387 Royalty-Free Audio Tracks for "Phrases"

Monophonic saxophone solo improvisation on bb-major scale, performed by toprak barut. Location: ankara, turkeydevice : zoom-h6environment : 15m2 sound-proof recording studio (@yüzen oda).

Coda like phrase. Looping. Rythmical sequence played with fl synth preset. Fl studio, harmor synth.

Wife playing her brand new bassoon. Half a phrase of ode to joy. Uploaded for xavier serra's coursera class. Recorded november 25, 2014, using cubase le4, with audiotechnica at814 through scarlett 2i2 interface.

The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

Grey clouds running without a stop accross the rectangle of sky limited by city buildings. Synth loop sequence phrase. Looping.

This file is converted to the mono wave file format from the sound file on the freesound website: sax-phrase-t5. Wav by the user: rgrocc (can be found https://freesound. Org/people/rgrocc/sounds/328636/).

Synth phrase in d minor. Looped and used many times in live performance as a pad, kind of a drony texture with delays.

A short jati (phrase) played on the mridangam, a percussion instrument used in carnatic music of india. It is a part of a long mridangam solo. The mridangam is tuned to c#.

This is a very short phrase for a hindustani raag that i recorded for my audio signal processing class. The notes are far from perfect but they should be the equivalents of f3 f# g# a# f# f.

Remix of: 122596__alienistcog__acidscratch. Extracted 1 bar mono loop at 125 bpm - distorted 303 phrase being scratched. Works with a breakbeat or 4/4 kick, probably not big beat though. Thanks to alienistcog for keeping it zero.

An edited version of my upload uke_single_notes. Wav. I shortened that recording to its last four notes, then included a fade out to eliminate most of the non-ukelele sound at the end. This recording has notes as follows: g4 g4 a4 d4. This sound was originally created for the coursera course "audio signal processing for music applications. " i recorded this sound myself with a zoom h2 microphone and a kala classical ukelele.

Rhythmic cadence at the end of the first phrase from Bach's Brandenburg Concerto no. 3 in G Major, BMV 1048, I, m. 1-2. (without pitches: unpitched percussion) Created by Hyacinth (talk) 02:04, 23 March 2010 using Sibelius 5.

An alternative take of the open-ended question and suggestion, "is your mixtape going to be good enough? perhaps it's time you added some. . . " and then a song can start or another word or phrase be added to the end.

A short, non-verbal male vocal phrase or chant in a lower register. Recorded with a sony ericsson phone mic and post-processed in audacity. Since this is actually me singing it would be cool to hear how you use it.

I mixed four sound which are:sound 1: a girl's laughsound2: a phrase which is 'j'ai manger des chips"sound 3: a sound copyright freesound 4: a woman voice which is talkingeach sound is play in loopand i used the rewind for the second part after the introduction.

A fairly dramatic (albeit mellow) phrase that could be used to signify an uncomfortable thought or feeling. This was from the same song that has become a freesound clip (for you my friend) "pondering something you're unsure in a dream".

An open-ended question and suggestion, "is your mixtape going to be good enough? perhaps it's time to add. . . " it's a set up for either the start of a strong song or another word or phrase such as bass or funk or whatever.

A re-mix of this::https://freesound. Org/s/331180/. Added and echo to the end of the arp phrase, then made a beat in the caustic beatbox, then made a baseline in the modular. Left the stems at the end. √π÷¶∆℅£.

A short, non-verbal vocal phrase or chant in a higher register. Male voice but could be used as female. Recorded with a sony ericsson phone mic and post-processed in audacity. Since this is actually me singing it would be cool to hear how you use it.

Music phrase from my entry for musicweeklies (twitter) cover challenge. Full cover:https://soundcloud. Com/vladyslav-zaichyk/the-story-of-that-way-too-slow-time-bar-clement-panchout-coveroriginal song:https://soundcloud. Com/clement-panchout/rpg-battle-theme-the-story-of-that-way-too-slow-time-baroriginal composer: clément panchout.

