156 Royalty-Free Audio Tracks for "Poem"

خلقت دا مقدرشاعر: مقصود حسنیآواز: مقصود حسنیفری ابوزر برقی کتب خانہستمبر ٢٠١٧khalqat da moqadar punjabi poempoet: maqsood hasni voice: maqsood hasnifree abuzar barqi kutab’khana spt. 2017.

جس اکھ وچشاعر: مقصود حسنیآواز: مقصود حسنیفری ابوزر برقی کتب خانہستمبر ٢٠١٧jis akh vich punjabi poempoet: maqsood hasni voice: maqsood hasnifree abuzar barqi kutab’khana spt. 2017.

When u think mejab tum mujh ko socho gepoet maqsood hasnivice maqsood hasni. جب تم مجھ کو سوچو گےمقصود حسنیفری ابوزر برقی کتب خانہستمبر ٢٠١٧.

فقیروں کی بستی میںشاعر ً مقصود حسنی آواز مقصود حسنیفری ابوزر برقی کتب خانہ اکتوبر٢٠١٧faqiroon ki basti main urdu poempoet: maqsood hasni voice: maqsood hasnifree abuzar barqi kutab'khana oct. 2017.

ردو نظم ایک مفتا سوالشاعر مقصود حسنی آواز مقصود حسنیik mofta sawl urdu poemفری ابوزر برقی کتب خانہ اکتوبر٢٠١٧poet: maqsood hasni voice: masood hasnifree abuzar electronic book house oct. 2017.

Hark! is a sample of me shouting hark! of what i believe is the best first word to the beowulf poem and it may already be, there's many a translation out there.

عہد کا در وا ہواشاعر مقصود حسنی آواز مقصود حسنیفری ابوزر برقی کتب خانہ اکتوبر٢٠١٧ehad ka dar wa howapoet: maqsood hasni voice: masood hasnifree abuzar barqi kutab’khana oct. 2017.

جو باقی ہے اردو نظمشاعر مقصود حسنی آواز مقصود حسنیjo baqi hai urdu poemفری ابوزر برقی کتب خانہ اکتوبر٢٠١٧poet: maqsood hasni voice: masood hasnifree abuzar barqi kutab’khana oct. 2017.

Somewhat restored version of a 36-second wax cylinder recording of what is thought to be Whitman's voice reading the first four lines of his poem "America".

Regional german dialect as spoken in the western odenwald region of southern hessia. The example is a short folk poem.

عہد کا در وا ہواشاعر ً مقصود حسنی آواز مقصود حسنیفری ابوزر برقی کتب خانہ اکتوبر٢٠١٧ehad ka dar wa howa urdu poempoet:maqsood hasni voice:maqsood hasnifree abuzar barqi kutab'khana oct. 2017.

تجھ کو پا کر اردو نظمشاعر مقصود حسنی آواز مقصود حسنیفری ابوزر برقی کتب خانہ اکتوبر٢٠١٧tujh ko pa kar urdu poempoet: maqsood hasni voice: masood hasnifree abuzar electronic book house oct. 2017.

This is my naked voice. I didn´t modify anything. It doesn´t have much amplitude, maybe it sounds sad. . . This is a german poem "das gemeinsame schicksal" ("the shared fate"),written by friedrich schiller(1759 - 1805), a great german poet, a friend of goethe. Original text : " siehe, wir hassen, wir streiten, es trennet uns neigung und meinung, aber es bleichet indes dir sich die locke wie mir. "my translation : "look, we hate, we argue, our affectations and opinions drive a wedge between us. In the meantime your hair turns grey. Mine as well. ".

I took blimp66's "sad and silly vocal tune" and pitched shifted it a half step lower, and added danke's synth string pad loop, which i also had to lower the pitch on, all to make the perfect background music to mr. Lima "thethanx" brattleboro's poem "you are what you eat. " i checked off the explicit content box, cuz i'm not sure if the poem is actually appropriate for minors, even though it doesn't really have curse words in it. You decide for yourself. Samples used on this track:. Dave girtsman aka blimp66 : http://www. Davegirtsman. Com/ freesound. Org/people/blimp66/sounds/190628/. Lima brattleboro aka thethanx : https://www. Looperman. Com/users/profile/435244. Danke, der einzige meister-looper : https://www. Looperman. Com/users/profile/671112. Arranged, tweaked, recorded and mastered by mahan mahan at pahlavi sound studios in los angeles, ca, usa 11/2018.

Dark robotic voice quoting "the waste land" by t. S. Eliot. Recreation of a sound effect from king crimson's "the deception of the thrush". Bass synth, distortion, vocoder, reverb.

