111 Royalty-Free Audio Tracks for "Pocket"

Audio from the artist paintpots in yellowstone. The hiss in the background is the constant float of steam from the ground along with the regular release of pockets of air from these odd little spitting mud holes. Pretty cool to see and producing a very unique sound. Not sure if it'll be useful for anything, but it was too cool to pass up. Again, sorry for the short duration; there was a lot of traffic and wind there. Recorded on a dslr and edited in audacity. Production-now. Com - shout-outs welcome.

Https://www. Youtube. Com/channel/ucneirnarxcfnpvwzlwg2pzg. 주사위 던지는 소리를 만들어봤습니다. ----------------------------------------------------------------------------------you can use the sound freely ( i made it )if you interest my sounds, please visiting my youtube channel!!!--------------------------------------------------------------------------------. 누구나 쓸수 있는 무료음원입니다. 사운드가 도움이 되셨다면,저희 유투브 채널 한번 방문 와주시면 감사하겠습니다 ^^. 무료효과음, 무료bgm 꾸준히 업로드 하고 있으니 제 채널 한번 보고 가세요!!감사합니다.

Error beep from the colorino talking color identifier and light probe, a pocket sized 2-in-1 unit, which is a color identifier/light detector for the blind and colorblind. This happens when the detector is not flush with the object you're trying to read the color from, so it lets in too much external light. Recorded from line-in on my desktop.

This is a collection of public domain sounds for easy transfer onto pocket operator po-33 sampler. (the po-33 splits one sound file into a kit of 16 sounds. Hence why a sample pack like this is appreciated). All sounds found here on freesound. Org under the cc0 / public domain licensing. Https://freesound. Org/people/bxyorna/sounds/410335/ round splashhttps://freesound. Org/people/14fpanska_nemec_petr/sounds/420227/ stone splashhttps://freesound. Org/people/hard3eat/sounds/387347/ 80s hathttps://freesound. Org/people/mafon2/sounds/371878/ water drip/drophttps://freesound. Org/people/mafon2/sounds/371270/ water drip/drophttps://freesound. Org/people/mafon2/sounds/371266/ water drip/drophttps://freesound. Org/people/tripjazz/sounds/506989/ tomshttps://freesound. Org/people/shpira/sounds/323606/ low tomhttps://freesound. Org/people/ainigmat/sounds/404841/ shaker. A bit of processing was done to normalize the sounds and adjust levels, i recommend downloading the original sounds if you're going to use them for none sampler projects. Hope you enjoy :).

A recording i made walking around santa monica boulevard while people were setting up floats for the parade. I was staying in west hollywood for about a week-and-a-half, and the parade was right outside of my airbnb! recorded using a field recording app on my galaxy s5 phone in my shirt pocket. Eq'd a little.

I´ve recorded this sound produced by a large water wheel of 4 meters diameter, in the historical part of augsburg bavaria, part of town where early industry and work shops used water energy for different purposes. This water wheel does not drive any gear any more, it is just for to give an impression of that old water driven industry. The wheel is driven by one of many former industry channels, small rivers through that part of town.

Electric guitar melody #7 recorded with psr standart + boss pocket go + zoom f3. You can download a higher resolution (24bit/192khz wav file) on bandcamp for a small fee and support me with it: https://richardatmo. Bandcamp. Com/track/electric-guitar-melody-7if you need more electric guitar sounds, you can check my collection here: https://richardatmo. Bandcamp. Com/album/electric-guitar-melodies. You can also just listen to my collection for free. Have a nice day.

Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.

Recorded with an omnidirectional lavalier microphone, a clippy em172, and a zoom h-5. Denoised with audacity. Cut and normalized in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-). You can also check out my pond5 profile. Perhaps you find something you like there. Http://www. Pond5. Com/artist/cabled_mess.

I was awakened at about 3 am by a local thunderstorm. It was raining softly and lightning came regularly. I recorded over 4 minutes of it from my front porch using an iphone and added recording app, and nothing else. This file is unmodified. A young backpacker is walking along a country road but is kidnapped and bound. When caged, he comes to the realization that his mountain-dwelling captors are practicing cannibals. After escaping his bonds and getting out of the makeshift cage, he silently slips from the campsite into the hills, and after picking his way around rocks and waterfalls and through miles of forest, he is hopelessly lost. He sits and rests, then, alone in darkness and a summer thunderstorm. All he has other than the clothes on his back is a folding pocket knife. When you make it and it wins at cannes, let me know.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).