4,444 Royalty-Free Audio Tracks for "Open G Tuning"

Dream Chord on G, tuned 12:16:17:18. MIDI pitch bend appears to match intervals.

01. G. H. Everetts - Salt Men

04. G. H. Everetts - Night Fishin'

Violoncello chord on G

07. G. H. Everetts - Worker Happy Bridge

Pick Black Blue by G. H. Everetts

05. G. H. Everetts - The Floor's 4 Dancin'

08. G. H. Everetts - Seom

06. G. H. Everetts - People

a song from the past by G. H. Everetts

02. G. H. Everetts - Holdin'

Tout d'abord un la pur. Se rajoute un autre la, un comma pythagoricien au-dessus. On entend des battements.

An arpeggiated chord. Created by SreeBot (talk) using Sibelius 5. GFDL-self

G natural minor scale ascending and descending.

G harmonic minor scale ascending and descending.

G melodic minor scale ascending and descending.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Mu chord on G. Created by Hyacinth (talk) 00:08, 9 November 2009 using Sibelius 5.

G major chord, root in red.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 29 Prelude No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 30 Fugue No. 15 in G major, BWV 860

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

*Hundred-seventeenth subharmonic on C = D-. Just: 128/117 = 155.56 cents. Limit: 31-limit. MIDI pitch bend: 99,49

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Sveriges Radios folkmusikinspelningar. Ur radioprogrammet: "…fyran kommer och femman slår - Rallarvisor och sjömanssånger". Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 47/8251

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Harmonic Scale chromatic on C.

Glass slide on acoustic guitar with open g tuning. Recorded in the toilet with an old "walkman" type cassette recorder.

Hendrix chord.

G7alt chord.

The Carpenters chord notated in C Major. Dominant 9sus4 chord in C major: G9sus4.

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59