8,520 Royalty-Free Audio Tracks for "Performing"

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Sveriges Radios folkmusikinspelningar. Dalaresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Fiol Hänvisning till tryckt källa: Svenska Låtar Dalarna IV nr 1313 Radiotjänsts ursprungliga produktionsnummer: L-B 49/10660:4:9
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1958 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:44:8
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:45:1
Author: Untitled
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01:05
Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:68:1
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:1:5
Author: Untitled
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Four ruffles and flourishes and "The Stars and Stripes Forever" (last 32 measures) performed by the Concert Band of the United States Air Force Band. Track 19 from Esprit de Corps (1997).
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:9:5
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:49:5
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:50:5
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:28:2b
Author: Untitled
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Inspelningen är en del av arbetsmaterialet till Jan Lings doktorsavhandling Nyckelharpan - Studier i ett folkligt musikinstrument (1967). Läs mer hos Musikverket. Dokumentatör: Jan Ling (Q5959106)
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:48:11
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:1:?
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:25:6
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:60:10
Author: Untitled
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Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro pikhotyntsia (fragment no. 2). Performed by Mykhailo Kravchenko. Phonograph operated by Filaret Kolessa. Date: 1908. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про піхотинця» (фрагмент № 2). Виконує Михайло Кравченко. Записувач(-і): Філарет Колесса. Рік запису: 1908. Інструмент: бандура
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:19:1
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:21:9 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 274
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:21:2 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 255
Author: Untitled
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01:16
Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:16:3
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Dalslandsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:53:4
Author: Untitled
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03:22
Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:7:2
Author: Untitled
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00:56
Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:16:10 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 33
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Hänvisning till tryckt litteratur: Esaias Tegnér: Frithiofs saga Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:57:5
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:8
Author: Untitled
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Unfinished compositions from days long past. These are useable as ambient textures, sampling material, and intermission/placeholder music. There seems to be very little content of this type online, even here on freesound. So, i'm uploading some of mine, and we'll see if this opens up any new forms of inspiration for people!. This music is for all to enjoy. That includes you and everyone else as well. Please don't perform copyright strikes or claims against people using this music.
Author: Strangehorizon
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:66:2
Author: Untitled
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I've encountered fantasicly squeaky screws when putting together an mdf cabinet. The screws were driven with a scredriver into pre-puchend holes in an mdf panel. Recorded with zoom h1 at 96khz / 24-bit. Converted to flac using sox. No processing or editing was performed for maximum flexibility nad retaiging highest quality. Also out of laziness. Enjoy!.
Author: Unfa
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Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:23:2
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:58:8
Author: Untitled
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This track was developed in east harlem new york city during the 2nd quarter of 2018. It was developed via apple's logic pro x via a macbook pro 2017. The mixing process employed the usage of stictly logic pro x plugins (e. G. Compressors, equalizers). Monitoring the audio was performed via the presonus eris e4. 5 monitors in a bedroom home studio. This developement was actually a practice mix session. You may reach the engineer via twitter: @harlemdaw.
Author: Harlemdaw
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Didgeridoo performed by jimmie p rodgers, recorded with a zoom h2 at various mic gain levels. Permission to upload under cc0 has been gracefully given by the artist. Http://upload. Wikimedia. Org/wikipedia/commons/3/36/elderberrydidgeridoo_little. Jpghttp://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats.
Author: Qubodup
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Power of Suggestion performed by the Dimensions in Blue jazz ensemble of the United States Air Force Band of the West. Track 14 from Generations (1996).[1][2][3] Credits: Captain Steven Grimo, Commander Captain Danny Varella, Vice Commander Senior Airman Derrell Kuykendall, bass
Author: Composition: Dave Bandman; Performance: United States Air Force Band of the West, Dimensions in Blue; Recording: United States Air Force
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Der Freischutz, j. 277 - overture. Carl Maria von Weber: Der Freischütz – Overture. (Performed by the Skidmore College Orchestra). Ouverture de Der Freischütz (j. 277), un opéra allemand en trois actes de Carl Maria von Weber, interprété par l'orchestre du Skidmore College.
