111 Royalty-Free Audio Tracks for "Pocket"

A recording i made walking around santa monica boulevard while people were setting up floats for the parade. I was staying in west hollywood for about a week-and-a-half, and the parade was right outside of my airbnb! recorded using a field recording app on my galaxy s5 phone in my shirt pocket. Eq'd a little.

Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.

I was awakened at about 3 am by a local thunderstorm. It was raining softly and lightning came regularly. I recorded over 4 minutes of it from my front porch using an iphone and added recording app, and nothing else. This file is unmodified. A young backpacker is walking along a country road but is kidnapped and bound. When caged, he comes to the realization that his mountain-dwelling captors are practicing cannibals. After escaping his bonds and getting out of the makeshift cage, he silently slips from the campsite into the hills, and after picking his way around rocks and waterfalls and through miles of forest, he is hopelessly lost. He sits and rests, then, alone in darkness and a summer thunderstorm. All he has other than the clothes on his back is a folding pocket knife. When you make it and it wins at cannes, let me know.

Hands inserted into pockets.

Coins in pockets.

-racking of pool balls-breaking of pool rack-couple of shots into pockets.

This pack contains 5 samples of different sorts of fabric rustles for your rustling needs. The actions/ fabrics rustled are as follows:. 1. Wool being scrunched and brushed against itself. (soft rustle)2. A pillow being pet and moved about. (harsher rustle)3. Moving around, bending over, generic cloth rustle. 4. Patting the pockets of corduroy jeans. 5. Putting hands in and out of pockets of corduroy jeans. *no credit needed, but would love it if you shared your creation, should you use this sound!.

This is the sound of air pockets in between my organs croaking -- sounds like a frog or other swampy creature. It was recorded on a rode link lav.

Any thursday. . . It was about 1:00 am and i got my handy recorder zoom h4n with me. Then i realized i found very few sounds here at freesound. Org of steps for videogames. . . So i decided to record some. They have "so much personality", with keys in the pockets (you can notice them on the run), a dog barking when i run, and the sound of the street at night. It may not be 100% clean (for example, wind affects a little to the beggining of the run), but i think it's enough to emulate a videogame in a short film or something. I turn around once when dog is barking, you can notice the bark panning from left to right channel.

Audio from the artist paintpots in yellowstone. The hiss in the background is the constant float of steam from the ground along with the regular release of pockets of air from these odd little spitting mud holes. Pretty cool to see and producing a very unique sound. Not sure if it'll be useful for anything, but it was too cool to pass up. Again, sorry for the short duration; there was a lot of traffic and wind there. Recorded on a dslr and edited in audacity. Production-now. Com - shout-outs welcome.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).