1,227 Royalty-Free Audio Tracks for "Interval"

Five-minute meditation timer. There is a tone at the beginning, the halfway point, and at the end. Mono, mp3.

An augmented fifth in just temperment. The first tone is a sine wave of 300Hz, the second is 468.75 Hz, the third is the interval. Made with NCH tone generator

*Bohlen-Pierce scale: interval between C and B on C = B. Just: 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53

*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

Sliding sounds on a high pitched tritone (scary interval). A scary sliding sound, or a curious/confusing sound. Recorded on a violin using my tascam dr-05.

*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*Bohlen-Pierce scale: interval between C and F, lesser septimal tritone on C = F. Just: 7/5 = 582.51 cents. Limit: 7-limit. MIDI pitch bend: 52,58

It is a constant sound that is made up of two different sounds, one of them having small pauses in the same interval. It was activated with the start button on the treadmill.

Three sets of stacked third, one whole step apart, panned left right and center. Originally intended for meditation. Sounds a bit like early 80's horror film music.

*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75

*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

*Unison on C = C. Just: 1:1 = 0 cents. Equal-tempered: 20/12:1 = 0 cents. MIDI pitch bend: 0,64 Bohlen-Pierce scale: interval between C and C, unison.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

I haven't seen you after a long interval. I am not good at english and pardon the description mistake, please. It is an effect kick this time though it is old data. By the way, i am japanese. (((((importunate.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Group of 18 australians waiting around in a home theatre in tasmania, at interval before the main feature begins. An open fire crackles occasionally in the background. Recorded on a marantz pmd 661, 6 september 2019, 8:28 pm, with a rode nt4.

The "godzilla" sound and theme from my automated coin bank. Godzilla reaches out with his paw/claw to pull the coin from the bank tray into the replica sea of japan. Near the end of each interval sound the mechanics of the bank's automated wheel gearing is heard. . .

Sounds of the anordam, an experimental instrument that plays a 10-tone scale which consists entirely of perfect fractional divisions of the octave. The highest interval in the scale is 1/2, which means that for a given a value, half the octave will be left out of the scale.

**this sample is 44. 1khz/24bit !!**i haven't seen you after a long interval. I am not good at english and pardon the description mistake, please. There is continuation also in the homepage though it is a little. Please come when thinking it is interesting. By the way, i am japanese. (((((importunate.

Nearly three minutes of blackbird song. This file has been condensed (the time between song phrases is shorter than the natural interval). I have made every attempt to screen out other background noise (including painstakingly removing the song of most other birds) recorded in la drova (spain) and so this bird will have a spanish accent!.

Full diatonic fifteenth chord from Listz on B

Fifteenth chord from Perry on C

This is only a recording of me playing a djembe, recorded with a pair of nt1-a mics, but after messing around with some of logic's amp and resonator effects i ended up with this. The 6/8 groove reminded me of the doctor-who theme, and the interval displacement of a minor 6th i thought sounded pretty cool. You don't have to credit me, but if you use my sound i'd love to hear what you come up with!.

Assymetric ticking noise. Sounds like the ticking of an analogue counter. A single clock tick was placed on two seperate tracks in order to control the time interval between ticks. One of the tracks was pitch shifted to create the sound of two, slightly different ticks. Both tracks pass through a tight chorus filter and a delay tap to recreate a slight sense of springiness and rattle as the "counter wheels" tick over. Created in flstudio with one audio clip, fruitydelay2, fruity fastdist, fruity parametric eq 2, fruity chorus and equo.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

A field recording of small waves crashing on a sandy shore. Part of the recording includes the waves splashing against a wooden structure. The waves come a fast, regular intervals; this isn't the slow rolling crash of a barrel wave on the beach. There was a bit of wind (generating the waves) which i've did my best to minimize, but if you don't want wind in the recording you're going to need to edit around it. Always curious to see where these recordings wind up, so if you use it drop me a link in the comments if you think about it.

Sample of a metallic percussion hit. The sound is quite dark and muffled. I call it underwater drum, because it sounds to me like it's underwater. This sample is tuned to a1 but there is a very dominant overtone at b1, which is the musical interval of a minor second. The source of the sample was the platter of a dismantled hard disk drive, hit with a wooden mallet. It was then pitched down a lot. The sample is almost raw, i just added some slight eq. The sample was intended to be used with a sampler, you may want to add some reverb for this and filter the previously mentioned overtone, when you use it in combination with other tuned instruments. Also, the pitch is probably not perfectly tuned. Microphone: akq perception 120post-processing: pitch manipulation & eq.

Melodic and harmonic intervals. Created by Hyacinth (talk) 15:19, 18 March 2011 (UTC) using Sibelius 5.

Major thirteenth on F

Just perfect fifth on D = A+. 3:2 = 701.96 cents.

The fibonacci sequence in music; first in harmonic intervals, then melodic intervals.

Minor tenth on C - As MIDI

Minor thirteenth on F, as MIDI

Subminor third on G. 7:6 = 266.87 cents.

Melodic perfect fifth descending.

Octave on C. 32/1: 6000 cents.

Octave on C. 32/1: 6000 cents.

Octave on C. 16/1: 4800 cents.

Octave on C. 1/8: 3600 cents.

Octave on C. 1/4: 2400 cents.

Melodic perfect fifth ascending.

Octave on C. 8/1: 3600 cents.

*Septimal kleisma on C. Just: 225/224 = 7.71 cents. Limit: 7-limit. MIDI pitch bend: 60,66

*Chromatic diesis on C. Just: 27:26 = 65.34 cents. Limit: 13-limit. MIDI pitch bend: 116,52

*Subminor sixth on C = G/A. Equal-tempered: 215/24=5/8:1 = 750 cents. MIDI pitch bend: 0,80 Preceded by:File:Thirteen quarter tones on C.mid

Octave and Minor third on C

*Undecimal neutral second comma on C. 121:120 = 14.37 cents. Limit: 11-limit.