325 Royalty-Free Audio Tracks for "Plugs"

Futuristic organic effect,sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Repetitive bird chirping in an urban backyard, distant cars. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Ambisonic b-format recorded with tetramic. Exterior ambiance recorded in santa fe, new mexico. Light birds, distant car-bys, general city rumble. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Ambisonic b-format recording recorded with the coresound tetramic. Roadside picnic area ambience, santa fe, new mexico. Birds. Car-bys. Note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

A sound travel in space beetween earth and the international space ship, french announcer (ddo) in control room for countdown, verification of parameters, stowage and separation, entry into the international station, congratulations, release. . This sound story was made with neumann microphone for voices, shoeps microphone for originals acoustics sounds, kurzweil synthetizer, albino and sampletank plug in, waves and isotope on protools for modelisation and mix. Total use of bandwith, so take care of yours speakers. Enjoy.

Afternoon in an urban backyard. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Song bird chirping in an urban backyard, distant cars bus passes. Ambisonic four channel b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Sound design elements. Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab, pro tools first. I use software to produce effects:ableton livecakewalk by bandlabreaktor 6vcv rack 0. 6. 0pro tools firstaudio editor wavosaur.

Test guitar solo. Bright noise as artifact of notebook mic input agc (automatic gain control) made in the imposition of a previously recorded. Recorded: 20-10-2013notebook: aspire-5742g, windows 7, asio4all driver, sonar x2, noise gate and vox plug-ins. Guitar: squier stratocaster, south korea, early 1990, with pickup saymour duncan at bridge position. Very very old strings. Guitar connected directly to notebook mic input. Exported to wav 44000/16. Encoded into mp3 with linux console: lame -b 320 -m s soloprev3. Wavlame version: lame 64bits version 3. 99. 5 (http://lame. Sf. Net).

Series of car/truck/bus passes recorded on the side of a night time city street. At :21 two guys on bikes with a boombox pass - one of the weirdest sounding things i've recorded. Ambisonic b-format recording recorded with the coresound tetramic in pittsburgh, pa. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

I made a project in cubase which had 12 tracks each playing a sine wave in a different note of the chromatic scale, each sine wave also had slightly varied lfos on volume and pitch. Then i put this sound through the soundtoys crystallizer plug and recorded it while manipulating various parameters. Ended up with 3 minutes of crazy glitched out sounds, use for anything you like!. It gets pretty out of control at some points so don't have your speakers up too loud :).

Ambisonic recording of a garbage truck. Truck begins near, gets distant and then near again. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Outdoor swimming pool, many kids, splashes. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Outdoor swimming pool, many kids, radio voice in bg. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track/height). *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Bi-drum finale. This sound provides an impact point, an action conclusion suggestion. I combined two drum sound samples, one of the impact with a deep echo, and one a hollow wood tube strike against a hard object to a certain rhythm. The sound is somewhat like the primal drum sounds used in survivor. I used magix music maker, magix software gmbh (www. Magix. Com) with two object plug-ins; solar wood 6_ogg_001. Hdp, and right huge impact_ogg_001. Hdp. Enjoy. C gillespie sound library.

This is my first submission to the site. I've recently been exploring sound design a little bit more and thought i would provide something. Here is 15 minutes of ambient sound recorded around 5 am on october 10th, 2011. I used a shure sm58 microphone through a native instruments audio 8 dj interface. Without a microphone amplifier or my active microphone ready to use i ended up amplifying this about 52 db then removed the extraneous noise by 80% @ 40 db using the noise reduction plug-in in adobe audition cs5. 5. Finally, saving the result to wav @ 44,100 hz, 16-bit.

Albuquerque, new mexico residential morning ambience, high desert neighborhood, birds, wind gusts, walkers pass-by, bformat-fuma. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track) *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Albuquerque, new mexico residential daytime ambience. Wind in trees. Bug-bys. Birds. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Amb, ext, high desert residential neighborhood, very windy, trees rustle, leaves blow, cricket. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

This is a sample from the plug on the bottom of a shaving cream can getting pulled out and the resulting release of air pressure and shaving cream. If you're good enough at editing, you can make this into an explosion, a weapon, a hydraulic release, or some sort of gloopy lava bubbling sound, or anything else you can create with this. Feel free to use and edit this raw sample however you please. Credit would be nice but is not required. Recorded with a tascam dr07 disclaimer: potentially dangerous actions were performed to create this sound. I don't recommend attempting to recreate this and i'm not responsible for your actions.

This is the companion audio to the article "modify your monitor audio" appearing on w1zy's substack account. In it, we hear what happens when you mix through a soundboard the audio from a ham radio transmitter's "monitor" output and a second receiver dialed onto the transmitter's output frequency. When the two are mixed, we hear a heterodyning between the external receiver and the transmitter monitor audio sources. By adjusting the receiver's frequency to that of the transmitted signal, we can zero-beat the two audio sources together producing a "flange" effect derived from analog devices. Non-ham audio enthusiasts might find this clip interesting since it is producing this artifact not through some plug-in, but through use of "legacy" analog equipment.

While attempting to create a sick ass dubstep wob noise in rob papen's albino synth plugin, i managed to stumble across a telephone-like sound while pitching the filter cutoff on a weird shaped wave oscillator. I then put down the dubstep tune, and exported the noise with a gradual huge reverb at the end just for fun. I hope you enjoy it and i'd love to hear if someone uses it and in what context!. If you're interested in hearing my music (shameless plug) you can do here:. Https://soundcloud. Com/damnd_music. If you'd like the preset this sound was made using, i have saved it here:. Https://dl. Dropboxusercontent. Com/u/7506813/telephone%20bleeps. Aupreset.

Created with music forge project libraryexported from fl studio 11 (fruity edition). Library:patcher>theme>jungle>drum>simple. What is music forge project?music forge project (mfp) is a library of plug-in presets and scores (no samples or copyrighted material). I myself have built this library (if someone wants to give presets for the library, it is much appreciated). The library uses a series of free vst (not included in the installation of the mfp). They can be downloaded for free from the manufacturers' websites ("http://musicforgeproject. Blogspot. Se/p/vst-plugins. Html"). I have checked all vst that i use and it's 100% free for both personal and commercial use. Are you using the fl studios loops or samples?no. The library does not contain samples and it does not link to the fl studios own samples or loops because they are copyrighted. The samples used are those included in the vst that may be used by anyone who bought fl studio. (see link "http://support. Image-line. Com/knowledgebase/base. Php?ans=41").

The title is pretty self explanatory. There's a little bit of wind noise. ---two primo em172 mic capsules > zoom h1. I made this recording with my newly acquired $10 primo em172 omni mic capsules, which i soldered to a cable diy loosely based on this tutorial:http://www. Wildmountainechoes. Com/equipment/diy-stereo-electret-mics-primo-em-172-capsules/this is a good example of what the capsules sound like when plugged directly into an inexpensive zoom h1 audio recorder. So far i've been pretty stunned by the performance of these capsules, which are significantly more sensitive than the built in microphones on the h1, and to my ears sound much less muddy. I'm particularly impressed by this because the capsules are running on the 2. 5v of plug-in power that the h1 delivers, which is below the minimum specs of the capsules. Even so there is remarkably little noise. I can only imagine how they would sound with a battery pack to deliver a full 5 volts!.