A simple phrase "when my work is finished, than i'm coming back for you!" in a dark undead-ish voice. Recorded with a cheap desktop mic and fiddled with in audacity. This is a slightly different version with an echo effect applied in the reversed sample rather than the normal.

3 chain connected looping envelopes slowly finding a rhythm. At the start of the recording i set the tree envelopes at random loop length. Slowly they work their way to a more simple rhythm. Why? at about 2 minutes the rhythm is rather short phrase.

The most famous phrase: "that's one small step for man; one giant leap for mankind". I've extracted this audio segment from a video of the first steps on the moon, from http://www. Hq. Nasa. Gov/alsj/a11/a11. Step. Html) and removed some of the machine noise from the original recording.

nothing to wear. it's a phrase used sometimes by those wishing to make a point, and some, like me, wouldn't see any risk involved. Really was nothing, maybe a bad habit. Once again, not even socks. A huge hand clenching a bottom cheek and i was through the front door. Underestimated partner. Bluff called. No quarter. No turning back. . .

The audio file was generated by me. It's my personal door-bell. You can use it for free also for commercial works: but i would like very much, especially in the case of videos or other art recordings, a little quote from my youtube channel with this phrase. "this sound is offered by https://www. Youtube. Com/c/wikingo".

library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.

Arpeggios in bm key : bm, am5b, g, f#7. Played on acoustic nylon guitar. Melancholic / sad feeling, the second chord has a dissonant flat dominant to give a hint of strangeness to the phrase. Sound capture using internal guitar electronics (godin multiac grand concert duet). Recording device is a tascam gt-r1. Initial sound was stereo with left and light sides 180 degrees out of phase. I converted to mono using audacity. Recorded on the 12-dec-2015 in houston, texas.

Ok, i don't know how many of you might be interested in this, but i figure there's no harm in posting it. I'm working on some original songs. Laptop-based, electronic songs, with many orchestral parts, including violin, viola, cello, and string bass. Presonus studio one has some very nice vst string instruments, and i have some really great ones for kontakt. But they all are missing one thing, and i couldn't find the (admittedly esoteric) sound that i'm looking for anywhere on the internet. Being a viola player myself, i recorded myself playing these very particular incidental sounds. Let me explain-. There's this 'grabby' sound that a well-rosined bow makes just is it is first being drawn across the string. Listen carefully to any of the pros and you'll hear it. In your laptop sequences, if used subtly, right at the point where the first note of a phrase is initiated, this sound can give the string part a marked sense of realism*. This, combined with vibrato, reverb and a nice warm/tube/tape saturation setting, nobody will be able to tell the difference between your vst and the real thing. About the audio-i tried to keep them as pitchless as possible, thus not limiting their utility. I recorded two sets of all four open strings (c, g, d, a), first close mic'ed, and once from a few feet away, in stereo. Or to say it another way, the sounds are as follows-1. Open c close2. Open g close3. Open d close4. Open a close5. Open c far6. Open g far7. Open d far8. Open a far. It's totally overkill for me to record all the different versions, but i suppose somebody out there might find one more appropriate than another for their purposes. They work pretty effortlessly for violin and viola, but you might have to pitch them down for cello and string bass. I added no processing whatsoever, apart from normalizing each individual sound. Aiff, recorded at 44/16. Nady scm-2090 stereo condenser mic, focusrite saffire pro 24 interface, recorded in logic. Not the quietest room, but these sounds will be so far down in the mix that it won't matter. Free for all to download, no attribution necessary. Http://www. Freesound. Org/people/bruce%20burbank/sounds/220917/. As an example, here's the part i'm working on that motivated me to record these sounds, with the grabby sound in place. See if you can spot the three times i used it. *pro tip- much the same way i'll insert an inhale breath right before horn or oboe phrases.

Variation of the loop from:http://www. Freesound. Org/people/maxndee/sounds/106962/. Placed each hit on beat of 125, then put it through a saw tooth transformer, then slight reverb and compression. Other little details like raising one side by 2 decibels to even things out. Also, arranged the rhythm according to a phrase i thought made some more sense, added a couple of variation percs of my own to fill in the gaps. Put either a different eq on them or changed the pitch. Enjoy.

