator. Thanks for czechin out my sounds. . . Enjoy!.

A soundwalk around my house with my brother. I start the walk in my house, and then i go to my front yard to investigate my dog's barking. I then walk on the fake grass in my lawn and narrate the sounds i hear from the road. Finally, my brother and i go through my side gate, where my brother and i walk on rocks. I describe every sound i hear from all directions.

A mid morning field recording on 05 march 2021 in our rural garden. There is a road at the side of the garden but i have removed what i could hear of the few cars that passed by. Also removed sounds of a gate and doors opening and closing. There was a slight breeze that a wind sock didn't entirely prevent coming through as wind noise. I have cut most of this.

Good King Wenceslas and His Merry Band performed by the Airmen of Note of the United States Air Force Band. Track 1 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

December Makes Me Feel This Way ("Joy to the World") performed by the Airmen of Note of the United States Air Force Band. Track 6 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

This high quality recording is of a cargo logistics train leaving the port of fremantle, pulling many, at least 50, sea containers on rail-cars through a railway crossing on a bend, curve of the line. You can hear the signal bell on the drop gate with flashing red lights and the steel rail-car wheels screeching on the curved track.

Processed version of:https://freesound. Org/people/toiletrolltube/sounds/422056/which is itself a processed version of:https://freesound. Org/people/gis_sweden/sounds/417382/. Signal chain was as follows:1) gate (otherwise the quiet parts would have a lot of digital sounding noise after processing)2) spectral processing (frequency reversing) applied using unfiltered audio's specops vst plugin. 3) reverb4) slight compression. Effects 1), 3) an 4) above were applied using ableton live's built in effects.

Some generative wildfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise, and the wind was made by bandpassing white noise with a high resonance and randomly sliding the filter frequency. Everything was sent into a reverb and a stereo expander.

Test guitar solo. Bright noise as artifact of notebook mic input agc (automatic gain control) made in the imposition of a previously recorded. Recorded: 20-10-2013notebook: aspire-5742g, windows 7, asio4all driver, sonar x2, noise gate and vox plug-ins. Guitar: squier stratocaster, south korea, early 1990, with pickup saymour duncan at bridge position. Very very old strings. Guitar connected directly to notebook mic input. Exported to wav 44000/16. Encoded into mp3 with linux console: lame -b 320 -m s soloprev3. Wavlame version: lame 64bits version 3. 99. 5 (http://lame. Sf. Net).

I recorded this while searching for farm sounds. On the recording you can hear footsteps in the grass, then the opening of the latch in the gate to the field and then further steps. This short recording was made during a sound search in the scotish border area of scotland. I recorded on the zoom h5 handy recorder, i used superlux headphones. Sound recording on sandisk ultra 32gb card. Enjoy and have a great time for everyone. Best regards :).

Gem pathescope 9. 5mm projector, unit #1191, made in england. Recorded on a marantz pmd661 with a rode nt4 stereo mike. The gem is a variable speed projector, controlled by a rheostat. Speed for this recording begins at about 12 fps. Microphone was facing the non-roller side of the projector, 30 cm away. Audio begins with power being turned on, ends with power being turned off. The end of the film leaves the gate at 4. 37 and becomes free of the last roller at 4. 40, when the motor speeds up. The speed and audio-level variations during recording occurred naturally.

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

I was looking for the sound of a hot engine clicking and found just one with lots of background noises. So i decided to build it from scratch in bitwig studio and this is it. The sound starts with fast clicking slowing down. It's not perfect, you can still hear it's made from samples. But as the sound is normally used at low volume, i think i can get away with it. Feel free to add a gate and shape it even further. I may upload an updated version later.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

An emergency alarm. Some movement noise (opening a hangar gate, moving some instruments) can be heard. Extracted from a video (http://img. Youtube. Com/vi/j0qjudof2la/2. Jpg) by a us government agency, thus public domain. This sound is cc0/public domain but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Find many more military sounds in my military sounds pack, also located on freesound. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.