201 Royalty-Free Audio Tracks for "Half Harmonic Brightness"

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Half time: notice the snare moves to beats 3 of measure one and two (beats 3 & 7) while the hi-hat plays only on the quarter notes. Note also, for example, that the quarter notes 'sound like' eighth notes in one giant measure.

Tonally coherent harmonization from Beethoven's C-Minor Variations (1806).

Basic half time shuffle.

Reggae one drop pattern, half-time variation.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Half-diminished seventh chord on C

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Half-diminished seventh chord on supertonic in C minor.

Leading-tone seventh chord in C major.

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

Harmonized C major scale.

Harmonic major scale on C.

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

Double harmonic scale.

Harmonic minor scale on C.

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

Double harmonic scale on C

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Gotteslob 1975 Hildesheim) von Rabanus Flavus (Peter Gerloff)

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Gotteslob 2013 Hamburg) von Rabanus Flavus (Peter Gerloff)

Minor major seventh chord on C.

Spoken word recording of be good sounds like take that through audacity with the distortion effect applied to full distortion amount and half harmonic brightness from the first track of the second hour of the war table role-play session in giving and gifting a woman my music.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

E harmonic minor scale ascending and descending.

Alpha scale harmonic seventh chord on C. MIDI pitch bend matches intervals.

C harmonic minor scale ascending and descending.

B harmonic minor scale ascending and descending.

C-sharp harmonic minor scale ascending and descending.

D-sharp harmonic minor scale ascending and descending.

B-flat harmonic minor scale ascending and descending.

Sound file of the harmonic A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

*Perfect fifth on C = G. Equal-tempered: 27/12:1 = 700 cents. MIDI pitch bend: 0,64

*Harmonic seventh on C = B♭. 7:4 = 968.83 cents. Limit: 7-limit. MIDI pitch bend: 3,54

5-limit Otonality and Utonality: overtone and "undertone" series, partials 1-5 numbered.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

D harmonic minor scale ascending and descending.

F harmonic minor scale ascending and descending.

G harmonic minor scale ascending and descending.

Nun lob, mein Seel, den Herren, melody by Hans Kugelmann, harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 17.7, adapted to Kugelmann's original melody by Rabanus Flavus (Peter Gerloff) Nun lob, mein Seel, den Herren, Melodie von Hans Kugelmann, Harmonisierung von Johann Sebastian Bach (BWV 17.7), angepasst an Kugelmanns Originalmelodie (Evang. Gesangbuch 289) von Rabanus Flavus (Peter Gerloff)

A harmonic minor scale ascending and descending. No pitch bend.

A-sharp harmonic minor scale ascending and descending.

A-flat harmonic minor scale ascending and descending. No pitch bend.

*Sixty-seventh harmonic on C = ?. Just: 67/64 = 79.31 cents. Limit: 67-limit. MIDI pitch bend: 49,89 on PU

E-flat harmonic minor scale ascending and descending.

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)