2,271 Royalty-Free Audio Tracks for "Las"

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Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de cristales golpeando y rotos. Break glass sound.
Author: Anabellanoguera
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17:13
Italiano: Variazioni su un tema rococò, concerto per violoncello ed orchestra, Op. 33, composto nel 1877. Registrato a Londra nel 1948 per la EMI.
Author: Untitled
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Paisaje sonoro del campus de la universidad europea de madrid. Puerta del campo de fútbol abriéndose. European university of madrid campus soundscape. Football field's door opening.
Author: F
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Paisaje sonoro del campus de la universidad europea de madrid. Sonido de una maquina de una máquina expendedora. European university of madrid campus soundscape. Sound of a vending machine.
Author: Anadocioh
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00:23
Catalogué este sonido en baja fidelidad porque a pesar de que las voces son claras, el ruido de fondo se me hizo un poco extraño y dificil de traducir.
Author: Artesmediales
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00:49
Audio de la parte trasera de una pequeña neveragrabado con xiaomi redmi 6 y rec forge ii. Audio from the back of a small fridgerecorded with xiaomi redmi 6 and rec forge ii.
Author: Jusebago
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01:57
This is a recording of the ambiance in a la sabana park, located in the urban area of san josé, costa rica. It has birds, noisy traffic and an ambulance passing by.
Author: Orlandorizo
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87:15
A long recording of an excavator preparing my apartment complex parking lot for re-paving. Processed with reverb and eq. Recorded in la grande, oregon. I am interested to know what you might do with it!.
Author: Andenlylan
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01:01
Sea sound from the cantabrico sea, inside cobijeru cave (asturias-spain). Sonido del mar cantábrico desde el interior de la cueva de cobijeru (asturias- españa).
Author: Prddr
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00:27
Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de baño (agua y puerta)sound of a bathroom (water and door close).
Author: Mafaldav
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A typical cuban road cruiser passing by in la habana vieja. Street atmosphere, voices of people passing by. Recorded with an olympus ls-14. ,-82. 3588501.
Author: Zachrau
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02:08
Retour du travail un soir à paris à l'échangeur de la porte de bagnolet. Busy traffic in paris, porte de bagnolet, in the evening. Stereo / zoom h4n.
Author: Chef Tchenko
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This sound was made with the chain of the bathroom in a wc of the second floor in the library of campus de la comunicació of university pompeu fabra ( barcelona ) by a zoom h2 recorder. What we perceive is the bath water falling down the tank.
Author: Sergsil
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Masse:son seul complexe. Timbre harmonique:ondulant. Grain:lisse. Allure:vibrato. Dynamique:forte attaque mais pas violente. Profil mélodique:serpentine. Profil de masse:effet whawha et petit écho qui couvrent la note de départ.
Author: Univ Lyon
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00:23
Grabado de cerca con rode nt-1 para la serie de animación manda huevos. Close up shot with rode nt-1 for the animation series manda huevos. Botella bottle table mesa drop golpe hit.
Author: Eloipm
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35:22
Partie de pétanque un après midi en été dans le sud de la france/part of pétanque one afternoon in summer in the south of france.
Author: Zetheyo
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00:36
Beginning of the adagio of Franz Schubert's piano fantasia D.760 Début de l'adagio de la fantaisie pour piano D.760 de Franz Schubert
Author: Romainbehar
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Arica, vals grabado por el dúo peruano Montes y Manrique en la ciudad de New York, en 1911 (Disco Columbia P15).
Author: La Guardia Vieja
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03:20
Władysław Tarnowski ps. Ernest Buława „Fantaisie quasi Sonate pour Piano et Violon (sur quelque thèmes d'un opéra inédit) dediée à Madame P. Garczyńska”. Druk wydał w Wiedniu V. Kratochwill w październiku 1874. Część 2 Fantazji: „Scherzo à la Mazurka”. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 17:21, 18 December 2018 (UTC)), grudzień 2018. Z podziękowaniem dla Österreichische Nationalbibliothek za udostępnienie mi partytury.
