363 Royalty-Free Audio Tracks for "German"

The stuttgart rack railway (german: zahnradbahn) is an electric rack railway in stuttgart, germany. It is the only urban rack railway in germany. Affectionately called zacke (spike) by the residents of stuttgart, the line was opened on 23 august 1884. It connects the urban districts of stuttgart south (marienplatz) and degerloch (albplatz). The route runs along the alte weinsteige, which was historically the main route to the filder towns until the neue weinsteige was built in 1826. Over it’s 2. 2 km route the line climbs a height of 205 m (from 260 m to 465 m amsl). The maximum incline on the route is 17. 5% (between liststrasse and pfaffenweg). On the branch line to the depot of the (old) rack railway yard, the maximum incline is 20. 0%. Between the stops at pfaffenweg and wielandshöhe there is a view of stuttgart's city centre.

Field recording of the spectator's perspective of a german regions' league football game in leipzig's red bull arena, on april 28th 2013. Rb leipzig is playing against fc magdeburg. The recorder is situated amongst several spectators of all ages, several children are present and heard. The clip starts of with spectators clapping and drumming rythmically, then you hear the referee whistle, and loud cheering suddenly starts. Rb leipzig has scored 2:0 against magdeburg. James brown's "i feel good is played on the p. A. In the distance, and the m. C. Announces the player who shot the goal, along with the score, with the emphatic help of the audience. Recording was conducted in the rb leipzig fans' block using a zoom h2, mics set to 90° dispersion.

Recording was taken in the night from 22. 04. 2000 to 23. 04. 2000 in the so called 'leine masch' what is a floodplain of our river called leine. I was on the way back from our easterfire, an old german tradition in the night before easter sunday. Similar to the bonfire in august in britain. I heard the nightingale singing, went at home took my sennhiser me80 with the windshield basket and recorder zoom h4. I returned to the place i heard the nightingale and the bird was still singing. On the recording you can hear the ambient of chemical factory of honywell seelze, a street with cars sometimes, a second nightingale far away answering our nightingale near by. And some frogs. At the beginning of the recording there is also some handgrabbing noise, later i fixed the mic on the saddle of my bike and there is no longer the handgrabbing. Enjoy the beautyful singing, cheers.

Label: Parlophone (Carl Lindström Company) Cat. no.: P-9317 Order number: 20932 Matrix/StamperID: 2-20932 1st release date: 1929? 1st recording date: 23 November 1928 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Franz Schubert (1797-1828) Lyricist(s): Alfred Maria Willner (1859-1929) and Heinz Reichert (1877-1940) Music arranger(s): Heinrich Berté (1857-1924) Conductor(s): Walter Sieber (unknown birth/death date) Performer(s): Parlophon choir with soloists and large orchestra; Soloists:Ilse Wald (1898-?), Elisabeth Kühnlein (unknown birth/death date) and Hans Clemens (1890-1958) Vocal range: various Title/Work: Das Dreimäderlhaus (House of the Three Girls) (operetta) Content: Act 4: Potpourri - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

A summer evening in a vineyard by the german town of freyburg on unstrut. The recording abounds with natural background noises (wind in trees, birds, insects). In the foreground, a little bird is singing, giving it all it has. I am no bird expert, but if somebody knows what species it is, i'd love to know. At 3:22 into the recording, the tower bells of the keep of neuenburg castle, located on the hill opposite, toll 9 o'clock. They do this by tolling a high bell 4 times, once for each quarter of the full hour, followed by a lower bell tolling the hour 9 times. The recorder is located on the top of the vineyard, facing across the valley between vineyard and castle. These are the rear channels of a 4ch surround recording. Recording conducted with a zoom h2, mic's set to 120° dispersion.

German folksong from the 19th century. This midi file was created in 2014 with the claim, to be in accordance with the original. This includes mistakes in the original. Deviations are unintentional or software related. Modification of this file should follow this claim or become a clearly marked fork. Deutsches Volkslied aus dem 19. Jahrhundert. Titel: "(Die) Teutoburger Schlacht". In Liederbüchern häufig verzeichnet mit dem beginnenden Vers "Als die Römer frech geworden". Diese Midi-Datei entstand durch einfaches setzen der Noten in einer Midi-Software in 2014 mit dem Anspruch, dem Original (bzw. der Quelle) möglichst genau zu entsprechen. Dies schließt Fehler im Original mit ein. Abweichungen sind unbeabsichtigt oder softwarebedingt. Modifikationen an dieser Datei sollten diesem Anspruch entweder folgen oder eine deutlich gekennzeichnete Abspaltung darstellen. Charakteristische Inhalte der Midi-Datei: Der Text der erste Strophe ist in der Midi-Datei enthalten (auslesbar mit entsprechende Software) (Text gemäß der Quelle). Zwei Tracks sind enthalten: Nur Melodie, sowie Melodie mit Begleitkomposition (beides gemäß der Quelle) Ein Kommentar ist hinterlegt der inhaltlich weitgehend diesen Angaben entspricht