Author: (See Musopen for author information)
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Amazing Grace, performed by the Concert Band of the United States Air Force Reserve Band and featuring the United States Air Force Pipe Band with bagpipe soloist SrA John Davis. Track 18 from the band's 1995 album ...For Heroes Proved.
Author: Composition: William Walker; Performance: United States Air Force Band, Concert Band, featuring the United States Air Force Pipe Band and soloist SrA John Davis on bagpipe; Recording: United States Air Force
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Festival Overture on the American National Air performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.
Author: Composition: Dudley Buck; Arrangement: Thomas Watts and Vincent Osborne; Performance: United States Air Force Heritage of America Band, Concert Band; Recording: United States Air Force
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Claude Debussy's Syrinx (1913), for solo flute, originally composed as incidental music for the incomplete play Psyché by Gabriel Mourey. Performed by Sarah Bassingthwaite using a Muramatsu silver flute, a = 442, at Brechmin Auditorium, University of Washington, October 2006. Recorded by Stephen Bangs.
Author: Composed by Claude Debussy (1862–1918) Performed by Sarah Bassingthwaite
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Part 10 (a drum cadence followed by "National Emblem") of a basic outdoor parade sequence performed by the Ceremonial Band of the United States Air Force Band of the West. Track 20 from Facets! (1992). Captain Steven Grimo, Commander. Lieutenant Danny Varella, Vice Commander.
Author: Composition: Edwin Eugene Bagley; Performance: United States Air Force Band of the West, Ceremonial Band; Recording: United States Air Force
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It's a Long Way to Tipperary is a British music hall and marching song written by Jack Judge and Harry Williams (Henry James Williams), a song that, allegedly, was written for a 5 shilling bet in Stalybridge, on the 30 January 1912 and performed the next night at the local music hall. Jack's parents were Irish, and his grandparents came from Tipperary.[
Author: Jack Judge and Harry Williams
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If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .
Author: Antwerpsounddesign
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This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.
Author: Unfa
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Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:22:3 Hänvisning till tryckt/skriftlig källa: Nils Denckers sångleksregistrant, nr. 283
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg, Ulf Peder Olrog SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:58:7
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11869 S:17:3 Hänvisning till tryckt/skriftlig källa: Svend Grundtvig: Danmarks Gamle Folkeviser (DgF), nr. 306
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:9:5 Hänvisning till tryckt/skriftlig källa: Svend Grundtvig: Danmarks Gamle Folkeviser (DgF), nr. 376
Author: Untitled
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04:17
Sveriges Radios folkmusikinspelningar. Hälsingland/Gästriklandresan 1949 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Hänvisning till tryckt källa: Radiotjänsts folkvisetävling, A 111:16 (Samling hos Svenskt visarkiv) Radiotjänsts ursprungliga produktionsnummer: L-B 49/12062:1:1
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:15:7 Hänvisning till tryckt/skriftlig källa: Johan Nordlander: Svenska barnvisor och barnrim, nr. 143
Author: Untitled
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01:11
Sveriges Radios folkmusikinspelningar. Folkliga visor från Frostviken (kompletterande inspelningar 1960) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 58/11696S:10:9 Hänvisning till tryckt/skriftlig källa: Svenskt visarkivs register över skämtvisor, nr. 156
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Bohuslänsresan 1957 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 57/10617:46:3
Author: Untitled
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Phonograph cylinder recording from Filaret Kolessa collection. Duma Pro samarskykh brativ (fragment no. 1). Performed by Mykhailo Kravchenko. Phonograph operated by Filaret Kolessa. Date: 1908. Instrument: bandura Українська: Фонографічний запис із колекції Філарета Колесси. Дума «Про самарських братів» (фрагмент № 1). Виконує Михайло Кравченко. Записувач(-і): Філарет Колесса. Рік запису: 1908. Інструмент: бандура
Author: Untitled
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