225 Royalty-Free Audio Tracks for "Mixer"

Switzerland, graubunden - at the surface of the lake, ice is melting and crisping…. Sound recorded by a ms setup schoeps microphone ccm41&ccm8;sound devices 552 mixer + sound devices 744t recordermicrophone are into a zephyx windscreen really close to the ice in this casems is encoded in stereo left-rightrecorded in 2011. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

France, minervois - a summer thunderstorm, rain and thunder in the countryside(minervois, south of france, my homeland). Sound recorded by a ms setup schoeps microphone ccm41&ccm8;sound devices 552 mixer + sound devices 744t recorderms is encoded in stereo left-rightrecorded in 2011. The same sound on soundcloud: http://soundcloud. Com/felixblume/minervois-orage. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

Mexico, puebla. Roosters and dogs wake up in the small village of la preciosita. A morning in mexican countryside. Sound recorded by a ms setup schoeps microphone cmc6mk41+cmc6mk8cooper mixer + zoom h4n recorderms is encoded in stereo left-rightrecorded en 2009. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

Morroco tangier - muezzin call at night in the center of the city. People and cars are moving around. Recorded from the top of a house. Sound recorded by a ms setup schoeps microphone cmc6mk41+cmc6mk8sound devices 442 mixer + zoom h4n recorderms is encoded in stereo left-rightrecorded en 2009. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

A dog groaning, moaning, sniffing, panting and grunting. Close recording of a french bulldog in a house in mexico city. Sound recorded by a ms setup schoeps microphone cmc6mk41+cmc6mk8sound devices 552 mixer & recorderms is encoded in stereo left-rightrecorded en june 2011 / sound reference: 11y06m20-001. More sounds on http://www. Felixblume. Com. The same sound on sound cloud:http://soundcloud. Com/felixblume/bulldog. Please rate the sound or comment it if you like it !.

Usa california - dogs barking and birds singing in the red wood forest, close to san francisco. Road in the far background. Sound recorded by a ms setup sennheiser mkh50+mkh50sound devices 302 mixer + tascam recorderms is encoded in stereo left-rightrecorded in 2008. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

This is a cue i built while sound designing the play "wait until dark". I own the right to sound design this production and therefore own the right to this cue. Please feel free to use this cue, just shoot me an e-mail when you do, i like to know what my cues are used for, only out of sheer curiosity. This is a 0:07 clip of car starting, revving its engine, and running someone over in an alley. Mixed in apple logic pro 9. Recordings made with various sdc and peavy pv8 mixer.

Recorded with a sennheiser mhk 416 through the zoom f8 in victoria, australia by benni knop. Benni knop is a re-recording mixer based in melbourne, australia. If you are a sound designer or editor working on a film, documentary or tv show and need a 5. 1, stereo or theatrical final mix, check out benniknop. Com and get in contact. I'd love to hear about the projects you use my sounds on. Send me some feedback.

Ukraine - slavutich. A car is announcing the circus in the small town of slavutich (close to chernobyl). Sound recorded by a ms setup schoeps microphone ccm41+ccm8sound devices 552 mixer + sound devices 744t recorderms is encoded in stereo left-rightrecorded in 2010. You can find the same sound in ms (not encoded) and a bit longer on http://www. Freesound. Org/people/felix. Blume/sounds/117268/. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

Belgium, brussels - hum of voices in a theater during the intermission of a concert. Around 500 persons in the theater hall. Recorded in the studio4 of flagey theater (brussels). Sound recorded by a xy ortbf setup with schoeps microphone cmc6+mk4sound devices 552 mixer + sound devices 744t recorderms is in stereo left-rightrecorded in dec 2011. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

Prayer calls for the evening prayer "maghrib", around 20h45. Recorded in the city of istanbul (turkey), close to the pera street. Sound recorded by a ms setup schoeps microphone ccm41+ccm8sound devices 552 mixer + sound devices 744t recorderms is encoded in stereo left-rightrecorded in june 2012sound reference: @vea120617t42. The same sound is available on soundcloud:http://soundcloud. Com/felixblume/istanbul-appel-priere. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

Another "shoegazey" clip using guitar though many pedals (boss xtortion > danelectro eq > boss me-30 (no effects on, but working as a slight boost) > eh small stone > korg ax3g (on a pitch/harmonizer setting) > boss dd-20 > behringer ultra vibrato > alesis nanoverb > mixer > soundcard. ) it's kind of similar to the beginning of "souvlaki space station", but it is in no way an approximate recreation (or even the same notes, i'm sure) of it. I messed around with levels and soundcard settings and was able to get a much cleaner, less distorted recording (compared to the guitar drone sample uploaded previously. ).

Shaking different water bottles, one has lots of soap and water in it, another has alcohol, another has a bit of water and a little soap. . . Http://upload. Wikimedia. Org/wikipedia/commons/thumb/c/c2/water_bottles. Jpg/512px-water_bottles. Jpg. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Inside an almost empty church in viña del mar. Light voices and footsteps sometimes inside, light trafic outside. Recorded inside the church of las carmelitas, viña del mar (chile). Recorded by a ms setup schoeps ccm41+ccm8in a cinela leonard windscreensound devices 302 mixer and zoom h1 recorderoriginal recording in wave 96khz 24bit. More sounds from valparaiso trough this page http://www. Felixblume. Com/valparaiso/100 sounds from valparaiso, free download, wave 48khz 24bit.