This piece was produced using a text-to-speech program on a "rant" by francis e. Dec. Mr. Dec was a disbarred lawyer from new york state who spent the balance of his adult life writing and publishing rants against a global conspiracy that had removed him from the legal profession, controlled the white house for decades, performed clandestine medical operations on the entire population of earth and worked for a malevolent entity called the "world wide communist gangster computer god". Mr. Dec appears to have hated just about every religious, racial, ethnic, professional and political group that he was aware of. Although i have tried to maintain the syntax and general flow of this rant; i have taken the liberty of removing the more offensive passages and phrases. Since the development and widespread use of anti-psychotic drugs in north america, schizophrenic creativity of this level of complexity has become harder to find. Street ranters are an endangered species but my memories of them include the unusually stiff, declamatory and repetitious cadence of their speeches. Curiously, a speech-to-text program mimics some of these features. I hope that the irony in using a computer voice cuts two ways. Mr. Dec's rants are in the public domain. To his credit he was very open source with his work. My use of dec's writings should not be construed as advocacy for his views nor as an endorsement of how our society currently treats persons labeled as schizophrenic. The wikipedia entry on francis e. Dec is a good and balanced starting point if you are interested in the life and work of this very unique and unfortunate man. I leave the listener with this quote by g. K. Chesterton-. "the madman is not the man who has lost his reason, the madman is the man who has lost everything except his reason. ". --.

Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9

Built on a beat and bassline i did in garageband for something called victors crypt. I added some spooky piano-tones and more and sang the phrase "i know something you know, you are gonna die" in a childish manner. Could be usefull in something creepy. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt on youtube. Https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Ungdoms synden (translates to: the sin of adolescence) is a traditional swedish melody (style: polska) from boda in dalarna sweden. The melody is compsed by röjås jonas, aledgely played to him in his old age, by a fellow fiddler. "who has made that song?" jonas asked. "you did - many years ago" the player replied "that must have been my sin of adolescense" the composer replied. This is just the first phrase of the melody recorded by me. The boda polska rythm is based in 3/4, but somewhat unevenly spaced. Every village in the neighboorhood have their distinct muiscal dialect, in the way of how to play a polska. The boda musical dialect is reputaded throughout scandinavia. Recorded with zoom h4 in my living room copenhagen.

Just joined. Here's my first submission :). Recorded a few samples of "voice horror", a friend and i were going to make a short film but it never panned out. Basically the sound is a "disembodied voice" recorded on some tech that the entity damaged the quality or something. Used several filters and a vocoder. The idea was to vocalize the first parts in a way that it would be hard to understand, having the viewer listen more closely, and build the fear with the audible phrase ". . . And now there's somebody living on the other side of the wall and i think he can see usssss".

I've benefited from freesound in the past so i wanted to give something back. I created this audio sample of the black speech of mordor (a section of the ring poem), as part of a cinematic orchestral lord of the rings piece to add flavour to it and wondered if others might find a use for it in their own projects. The sample does have added reverb but to my ears this is not excessive. The phrase is:-. Ash nazg durbatulûk,ash nazg gimbatul,ash nazg thrakatulûkagh burzum-ishi krimpatul. This translates to:-. One ring to to rule them allone ring to find themone ring to bring them alland in the darkness bind them. No attribution required but it would be nice to know if anybody uses it. ;-).

A small, mechanical music box plays, slows down and stops. Synthesized sound with stereo light reverb effect. Duration 0'52". Three turns of a wooden boxed clockwork mechanical key followed by a bright, nonsensical music box tune. As the tune plays, the tempo slows down - gradually at first but becoming profoundly slower towards the end. Tune ends on a melancholic note mid phrase. Could be used as a standalone effect, or perhaps metaphorically as a cipher for the aging process and cessation of life. The clockwork key effect is a rapidly repeating single mechanical clock tick filtered to sound box-like. The sound of the music box tines was created with ni fm8 using four sinewave oscillators, one of which feeds back on itself to produce a hint of metallic ringing.