1,227 Royalty-Free Audio Tracks for "Interval"

Seventh augmented eleventh chord on C.

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

D, F, Ab = C, Eb-, Gb-

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

*11 steps in 15 equal temperament on C = A↓ (Easley Blackwood's notation). Equal-tempered: 211/15:1 = 880 cents. MIDI pitch bend: 77,57 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~77,57 on A.

14-tet scale on C. MIDI pitch bend matches intervals.

Neapolitan sixth in C minor.

Beta scale major triad on C. MIDI pitch bend matches intervals.

9-tet scale on C. MIDI pitch bend matches intervals.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Melodic half step in Bohlen-Pierce tuning (Equal Tempered)

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.

Septimal major triad (14,18,21) on C (C,Eㄥ,G).

Beta scale minor triad on C. MIDI pitch bend appears to match intervals.

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

*Farab on C. Equal-tempered: 21/144:1 = 8.333333 cents. MIDI pitch bend: 85,66

Septimal augmented sixth on C. A♭. 1003.8 cents.

A handheld electric drill with different intervals. Recorded with a rode nt5 microphone in a sound booth.

65 steps in 72-et on C = ??. 265/72 = 1083.33 cents.

Thirteenth chord CMA13(sharp11).

Dominant seventh flat nine chord on C - As MIDI

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

Just minor chord on C: 10:12:15.

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

Tridecimal narrow tritone on C. F♯+ = 18/13 = 563.38 cents.

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

13-tet scale on C. MIDI pitch bend correct for intervals.

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

Just major triad on C (4:5:6).

833 cents scale on C. MIDI pitch bend matches intervals.

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

Ninth augmented fifth chord on C.

Grave whole tone on C (D--), 800/729, 160.90 cents.

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.

*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

*Drobisch angle on C. Equal-tempered: 21/360:1 = 3.333333 cents. MIDI pitch bend: 9,65

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

Just augmented second in just C scale: A♭ and B.

German sixth equals dominant seventh

*Turkish cent on C. Equal-tempered: 21/10600:1 = 0.113208 cents. MIDI pitch bend: 5,64