378 Royalty-Free Audio Tracks for "Modified"

Recorded on 19/02/2010 at approx. 6pm in causeway bay, hong kong. Recorded with a zoom h2 in 2-channel surround mode, with a windshield (but unfortunately there is still a bit of wind noise). File has not been modified, only cut short from a longer recording. Note: this is the original wav file of the mp3 posted on freesound.

Well, the closest i could get, anyway. Technically, it's a banana. One sudden peel, truncated, modified and reversed in various ways until it sounded (to me) like it could vaguely represent the sound of sewing. . . . Not that sewing by hand actually makes much of a sound. Recorded for the point-and-click adventure game, "the beard in the mirror": http://store. Steampowered. Com/app/385840/the_beard_in_the_mirror/.

Sorry for the lack of uploads. (you probably don't care, but i'm just sayin'. ) i'll try to be more active on this site from now on. But anyways, here's a realistic gun shot sound i made. I made it by recording a huge firework explosion, speeding it up, adding a little bit of modified reverb, and some amplifying. I made this in audacity.

Recorded in june 2016 on a new york city subway train stopping at times square station on the queens-bound 7 local train line. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

Recorded in january 2011 waiting for the shinkansen (bullet train) to tokyo at koriyama station in fukushima, japan. Recorded with a zoom h2 in 2-channel surround mode, with a windshield. File has not been modified, just cut short from a longer recording. There are two shinkansen in the recording: one arrives and leaves at the adjacent platform, and one arrives on the immediate platform.

I modified a sound i found on here (it was labeled as "cc0" or public) to give it a bit of a psycho sound. The original user is "memz" and the title they made is "thriller score horror scene". The only thing i did was rearrange the audio so that it echoes in and out. If you appreciate the sound, give "memz" the accolades and not me.

I wanted to make a sound effect for a game i'm developing, and so i recorded a 100-mm artillery cannon at camp williams (utah national guard), then modified the sounds using audacity. The recording was done on an olympus digital recorder in the mid-2000s (first decade). It sounded a little to me like the tribute cannon from hunger games (the sound effect that signals the deaths of the tributes), thus the name.

Recorded on 21/02/2010 at approx. 9am standing next to the grossmunster church in zurich, switzerland. Recorded with a zoom h2 in 2-channel surround mode, with a windshield (but unfortunately there is still a bit of wind noise towards the end when the police siren starts). File has not been modified, only cut short from a longer recording. Note: this is the original wav file of the mp3 posted on freesound.

Recorded in june 2016 on a new york city subway train approaching the last stop (34th street–hudson yards) on the 7 train line. Mta thank you announcement at the station and for all passengers to alight. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

Oddly enough this man does not consider himself a baritone, and his speaking voice is not so deep. This was not modified except with noise reduction, because the air conditioning was audible. It just happens to be the deepest sound i've ever heard him make, and he wasn't awake. So it wasn't a moan, or a groan, or a gasp. Please tell me what you think it is. I called it an exhale, and yeah, i don't think grizzlies typically go this low.

They've been telling us to "eat ze bug. . . " but now you can try before you buy. Here are some soft, distance crickets recorded on a warm, quiet summer night. Just like old jeb used to like it! i bumped the volume up by about 6. 3db, as i didn't want to ruin the serene quality by bring it to full normalization. Not processed or modified in any other way, but a decently clean sample. Audio specs:-. Wav uncompressed- 44. 1 khz (standard)- 16-bit.

I recorded this sound with the microphone from the logitech quickcam for notebooks pro. I know, the webcam is really old but i happened to find it from my brothers room and used it for a microphone replacement. You may say it distorts a lot, but that's just because the original setting of level is 50+ db. Now onto the topic. I spinned the usb cord around the end, and tried to do it fast enough to create this sound. This is a modified sound from its original. Spectral editing in audacity has been done.

A recording of my mini-fridge that i split into two components - the hum (this) and the evaporator thing that makes all the drippy sounds. I separated them so people can change the volume of each element, since i noticed with my fridge that you can only really hear the hum if you're really close, but hear the drippy sounds from quite a distance away, even if they're really quiet. Recorded with a zoom h4n pro, used rx7 to separate the elements. As always, i've got the un-modified loop in my "raw recordings" pack.

I asked for a fabric shredder because i couldn't find one, and i knew my dearest would knock himself out trying to. He didn't either but he did have one made, probably at considerable expense. It's a cute little portable unit, i think made of a modified paper(?) shredder, powered by a geared motor from a battery-operated power tool. It's probably a dangerous little work of art. So we're getting dressed in the bedroom after opening gifts on christmas morning, and i decided to try out my new toy. Good conversation, mechanical whir.

It's an all synthetized sound, created on audacity. I wanted to recreat a basic emergency alarm, which can be use for cops, firemen or ambulance. I started by creat a track, then i add chirps. After, i duplicated the track and make a stereo of both. After, i copy and stick multiples times my sound. After, i chossed to raise the speed of the track, twice. I also modified a little bit the height. Then, i normalized the track. _______________________________________________________________________________je pense que c'est un son répété formant un groupe tonique, au timbre harmonique éclatant voir acide, dynamique et au grain lisse.