Author: Władysław Tarnowski ps. Ernest Buława
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Die Stem van Suid-Afrika performed in the late 1950s/early 1960s by the Band of the South African Air Force, directed by Captain J. E. Koops van't Jagt. It was the former national anthem of South Africa from 1957 to 1994, during the Apartheid era.Sonando desde nuestros cielos azules, Desde la base más profunda de nuestros océanos Sobre montañas eternas, Cuando los riscos resuenan, Desde nuestras llanuras donde, vagones crujientes, Cortan sus senderos en la tierra, Llama al espíritu de nuestro país, De la tierra que nos vio nacer. A tu llamada no vamos a fallar, Firmes y constantes compareceremos, A tu voluntad de vivir o morir, O Sudáfrica, tierra querida. En nuestro cuerpo y nuestro espíritu, En nuestro fuero interno se mantuvo firme; Y la gloria de nuestro pasado; En la promesa de nuestro futuro, En nuestra voluntad, nuestro trabajo, nuestro esfuerzo, Desde la cuna hasta la tumba No hay tierra que comparte nuestro amoroso, Y hay lazo que pueda esclavizar. Tú nos has dado y te hemos conocido, Que nuestras acciones a todos proclaman Nuestro amor perdurable y servicio Para tu honor y tu nombre. En el calor de oro del verano, En el frío del aire de invierno, En la vida surgiendo de la primavera, En el otoño de la desesperación; Cuando las campanas de boda repiquen, O cuando aquellos a quienes amamos personas sí, Tú nos la sabes de tus hijos Y dost llevarnos a tu corazón En voz alta repiques el coro contestador; Somos tus cosas, y vamos a estar de pie, Ya se trate de la vida o la muerte, para responder Para tu llamada, tierra amada. En tu poder, Todopoderoso, confiando, Hicieron nuestros padres construyen de edad; Fortalecer entonces, oh Señor, a sus hijos Para defenderse, de amar, de explotaciones Que la herencia que nos dieron Para nuestros niños aún pueden ser; Fiadores sólo a la más alta Y antes de que todo el mundo libre. Como nuestros padres confiaban humildemente, Enséñanos, Señor que confiar en ti todavía; Proteja nuestra tierra y guiar a nuestro pueblo En tu camino, para hacer tu voluntad.한국어: 남아프리카의 외침 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리의 먼 곳에 사람이 살지 않는 평원을 통해 무기와 황소의 신음을 함께 하리라. 우리의 사랑의 목소리는 남아프리카 공화국을 향해 커지리라. 우리는 너의 전화에 응답하리라. 우리는 당신이 원하는 것을 제공하리라. 우리는 남아프리카 공화국, 당신을 위해 우리는 죽을 것이다, 살 것이다. 2절 우리의 몸과 마음, 우리의 마음과 영혼은, 과거의 영광에서 우리의 희망이 되리라. 우리의 작품에는, 요람에서 무덤까지 다른 땅과 우리 사랑을 화합하지 않으리라. 다른 건 우리의 자신감이리. 국토 안보부여, 우리는 경의를 표하리. 우아한 너의 이름과 우리의 아프리카너가 최고이리라. 남아프리카 공화국의 아이들이여! 3절 여름의 더위와 겨울의 추위에 우리의 사랑의 봄과 우리 삶의 가을은 교회의 종이에서 나는 소리이리라. 요람의 발에서 우리는 당신의 목소리를 들으니 너는 네 딸이 어디 있는지 알고 있도다. 전화할때 우리는 거부하지 않는다. 영원히 우리와 연락하리라. 생명과 죽음이여, 우리는 남아프리카 공화국에 올 것이리! 4절 자신감에 전능한 우리의 선조는 주님, 우리에가 강을 주소서!라 외쳤으니, 지원을 유지하리라. 우리 조상의 땅, 우리 아이를 위해 영원한 하인들이여, 세계와 붙으리라. 우리 조상들이 믿음을 우리가 믿는 주님을 가르쳐, 우리의 땅과 우리 민족과 함께 당신의 유언대로 다스려라! 영어 한국어 번역 1절 우리의 깊은 바다에서 출렁이는 파도 소리는 우리의 푸른 하늘에 울려 퍼지리라, 높은 산 위에서 바위산 끝까지 우리의 메아리가 울리리라. 