Http://i. Imgur. Com/2vmzp1i. Jpg. Recorded on the east side of south wabash avenue close to the intersection of wabash and east harrison street, in the south loop area of chicago, on 7/20/2013. After recording trains crossing the adjacent tracks i turned the microphones southwest towards the intersection of harrison and wabash. Traffic was heavy and drivers were frequently blowing their horns at each other. A couple of vehicles playing loud music stop at the light. Time of recording was 5:57pm. Weather was warm, in the 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

An excerpt from some in-car driving recordings i made with the windows wound down. My starting point is geotagged. I first turn right out of trail ridge court in streamwood, il, then wait to turn left at the intersection of schaumburg road and south sutton road. I then head north on il route 59. The car is a 1996 chrysler lhs 3. 5l v6 (note the recognizable sound of the creaky chrysler transmission as i slow to a stop). My recording setup was two audio technica at851a boundary mics, mounted upside down on the interior roof and facing out of the driver and passenger windows (with appropriate wind protection), running through a mixer into a zoom h4.

I was demoing the new digital performer 10. 1 with a royer r-10 pair in blumlein array but wanted to check out one of the ribbons because it possibly sounded blown so i went ahead not bothering to create a new mono file. The mic was tracked through a yamaha mixer into digital performer via a motu 624. I have various cymbals including a paiste hi-hat and a zildjian ride which i bowed or scraped. There is an occasional tiny bit of noise from the hard drive, sorry. It has the hiccups. Some of these have an effect or two like a flange on one or more and a bit of delay but mostly you just hear the marvelous and very interesting cymbals!.

Http://i. Imgur. Com/05avvhf. Jpg. Recorded on the east side of south wabash avenue close to the intersection of wabash and east harrison street, in the south loop area of chicago, on 7/20/2013. The microphones are facing across the street to the el tracks which cross diagonally across the block at this point. The curvature of the tracks causes the squeaking of the wheels. Trains heading into the loop (north) tend to travel more slowly than those heading south. Cars accumulate at the intersection of harrison and wabash to the south (left). Time of recording was 5:41pm. Weather was warm, in the 80s. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

Originally made for the disquiet junto project 0433: "kit bits: create a kit’s worth of percussion samples. ". I used 1. Recordings with a telephone coil microphone recording sounds from an external blu ray drive and a smartphone (telephone coil recorded via behringer xenyx q1202 usb mixer, line-in) and 2. Random recordings from a soma ether device (recorded with zoom h1n, line-in). In these recordings i picked up those areas which i though to be useful for a drum kit, just as i would do it for myself. This track contains all samples in no special order in one file. All samples my own, released into cc0 public domain. Would be nice to hear if someone does something with it. August 2020, 44,1 khz, 16 bit, flac.

Usa, california - a diesel goods train is passing by in the ghost town of bagdad in the mojave desert. Close recording of the train (a couple of meters). Train horn is announcing he is coming. Sound recorded by a ms setup schoeps microphone ccm41+ccm8sound devices 552 mixer + sound devices 744t recorderms is encoded in stereo left-rightrecorded in nov 2011. The same sound on sound cloud:http://soundcloud. Com/felixblume/train. The same sound slowed downhttp://www. Freesound. Org/people/felix. Blume/sounds/189153. Another sound of train in the desert on freesound:http://www. Freesound. Org/people/felix. Blume/sounds/166086/. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

I tried out some new gear and methods! more mountainside rain! a complete storm from beginning to end with swelling and then waning rainfall, occasional thunder. Ms stereo bar on mic stand projected through open second-floor window, just under the roof eaves. Recorded july 20th during one of the mid-afternoon brief intense storms we can seem to get frequently in the rocky mountain foothills beginning around june. If you were listening and wondering, the direct sound of the thunder is somewhat occluded as i believe the storm was behind the overhanging roof and house from the perspective of the microphone array. The mountainous terrain and other objects in the field reflected some of that thunderclap, as well as the exterior wall of the home, and so this is all a little bit funky. Mid-side stereo recording:large diaphragm condensers mounted on octavia stereo mic mounting bar:akg perception 220 mid (cardiod) (on top, upside-down)akg perception 400 side (in bidirectional mode) (on bottom, facing left)sound devices mixpre-6 preamp+mixer+recorder (ch1+2 paired to ms stereo, gain @ +21db, fader @ unity, balance at mid/side center) w/48vdc phantom power applied, on-board mid-side encoding and monitoring in l+r, 24/96khz stereo recording. Postprocessing:cooledit 2000: edited to excerpt from longer recording. Normalized recording to 0db. Downsampled to 16bit 48khz. Flac: encoded.

. . . But i recorded this. I recorded the sound to celebrate my first stereo patch. Yep, now i have squeezed in three mixers and will be able to make stereo effects on my modular.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.