Imagine a warm, damp-humid august evening in the midwest. It's about 8pm and you're in a mowed path which is 10 feet wide. On either side of you, are two fields of tall -- 9 feet --- corn standing like green, thick grassy sentinels. This is where i was when i recorded this hypnotic sound-scape on saturday night august 9th 2014. I made this recording with my marantz pmd661 (modified by oade brothers electronics)in stereo using twin, matched samson co2 microphones mounted on my tripod about 5 feet above the ground. My record volume was 6 1/2.

Format: wav - 24 bit, 48khzdescription:a sound-to-image processing using fft. Sounds like aliens communicating in a cave or underwater environment. Added convolution reverb. The image used was a photograph taken by martin popek called "red sprites" attached below is the modified version i used for conversion. . Retrieved from http://spaceweathergallery. Com/indiv_upload. Php?upload_id=117053. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this upload is cc0 and in the public domain, so use to your heart's contempt.

This is a beatboxing clip i made using an open-sourced klatt text to speech engine. This version of the clip was modified for a mashup i created called nostalgia heaven. You don't have to credit me if you don't want to, but if you do want to, i'll give you a big hug! :-)klat engine (command line application): https://www. Dropbox. Com/s/0qvsqwrlfeqxyrc/klatt. Exe?dl=1the klatt engine was compiled by philip bennefall of blastbay studios: http://blastbay. Comphilip's youtube channel: https://www. Youtube. Com/channel/uccxndm8oilkzzjorvjizmfgnostalgia heaven: https://youtu. Be/zl3f419-pzc.

Recorded in june 2016 on a hudson yards-bound 7 train in the new york city subway. Towards the end of the recording, at the last stop (34th street–hudson yards), there is mta thank you announcement at the station and for all passengers to alight - i have extracted this announcement as a separate audio download on freesound if that's the sound clip you're interested in!. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

Ah gee. . . . . These are random samples i recorder and am such a lazy i don't want to sort them out. . . . 1 - could be my modified boss ds-1 distortion pedal (i call it the violent ds - 1) (w/ 3 extra capacitors and a transistor or two) going throught it is a boss dr 550. 2 - a yamaha portasound pss - 270 which i cut the fm synth traces too via switch (that was a pain in my ass also!). 3 - a very scary leap frog kids toy named professor quigly. 4 - a speak and math. . . . . . . 5 - sum yamaha thingy i don't know i just call it my raver machine. . . . . . It looks kinda like a cool t. V.

This sound is a mix of analog sound and digitally created sound. I recorded the sound of a coffee machine. Then on audacity, i generated a tone and modified its envelope. I changed the levels, added effects as reverberation and echo. I put melted at opening and closing in purpose to pretend something was taking off and landing. At first i wanted to create the atmosphere of a spaceship. But after that it looked more like a vacuum noise. I tried to modify amplification and added again echo and reverberation to make it sound more like a weird ufo. Code selon la typologie de schaeffer : vprécisions morphologie :masse : son canneléstimbre : ternegrain : rugueuxallure : chevrotementdynamique : l’attaque du son est graduelleprofil mélodique : variations serpentinesprofil de masse : site.

This is a recording of a metal desk creaking with very little movement. I recorded this sound, amplified it, and removed the white noise. That's the only processing this sound has gone through. I'm sure this sound can be modified in many different ways and put to countless uses. Be sure to check out the variations of this sounds from the "creaking metal pack". Recorded with: shure sm57 dynamic microphone. Processed with: audacity. ------------------------------------------------------------------------------------please leave feedback by commenting below. I'd love to hear your thoughts about this sound and what you used it for. If you published your finished compilation to the web go ahead and include a link. If you have any questions or requests feel free to contact me. Thank you. ------------------------------------------------------------------------------------.

22-sharavana-sun, tibetan singing bowl the experimental mix-iii with ebc-174 & 396hz. Hello,this is the very real horst from town duisburg in germanyyou will hear an experimental mix of sounds created from energy bar chimes and tibetan singing bowl, mixed and modified with software audacity. This soundpiece includes different versions of stretched sounds from singing bowl with frequency of the sun as well as sounds from energy bar chimes frequencies solfeggio 174, aka foundation and 396 aka "liberation from fear" and binaural beats with frequency of the sun. Hope you'll enjoy listening and that you will find truepeace on your waythe very real horst.

One of my favorite summer and late-summer sounds. The night-hawk is the star of this recording. This recording was made around 9pm at night in mid-august and, even though i never could see this nighthawk, his calls pierced through the night-sky to let me know he was up there, somewhere, orbiting on the prowl for mosquitos and other insects. I have always loved this sound ever since i was a kid and going to sleep at night i felt comforted knowing that, like some circling fighter jet, the nighthawks would be on the job, plowing down the population of mosquitos, while i slept all night. Recording actually made in the parking lot of a major midwest university around 9pm at night on august 19th, 2014. Equipment: marantz pmd661 modified by oade brothers electronics, beyerdynamic me58 microphone. My record volume was 7.