우리가 어느 평원에서 마차를 맞추었는가? 지구의 철도를 자르면, 우리나라의 정신과 통화하리라. 토지는 우리에게 탄생을 주었다. 그대는 우리가 주저하면 안된다는 것을 확고하고 우리가 확고하리라. 그대는 살거나 멸망하리라. 사랑하는 땅, 남아공이여! 2절 우리의 몸과 우리의 영혼에서, 우리의 가장 깊숙한 곳의 마음에 빨리 개최하리라. 그리고 우리의 과거의 영광을, 우리의 미래의 약속이 있으리라. 우리의 작품은 우리의 믿음으로 만들어진 것이리라. 무덤에 크래들에서, 그 주에는 우리의 사랑이 가득한 땅이, 끈끈이같은 자들은 정복하지 못하리라! 너의 젖먹이에 우리를 매개로, 우리는 그대를 알고, 매일 우리의 행동은 모든 선포에 우리의 영원한 사랑과 봉사는 명예와 너의 이름을 그대에게! 3절 뜨거운 여름의 향기와, 차가운 겨울의 기운, 따뜻한 봄의 집과 시원한 가을의 절망은 결혼의 종소리는 굴뚝에서 울리라. 우리가 떠나보내는 새 사람, 그대의 아이들의 마음은 우리를 데려가리라 커다란 종소리여, 우리는 그대가 있으며, 우리가 서한다던, 대답하리. 그대는 생명이냐 죽음이냐, 모르면 사랑하는 땅에 전화를! 4절 그대의 권력에서 전능한 신뢰는, 우리 조상들이 예전에 만들었는가? 사랑하는 변호를 잡으리. 주님의 아들은 강한 탓에 그들이 준 유산으로 우리는 행복하리라. 높은 곳의 보석은, 세상에 자유를 주리라. 우리 조상은 겸허하게 신뢰할 수 있는 것처럼 가르치는 우리 주님은 여전히 하느님을 믿는다. 우리는 우리의 사람과 땅을 안내하리. 우리의 아버지는 할 수 있도다!
Author: Untitled
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02:37
Sound of rain when night is falling in south of france. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son de pluie lorsque la nuit tombe dans un village du sud de la france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
Author: Samuelgremaud
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1st release date: 1936 1st recording date: 26 April 1935 Composer: Georges Bizet (1838-1875) Lyricists: Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) Conductor: Franco Ghione (1886-1964) Performer: Beniamino Gigli (Tenor) (1890-1957) and Members of La Scala Orchestra, Milan Work: Carmen (Act 2) Content: Il fior che avevi a me tu dato (See here, thy flow' ret) Music genre: Opera terminology
Author: Georges Bizet (1838-1875), Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908)
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03:57
Inside the madrid subway (metro). Very crowded, a couple of stations travelled. You can hear the recorded announcement over the pa naming the stations. Next stop: mar de cristal. Next stop: campo de las naciones. (próxima estación. . . ).
Author: Elguachojkis
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05:38
Recorded 18 january, 2020 in las vegas, nv at baseball parks. Recorded with a tascam dr-05x record; no adjustments have been made. The recorder was handheld as i walked along the various baseball fields. You'll hear my foot steps.
Author: Rastataper
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00:13
Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido agua del bañosound of water from the bathroom.
Author: Mafaldav
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03:01
Huacachina, tondero grabado por el dúo peruano Montes y Manrique en la ciudad de New York, en 1911 (Disco Columbia P86).
Author: La Guardia Vieja
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09:28
On a folk music festival, grupo huapango tries to play the song "perfume de gardenias". But the electricity goes down and the people on the festival try to shout along the lyrics (half of the people sings the verse and half the chorus).
