60 Royalty-Free Audio Tracks for "Insert"

Sound effect (bumper, sweeper, drop) to be used in radio jingle production. Separate elements also included in the wave file. 16bit wav file, normalized to (around) -20db rms. Still plenty of headroom to insert voice.

A sheet of paper being shredded by an automatic office-style crosscut paper shredder. This is the kind of shredder that has a sensor that starts it up as you insert the paper. 96 khz / 24-bit signed pcm wav / stereorecorded with zoom h4n from about eight inches away.

A funny patch i made on my little modular. Unedited sound file. I'm creating tones with a clock divider and a mixer. I insert a little chaos in to the tone sequence. Constantly changing "melody". And the bass is connected to the melody. . .

Raw recording of the fireplace with some logs burning and crackling. Unfortunately the metal making up the insert was expanding and contracting, and some of those noises are present as well. Possibly useful as some ambience. Recorded on a zoom handy h4n recorder using the built-in microphones with directivity of 90°.

Are there a million of these sounds in film trailers? are there a million of these sounds on freesound? not sure. Started with 100k tone - pitched it down over time - it was too low, so then i pitched the whole file up a bit. Insert to make any slow mo sweeping matrix style scene look even more awesome. . . Or not.

Getting in, starting, and driving my 2011 peugeot ion electric car. The door opens, i put on my seat belt, insert the key, start the vehicle (there's the ready-to-drive beep), i put the car in drive, release the parking brake, and drive away. I have released this sound into the public domain. Do with it as you wish, without attribution. :).

This is one of the first sound i have recorded. It is recorded out of the window of a driving car, traffic sounds nearby. Recorded with tascam dr 40 and a windshield. A bit windy recordin anyway, tried to optimize a bit. Feel free to use that recording in any way you need it. But please insert my website and company name. Thanks.

A quick clip of me saying "enemy boat spotted" in a low tone through a motorola cls series radio as a video game reference. Should be a great audio joke for all your inspired military style films to randomly insert playing from a tactical radio in the middle of no where for those who get it. Tascam dr-07 mkii stereo inserted directly into a motorola cls series radio and did a basic normalization in sony sound forge to make it more audible. I may or may not do requests depending on how many people like this. We'll see.

Hi guys, i'm back. For years i haven't uploaded any sounds except my news themes, (thanks to you for your nice comments and thousands of downloads)now i give you an impulse response i made to check how my mixes would sound on a typical living room audio setup (but listening with headphones). The chain: technics hifi-system, multi-cone speakers, audix reference microphone, focusrite preamps. To use it like intended, just load this file into a convolution plugin in your master insert. You'll hear your mix like sitting. . . Well. . . In my living room. It'll sound muffled to you, that's because i captured the ir and all the reflections with an omni-directional mic and i have thick curtains ;-dof course it can be used as a really, really nice and natural-sounding ambience ir, too. Use it as an aux-reverb).

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.