You hear a male voice saying, "target locked. " followed by target seeking sounds with another male voice saying "engage. " at the end. This sound is a combination of sounds i found here on freesound that i put together for a personal project. Thought i'd share the result. The initial tones are from the following:http://www. Freesound. Org/people/hardpcm/sounds/33213/. The male voice saying "target locked. " is my voice recorded and modified and requires no attribution. :). The target seeking noise is from the following audio clip with adjusted speed:http://www. Freesound. Org/people/benboncan/sounds/61792/. The male voice saying "engage. " is from the following clip:http://www. Freesound. Org/people/qubodup/sounds/67630/. The quick beeping tone during the male voice saying "engage. " is from the following clip:http://www. Freesound. Org/people/leviclaassen/sounds/107786/. Enjoy! if you use this anywhere, i'd love to see it if you could post a link! :).

Here it is! my first ever submission on freesound! i decided to start this all out with a bang, and post something really cool that i'm proud of making. I'm not sure exactly what this creature was supposed to be. I'll leave that up to your imaginations. How it was made:. Software: fl studio 20. Plugin(s): serum, valhallaroom, ott, fruity parametric eq 2, and fruity delay 2. This was made completely with synthesizers. I used serum for the main synth, made copies of it, and modified each of them to sound unique from the other. I'd try to explain how the synth was made, but there's a lot of stuff. To process it, i used ott to make it sound more powerful and clear, eq to get the frequencies and texture right, delay with a low pass filter to get that outdoors echo feel, and valhalla room for the reverb. I had fun making these. Enjoy!.

I used audacity to synthesize the five-tone chime made by the montreal metro's jeumont train element 41. Backstory: the train itself was an mr-63 type train modified by canron circa 1971, adding a current chopper to the train's started system. The chopper produced an 'idle' tone at around 45 hz, and as the train departed, five tones at frequencies of 90, 120, 180, 240, and 360 hz. Originally there were 3 'elements' (a set of 2 motor cars and 1 trailer car) with the jeumont-schneider current chopper (element 40, made up of cars 81-579, 80-040, and 81-580; element 41, made up of cars 81-581, 80-041, and 81-582; and element 42, made up of cars 81-583, 80-042, and 81-584). During the early 2000s refurbishments, element 40 was retired from service to provide spare parts for the other elements, which were then connected with elements of 'normal' mr-63 trains. Only the 81-579 car remains from element 40. Element 41 and element 42 were then retired in 2018 when the other mr-63 trains were retired.

Br-laser vector synthesis reel for make noise morphagene. These sounds have visuals encoded into them at high frequencies. The vector synthesis reel for the make noise morphagene is a collection of different xy samples, to show off morphagene's stereo sampling capability. The sample material can be displayed on oscilloscopes, modified vectrex game consoles, ilda laser displays or oscilloscope simulation software in xy mode. Some splices on the reel can be used as seamless loops. Here is a video to give a basic idea of the reelhttps://youtu. Be/cxxb9veyq6w. The collection of vectors was arranged by bernhard rasinger and includes vector contributions from artists listed below. An important part of this reel is to put the spotlight on working and performing artists utilizing sound signals to draw images as vector art. Alberto novellohttp://www. Jestern. Com. Andrew duffhttp://andrew-duff. Co. Uk/. Bernhard rasingerhttps://www. Br-laser. Com/. Chris kinghttp://videocircuits. Blogspot. Com/. Derek holzerhttp://macumbista. Net/. Douglas nunnhttps://vectorhackfestival. Com/guests/nunn/. Hansi raberhttp://youtube. Com/hansiraber. Ivan marušić klifhttp://i. M. Klif. Tv. Jerobeam fendersonhttp://oscilloscopemusic. Com. Jonas bershttp://jonasbers. Com. Joost rekveldhttp://www. Joostrekveld. Net. Philip baljeuhttp://instagram. Com/pbaljeuhttps://www. Youtube. Com/channel/ucudrl_q3_cnsj0ta2k7saha. Philipp haffnerhttps://www. Instagram. Com/philipp_haffner/. Robert henkehttp://roberthenke. Com/. Roland lionihttp://www. Akirasrebirth. Com. Ted davishttp://teddavis. Org. Vector hack festivalhttps://vectorhackfestival. Com/. All of these artists, working in the vector synthesis realm are creating these vectors with a different set of tools. These tools include pure data, max4live, oscistudio, axoloti, modular synthesizer, video synthesizer. Https://oscilloscopemusic. Com/oscistudio. Phphttp://write. Flossmanuals. Net/pure-data/introduction2/http://www. Axoloti. Com/https://www. Ableton. Com/de/live/max-for-live/. For introductory oscilloscope and technique tutorials please enjoy jerobeam fenderson´s tutorial series. Https://www. Youtube. Com/playlist?list=plfgouhnvmlro45p9uur18wofljeavcfvv.