Author: Mertyuy
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01:31
I record the wind blowing under a métal security door. It was inside a theatre. I was with my hand recorder nagra lino. Strange ambiance.
Author: Alexandredoc
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00:11
Gravació d'una oca enfadada al parc de la ciutadella de barcelona defensant el seu niu. Angry goose at ciutadella park. Recorded with zoom h1 - 11/03/2017.
Author: Urbansoundbcn
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02:09
Recording of "Hostias Et Preces" by Eugenio Terziani (1824-1889), sung by the last surviving castrato of the Pope's choir, Alessandro Moreschi (1858-1922). Duration of recording: 2 minutes 9 seconds Català: Una gravació de "Hostias Et Preces" d'Eugenio Terziani (1824-1889), cantada per un dels últims castrato del Cor de la Capella Sixtina, Alessandro Moreschi (1858-1922). La gravació de Moreschi, és la única existent d'un cantant castrato, sent un testimoni sonor únic d'aquesta tradició musical. Una grabación de "Hostias Et Preces" de Eugenio Terziani (1824-1889), cantada por uno de los ultimos castrati de la historia, Alessandro Moreschi (1858-1922) del Coro de la Capilla Sixtina. La grabación de Moreschi, es la única existente de un cantante castrato, siendo un testimonio sonoro único de esta tradición musical Suomi: Eugenio Terzianin (1824-1889) tallenne viimeisen paavin kastraattikuoron jäsenen Alessandro Moreschin (1858-1922) laulamasta kappaleesta "Hostias Et Preces". Enregistrement de Hostias Et Preces par Eugenio Terziani (1824-1889), interprété par Alessandro Moreschi (1858-1922). Italiano: Una registrazione di "Hostias Et Preces" di Eugenio Terziani (1824-1889), cantata da uno degli ultimi castrati della storia, Alessandro Moreschi (1858-1922) del coro del Cappella Sistina. Le registrazioni di Moreschi, essendo le uniche esistenti di un cantante castrato, forniscono una testimonianza sonora unica di questa tradizione musicale Македонски: „Нафора и молитви“ (Hostias Et Preces) од Еугенио Терцијани (1824-1889), во изведба на кастрат на папскиот хор, Алесандро Морески (1858-1922). Морески е единствениот кастрат од кого постои снимка, и претставува единствен увид во оваа некогашна музичка традиција. Запись песни "Hostias Et Preces" Евгенио Терзиани (1824-1889), в исполнении последнего оставшихся в живых кастрата хора Папы, Алессандро Морески (1858-1922). Морески, как единственный записанный кастрат, воспитанный в старой традиции, даёт нам представлене о том, на что была похожа утерянная музыкальная традиция. Tiếng Việt: Một bản thu "Hostias Et Preces" của Eugenio Terziani (1824-1889), được hát bởi castrato cuối cùng trong ca đoàn của Giáo hoàng, Alessandro Moreschi (1858-1922). Moreschi, là castrato được huấn luyện duy nhất được thu âm lại, cho chúng ta một cái nhìn tổng quan về một truyền thống âm nhạc nay đã không còn.
Author: Untitled
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15:35
Midnight, mont de marsan (france), november 23 is the day of the wild cranes migration. It is fabulous! the fog is settled in the city, and these cranes are invisible! close but invisible. The nearby military airbase gives rhythm to the soundsc@pe with its take-offs and landings of fighter planes, which make the acoustics of the city resonate. Minuit, mont de marsan (france), ce 23 novembre est le jour de passage des grues sauvages en migration. C'est fabuleux! le brouillard est posé dans la ville, et ces grues sont invisibles! proches mais invisibles. La base aérienne militaire proche rythme le p@ysage sonore de ses décollages et atterrissage d'avions de chasse, qui font résonner l'acoustique de la ville. Original recording 96khz/32b sd mixpre6ii, stéréo ab dpa4041 dans cinela pia2.
Author: Emmanuel
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02:07
Sound of light rain when night is falling in south of france. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d'une pluie légère lorsque la nuit tombe dans un village du sud de la france. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).
