5,191 Royalty-Free Audio Tracks for "Metal Pipe"

Scale of the fingering chart for the tabor pipe.

Ratio between pitch and length of an organ pipe: octaves.

Metal pipe drop.

Hitting a metal pipe with stone. Recorded with jjc sgm-v1. You don't have to credit me anywhere but if you liked this sound effect, please let me know in the comments where you've used it. Thanks!.

Hey guy!. Just a nice hollow curtain rod being swing around in my living room like a crazy person lol. Enjoy!.

Song of mine in OGG format, recorded at "Somewhere from out of Sky - The Silent Note HomeStudio" in july 2000 Português: Música de minha autoria no formato OGG, gravada em "Somewhere from out of Sky - o HomeStudio de Silent Note" em Julho de 2000

Song of mine in OGG format, recorded at "Somewhere from out of Sky - The Silent Note HomeStudio" in july 2000 Português: Música de minha autoria no formato OGG, gravada em "Somewhere from out of Sky - o HomeStudio de Silent Note" em Julho de 2000

This was recorded on a poor on laptop microphone, and was supposed to be an applause track, but the microphone quality and the fact that we layered ten clapping noises all over each other combined to make this.

Metal pipe sounds.

Metal pipe sounds.

Metal pipe sounds.

Metal pipe sounds.

Metal pipe sounds.

Recorded with rifle mic. Swinging metal pipe.

Really loud metal bang.

Metal pipe sounds.

Pulling a metal bag out of a metal pipe.

Assembling a metal stripper pole.

Some metal object dropping onto concrete in our garden.

Demolition site metal pipe in concrete hole + gravity.

An awesome sounding water drain in a hotel in thailand. Super metallic resonance.

An awesome sounding water drain in a hotel in thailand. Super metallic resonance.

An awesome sounding water drain in a hotel in thailand. Super metallic resonance.

Heavy metal gallop pattern on guitar power chords, with palm muting.

Scotland the Brave performed by the Pipe Band of the United States Air Force Reserve Band. Track 14 from "...For Heroes Proved" (1995).[1]

A metal pipe being dropped onto concrete outside, with background noise.

Cooper pipe turn round.

Shaking a metal ladder.

Scraping the poker on the flue lining.

Rubbing a metal stripper pole.

Swing a metal rod fast past the mic. Recorded on a zoom h6 recorder.

I manipulated some sound from a squeaky pallet jack i recorded. Add some drip and you got a scene.

Dropping an aluminium pipe on a concrete floor. As it was outdoors i applyed a high pass filter at 400hzno other editingrecorder: zoom h6 with xy capsuelresolution: 96/24.

Hit two 1/2" metal emt pipes together. Left spaces between sounds of interest. Might be useful for a train crossing signal, a sword fight, or a blacksmith hammer on anvil. Recorded on a blue yeti microphone through audacity at 16bit 44000hz. Attribution appreciated but not required.

Simple tankdrum sound - suitable for generating sound effects e. G. For games.

Hitting metal pipes with my hands and recording the resonance. Recorded with a stereo pair of akg p170 in qrft position into a zoom h4n pro.

Heavy metal gallop variation featuring triplets.

Metal pipe dropping for destruction or construction.

Dropping a heavy metal pole on solid wood floor.

Heavy metal gallop rhythm as drum pattern.

A part of Thorvi's song.

TBFG's first single

Couple of pipes fall on the ground and get picked up again.

Several shots on metal pipes with my softair-gun. You can hear the small plastic balls falling to the ground, too.

Amazing Grace, performed by the Concert Band of the United States Air Force Reserve Band and featuring the United States Air Force Pipe Band with bagpipe soloist SrA John Davis. Track 18 from the band's 1995 album ...For Heroes Proved.

Modular synth resynthesized through harmor into a percussive loop.

The microphone was placed inside a stainless steel metal box and placed in my shower. The shower rains onto the box and creates a rich, metallic resonance.

Started as a ancient civ like background music for a game.

Knocking on a metal pipe with a hammer.

Scotland the Brave performed by the Pipe Bands of the United States Air Force Reserve Band and the United States Air Force Band. Track 17 from Glorious Past, Boundless Future (2002).