321 Royalty-Free Audio Tracks for "Multi"

This is a (-nother) synthetic soundscape i did some years ago, reminiscent of a wide, enclosed, dark cavern, very good for subtly underlaying film scenes playing in appropriate locations. Originally, it is a recording of me blowing on a beer-bottle, captured by a sennheiser condenser mic, and then receiving some attention by the yamaha multi-effects generator in my university back then. I still like and use it a lot today.

Http://i. Imgur. Com/nbt0spy. Jpg. Sounds of downtown chicago streets, recorded from the top (12th) floor of the multi-storey parking lot at ohio and rush, on 7/20/2013. The recording site was on the south side of the parking lot overlooking ohio street below. Time of recording was 3:58pm. Weather was warm, in the upper 80s, with light winds. Recording details: 2 audio technica at4022s in rycote windshields > sound devices 302 mixer > tascam dr-40 recorder.

Recording is a 24 bit stereo wav file. Literally using a "motivational speaker" tape found in a box (full of several more of these god awful things!) while digging through the neighborhood trash to test out and setup a pitch-shifted vocal patch for my noisecore project. Effects used: danelectro fish & chips eq, korg ax3g multi-effect, and alesis nanoverb direct to sound card. Processed in goldwave(compression to reduce peaks and fading on the beginning/end. ).

Just a long, reverberating and multi-faceted fart sound made with my ample arm, sock over the microphone, in a small sound booth. No extra noises. Editted a few together from different tracks to create the 'overlapping' effects of the smaller ones, added a few effects, and was used in a 'toon of mine (kind of 'butthole of the world' volcano going off, suffice to say). Not as wet sounding as i thought it was going to be, though. Can be cropped, etc.

Nearly one minute of applause without talking or other sounds, although there is some muted cheering. The audience of about 750 was recorded inside the sanctuary of a large church following a christmas-themed concert in december 2018. Microphones included were two akg c 414 b-uls multi-pattern large diaphragm condenser mics placed far right and far left, one røde nt4 stereo condenser mic in the middle, and a sony pcm-d1 field recorder at the far back of the venue.

Multiple alternating square waves scaling up in pitch, designed inmilkytracker. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.

Atmosphere in the interior of the sagrada familia, or more formally, the basílica i temple expiatori de la sagrada família, in barcelona, spain. Antonio gaudi's as-yet unfinished masterwork, begun in 1882, and set to be completed around 2026. It's an awe-inspiring building, with soaring, tree-like pillars and flooded with color from the stained-glass windows. This is a recording, made 2022 june 14, of the hubbub of sound inside the nave with multi-lingual tourists milling about, taking selfies, and gazing upward in awe. (try playing it back pitched down by and octave or more too!). .

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

X-act heavy metal drum kit==========================drum kit: tama rockstarsnare: mapex maplecymbals: zildjianall were recorded in studio with a sennheiser e835 microphone plugged into a roland juno-g synthesizer. Cymbals need some 15khz eq increase because of the dynamic microphone's treble roll-off. No copyrights, free for all uses. I recommend using native instruments battery to launch the samples. Each of the battery's cells can accept stacked multi-samples, and the kit can be played through an electronic drum kit through midi. Excellent results. Any comments, contact matias: matias. Reccius@gmail. Com.

The sound of water free falling off the edge of a flat roof. I opened the apartment balcony door and started recording. The fourth floor apartment is on the corner. The water was draining off the flat roof over the edge and falling directly from the roof to the ground. The recording equipment is a studio quality apex 460 multi pattern tube condensor microphone. It was located to avoid getting wet (!) and was about 90 degrees and six feet away from the sound source, just set in a few feet from the open balcony door.

My childhood piano, an old german upright. Recorded using a studio projects b3 condenser mic through a presonus tubepre into an akai mpc1000. Mic'd from the top with the lid up, closer to the bass end. The piano is old and slightly out of tune, with a crack in the soundboard. The only processing was with analogx autotune to tune the samples, which did a very good job. Sampled 3 notes per octave so each sample only needs to be tuned + or - a semitone to span the whole range. It is a dark and moody sounding, a lot of character but in now way "pristine".

Lots of bangs, bongs, clangs and you-name-it-whats. Yesternight our theatrical trouppe had been disassembling the set; main part of it is a huge, multi-ton construction consisting of several dozens (or hundreds?) steel tubes - it looks like erecting scaffolding, but much more steady. Disassembling it is a chore even if you have 25+ people around. I have recorded the later stage: clanging tubes are dragged to the hoister in order to be brought down to the ground level and loaded into a truck. Speech is cut off (hopefully all of it). Have a good use of it.

This is a recording of a slow freight train passing from about 50 feet away using the internal mics of a tascam dr-40. The recording was made in southern mississippi, usa. The train was going down a gentle slop, around a bend. The engines can be heard approaching and passing, followed by the various sounds made by the wheels as the individual cars pass. The file was edited using adobe audition 6. The processing used was a high pass filter around 30 hz and a multi-band compressor. A couple of times during the recording clipping of the pre-amps can be heard because i was manually riding the input gain.