Author: Samuelgremaud
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00:06
This is the end of a song (just the last crash and the last guitar note). It was recorded inside a medium size room where we were playing. This sound was produced by my friends and i, so it does not belong to any commercial recording. This sound is original content. Este sonido es el final de una canción (el crash de la batería y una nota sostenida por la guitarra). Fue grabado en una sala de tamaño medio por mis amigos y yo, de modo que no pertenece a ninguna grabación comercial. Es contenido original.
Author: Mynk
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04:24
Recorded with a zoom h5 on a tram l1 between benedorm and alicante approaching and passing the following stations la vila joiosa, paradís and venta lamus at around 6pm 5th april. No processing but cut using garage band originally recorded in wav format.
Author: Sapjjr
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00:58
Sound recorded by the participants of the workshop "sons de la barcelona intercultural". Phonos, pla bcn interculturalitat, sons de barcelona, casal dels infants del raval. Zoom h1. Grabé un video cantando con mis amigos en casa, música arabe mezclada.
Author: Sonsbcnintercultural
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00:21
This is the sound of soap bubbles, it was not recorded directly from the bubbles, it was made using beatbox. Este es el sonido de burbujas de jabón, no fue grabado directamente de las burbujas, fue hecho usando beatbox.
Author: Rosesstawn
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00:42
I made a ball of aluminium paper. This is the sound when i undid the ball and tried to make it smooth. // sonido cuando deshago y aliso una bola de papel de aluminio.
Author: Pitx
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00:05
Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de varios casilleros cerrados uno detrás de otro. Locker closing sound.
Author: Anabellanoguera
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00:07
Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de una persona corriendo a diferentes intensidades. Sound of a person running with different intensities.
Author: Irisjimenez
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04:11
An audio recording of Ferdinand Büchner. Nocturne, op.20, performed by the first flautist of "La Scala" Arrigo Tassinari. Recorded in Milan in 1931 Аудиозапись - Фердинанд Бюхнер. Ноктюрн, op. 20 в исполнении флейтиста солиста Ля Скала - Арриго Тассинари.
Author: Исполнитель: Arrigo Tassinari Композитор: Фердинанд Бюхнер Label: Columbia CQX 16479
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00:03
For this song i used some poker chip with 2 effects:- i speed the song until 141. 55- j'ai également changer la hauteur (bas) jusqu'à 121. 44je voulais que le son soit plus aiguë et qu'il soit plus rapide pour uniformiser l'ensemble.
Author: Iut Paris
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00:07
Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de apertura y cierre de una taquilla. Sound of the opening and closing of a locker.
Author: Irisjimenez
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00:05
Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de pelota al dar con una verja metálica. Sound of a ball hitting a metalic fence.
Author: Irisjimenez
00:00
00:09
Ritmo métrica binaria de 4 pulsos y 4 compases. El sonido agudo marca la síncopa. Síncopa --> 5. Binary metric rhythm of 4 pulses and 4 compasses. The high sound marks the syncopation. Syncope --> 5.
Author: Nicolasmontero
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01:11
Una grabación en un jardín de una casa ubicada en la huasteca potosina. An recording in a garden of a house located in the huasteca potosina.
Author: Sergiojbs
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00:11
Sacar unas llaves, manipularlas y luego abrir una puerta para entrar a la casa. This is a sound that i recordered before entering to my home. I was plating with my keys, then, i opened the door.
Author: Lucho Pancho
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01:55
Air d'Hermann au premier de la Dame de Pique de Tchaikovski par Nikolay Figner (enregistré en 1901)Herman's Aria from the first Act of Tchaikovsky's The Queen of Spades sung by Nikolay Figner (recorded in 1901)
Author: Unknown authorUnknown author
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01:15
Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper
Author: Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper
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01:03
Paisaje sonoro del campus de la universidad europea de madrid. European university of madrid campus soundscape. Sonido de taller de escultura c003sculpture classroom c003 sound.
Author: Nicco
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