Latina: O gloriosa Domina excelsa supra sidera qui te creavit provide lactasti sacrato ubere. Quod Eva tristis abstulit, tu reddis almo germine, intrent ut astra flebiles, sternis benigna semitam. Tu regis alti ianua et aula lucis fulgida, vitam datam per Virginem, gentes redemptae, plaudite. Patri sit et Paraclito tuoque Nato gloria, qui veste te mirabili circumdederunt gratiae. Du große Herrin, schönste Frau, Gotteslob (2013) 648Reimübertragung (R.F.): O Herrin in der Herrlichkeit, erhoben über Raum und Zeit, der dich zum Heil erschaffen hat, er wurd’ an deinen Brüsten satt. Die Sünde, die durch Eva kam, du trugst ihn, der sie von uns nahm. So bahnst du uns durchs Endgericht den Weg zum Himmel und zum Licht. Du bist die Tür, da Einzug hält der Friedenskönig in die Welt. Vom Leben, das die Jungfrau bringt, erlöste Völker, sagt und singt! Ruhm sei dem Vater und dem Geist und Gott dem Sohn, der dein Sohn heißt. Dem einen Gott, der dich erhob und krönte, ihm sei ewig Lob.

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop

Nicht, dass keine wolke deinen weg überschatte,nicht, dass dein leben künftig ein beet voller rosen sei. Nicht, dass du niemals bereuen müsstest;nicht, dass du niemals schmerzen empfinden solltest. Nein, das wünsche ich dir nicht. Mein wunsch für dich lautet:dass du tapfer bist in stunden der prüfung;wenn andere kreuze auf deine schultern legen. Wenn berge zu erklimmen und klüfte zu überwinden sind;wenn die hoffnung kaum mehr schimmert. Dass jede gabe, die gott dir schenkt, mit dir wachse. Und sie dir dazu diene, denen freude zu schenken, die dich mögen. Dass du immer einen freund hast, der es wert ist, so zu heißen. Dem du vertrauen kannst. Der dir hilft, wenn du traurig bist. Der mit dir gemeinsam den stürmen des alltags trotzt. Und noch etwas wünsche ich dir:dass du in jeder stunde der freude und des schmerzes die nähe gottes spürst. Das ist mein wunsch für dich, und für alle, die dich mögen. Das ist mein wunsch für dich, heute und alle tage. Video:https://vimeo. Com/187460953https://youtu. Be/wwzitt7idro?list=plmdtrkwa9d4pbi9xiaz_ljtlrsw7qzkhyhttp://www. Dailymotion. Com/video/x4xku1k_impulse-irischer-segen-spoken-word-christlich-cc0-konstenlos_creation.

Midnight recording from the streets of neukölln, berlin, on new years day 2009. In germany, this is the one day of the year when members of the general public are allowed to set off fireworks. Echoes of bombs and fusillades ring out across the city, while clouds of smoke tumble menacingly through the streets. Close by, a peaceful child sets off sparklers, and is astonished by the display. In the morning, the streets are littered with their remnants -- charred bits of paper, streaks of red ash. Recorded with an edirol r-09. From a contemporaneous news report:. "clashes in three german cities marred new year celebrations, with police facing their toughest challenge from a crowd of mostly young revellers in the capital berlin in the small hours of yesterday. One small breakaway group from that crowd, which numbered 1,000 at the peak, tried to fire a skyrocket inside a police station and invade it, police spokesman frank millert said. The rocket lodged in a broken window and burned itself out, but several police were injured by the flying glass. Police arrested three on arson charges. Earlier, elements from the same crowd in the prenzlauer berg district had smashed the windows of a passing tram and bombarded a police patrol car with firecrackers. The trouble abated about 3am. ".

Soundscape made in the frame of the city rings project november 2013. French students fromléon grimault school, rennes used mysounds from germans students -berlin metropolitan school, to create this composition entitled "funny sounds".

This intro was produced for the german "grinkenschmidter winterfest 2018" show and is now available for you. Text:ladies and gentlemen - may i have your attention please!the show starts in ten - nine - eight - seven - six - five - four - three - two - one - go. -----------------------------------------------due to recent events i would like to share this statement with you:no, i did not sold this countdown sample. It was - and of course still is - cc0 licenced and you are allowed to use it anywhere. If you receive a copyright claim from youtube or someone else this is generally because people used it in their productions and distributed them commercialy, which is ok, because this sample is cc0 licenced. But the "content id scanning system" of youtube thinks by mistake that the distributor is the exclusive copyright holder of that sample/track. Such systems are prone to errors and will probably never work perfect. . . If you run into such issue, please dispute the copyright claim and refer to this sample on freesound. Org and the cc0 licence:http://creativecommons. Org/publicdomain/zero/1. 0/. Regarding to all my sounds you are really safe when you do this and if you require any further assistance please do not hesitate to contact me!. You can find more information here:https://freesound. Org/help/faq/#a-freesound-sound-i-used-in-a-youtube-video-got-copyright-claimed-what-should-i-do-----------------------------------------------.

While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.