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.

Created with a korg electribe 2 processed by a zoom multistomp ms-70cdr guitar multi-fx pedal, using the particle reverb. The manual states that it models the line6 m9 particle verb. Particle reverb. In this piece of audio the electribe only uses triangle oscillators. Here's a video showing the setup: https://youtu. Be/zytc4gofwmq. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5 and unity asset store profiles for more:http://www. Pond5. Com/artist/cabled_messhttps://www. Assetstore. Unity3d. Com/en/#!/search/page=1/sortby=popularity/query=publisher:20154.

Created with a doepfer a-100 modular synthesizer sequenced by a korg sq-1 processed by a zoom multistomp ms-70cdr guitar multi-fx pedal, using the particle and hd reverb. Audio source is a self-resonating, modulated doepfer a-108 vcf8. The reverbs ran in series. The manual states that the particle reverb is based on the line6 m9 particle verb. Here's a video showing the setup: https://youtu. Be/5h-mblcybbo. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5 and unity asset store profiles for more:http://www. Pond5. Com/artist/cabled_messhttps://www. Assetstore. Unity3d. Com/en/#!/search/page=1/sortby=popularity/query=publisher:20154.

Hi guys, i'm back. For years i haven't uploaded any sounds except my news themes, (thanks to you for your nice comments and thousands of downloads)now i give you an impulse response i made to check how my mixes would sound on a typical living room audio setup (but listening with headphones). The chain: technics hifi-system, multi-cone speakers, audix reference microphone, focusrite preamps. To use it like intended, just load this file into a convolution plugin in your master insert. You'll hear your mix like sitting. . . Well. . . In my living room. It'll sound muffled to you, that's because i captured the ir and all the reflections with an omni-directional mic and i have thick curtains ;-dof course it can be used as a really, really nice and natural-sounding ambience ir, too. Use it as an aux-reverb).

This helicopter sound design was created at fl studio, in the sytrus synthesizer. The sound consists of four layers. 1. Sine wave frequency of 44 hz. Simulates the low frequency noise of propeller blades. 2. White noise passed through the svf filter. Simulates the noise of propeller blades. 3. Saw wave. Simulates the sound of an engine. 4. The sine wave. Imitates a high-frequency whistle of the engine. Various modulations are applied to all waves through the envelopes of the synthesizer. Next, the signal on the mixer channel is processed by a multi-band exciter and equalizer. Then a signal was sent to two channels with delay processing. One of them imitates reflections. In the lower-middle frequency range. On the second in the upper-middle frequency range. As you approach the sound source, the volume parameters of the direct and reflected signals are automated, low pass filter, pan width and equalization of direct sound. The helicopter performs strange maneuvers, as if making constant circles during the approach to the listener. I did not seek to create the veracity of these maneuvers.

I recorded this in my living room with mics in an x-pattern on the couch very close together, using a tascam dr-70d and behringer dyynamic microphones with patch cables for optimal volume. I recorded this at maximum gain on the tascam as two stereo files, then conjoined them to a 6-channel audio file properly and mixed the front two channels to a monaural center channel for added effect. The final result is what can be downloaded here. Tghe music in the background is part of the star trek: generations expanded complete score, and is coming from my computer to the rear of the recording, which lasts just over a minute in length, and the music was just background noise for testing purposes only. No copyright infringement was intended. Credit for the music goes to the now late jerry goldsmith and also dennis mccarthy, who is still alive. I hope you like this audio demonstration, and find it useful when considering rigs like the holophone, or comparible 5. 1 surround sound microphones / rigs. I take no credit for this recording, as it was done for demonstration purposes only. Have fun!.

A recording of a manual typewriter. The author is inserting paper, typing a paragraph, and then removing the paper. Sound of paper being inserted into the typewriter using the paper platen winder. Then the sound of typing of about 50 words. A small bell sound is heard at the end of each line, then the sound of the platen being pushed back to start the next line, and the platen moving the paper up one line. The sample ends with the sound of the paper being wound through the typewriter and removed. I have tried to avoid clipping of each typed letter. There is a lot of percussive multi pitch sound in each typed letter. There is a mechanical escapement that provides a clicking sound as the platen is moved back for the next line. This sample was recorded direct to the hard drive of this samsung nc10 netbook using audacity set to 44. 1khz and 16 bit in mono. A dynamic microphone was used on a small desk stand about 1 foot (30cm) from the typewriter, the stand being on a different table to the one on which the typewriter was used. The microphone was a fairly cheap make (hitachi hmp606) and was pre-amplified using a maycom mictube preamplifier built into the xlr connector, connected to the mic in port of the samsung nc10 netbook. The mic boost was reduced to zero, and the gain of the maycom preamp was at its lowest setting.