Traditional Arabic poem sung by Sheikh Sayed El-Safti. Parlophonerecord n° Bx 5708-I. Matrix n° 1344. [1]

Title: indian poetrytopic: poetrylanguage: urdu / hindi. Words:maẕhab nahīṉ sikhātā āpas meṉ bair rakhnāhindī haiṉ ham, wat̤an hai hindositāṉ hamārā. Recorded using:focusrite scarlett 2i4 audio interfacebm-800 condenser microphonedouble-layer pop filter.

My version of Down by the Salley Gardens. Originally a poem by W.B Yeats, it has been set to music and performed by many artists over the years. Here I play it on the low D whistle with guitar accompaniment.

Modification of the sound speech-female. Wav from freesound using harmonic plus stochastic model of sms tools. The original sound has been modified so that it becomes a conversation between two characters.

In response to a requests by plagasul in the freesound forums, me reading a piece composed by jaume ferrete i saved as "i am". You'll have to check with him on how the text was concocted.

The word society repeated with various modifiers, such as "flat society, white society, stoic society" and ending with "and piety in the nude. " done in a i'm-reading-a-serious-poem voice. A few bird chirps sneak into the background from outside.

minuit chretiens by Adolphe Adam "O Holy Night" ("Cantique de Noël") is a well-known Christmas carol composed by Adolphe Adam in 1847 to the French poem "Minuit, chrétiens" (Midnight, Christians) by a wine merchant and poet, Placide Cappeau (1808–1877).

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Eduard Mörike (1804-1875) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Um Mitternacht Music genre: Tone poem

I suppose you could cut and paste some of the stuff in here. . . I don't know why i really posted this. It was for that sea. Sound thing in the requests forum, but. . . Whatever, cool effects made entirely from microsoft sound recorder. That's right. Now that is lo fi.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

Performer: Philadelphia Orchestra Title/Work: Scheherazade Opus 35 (Rimski-Korsakow) Content: No.01: 1st Movement: Largo e maestoso-Lento-Allegro non troppo (Part 1) Composer: Nikolai Rimsky-Korsakov (1844-1908) Conductor: Leopold Stokowski (1882-1977) Genre: Symphonic poem First recording date: 12 November 1934 First release date: 1935

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

Description: "life is like a piano; the white keys represent happiness and black shows sadness. But as you go through life's jorney remember that the black keys also make music"- unknown(i don't know who the original owner made this poem, there a lot of author who made this). Genres: chill (most relatable), downtempo, tropical house. Created using:- soundtrap. Instrument types: keyboards - piano. Key - amtempo - 115.

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

Melody composed in 1909 by Ivan Karadzhov based off of the poem Radetzky by famous Bulgarian poet Ivan Vazov. It was played by his high school brass band. Български: Мелодия композирана в 1909г. от Иван Караджов, с лирика от поезията на Иван Вазов — Радецки. Тя бе свирена в неговата училищна банда.

1st release date: 1924 1st recording date: January 1924 Place of recording: unknown Author(s)/Composer(s): Franz Schubert (1797-1828) Music arranger(s): none Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer(s): Claire Dux (1885-1967) Vocal range: instrumental Title/Work: Heidenröslein, D 257, Op. 3, No. 3 Content: - Genre(s): Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem

He will be therepoet: maqsood hasnivoice: maqsood hasnifree abuzar electronic book housesept. 2017. He will be there. Dream road never leadsman of the day thinks:man knows nothingand will follow him blindlyif awakessurely, it will be murder of democracywhat democracy?all power for oneif many but depend upon onethat one may crush manyby many how house be rejectedhave no escapedream is nothing man knowsbut dream is sweet and pleasantman is running with all spritsno destination no destination in sleepshe will be therefrom where gets start.

Submerge yourself in this story i wrote and designed. Wear your earphones to be blown away! poem was written by me and the textures were self made too (you can see in my other audios the credits) this was my final exam for the course of sound design, and i loved it. Its in spanish, if you would like a translation you can ask me for it. Special thanks to https://freesound. Org/people/syberic/ who recorded the piano, i fell in love with the melodies as soon as i heard it.

Pieśń z muzyką Władysława Tarnowskiego do wiersza Ludwiga Foglára pt. "Ob du nun ruhst " (wydana w Wiedniu r. około 1870, wydawcą był V. Kratochwill.) Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 16:44, 10 February 2016 (UTC)). Pieśń była dedykowana Melanie Foglár-Deinhardstein, żonie Ludwiga Foglára, zarówno przez męża-poetę, jak i przez kompozytora. "Ob du nun ruhst " - song to poem by Ludwig Foglár and score by Władysław Tarnowski, (ed. V. Kratochwill, Vienna, ~1870); accompaniment and instrument instead the voice by Marcin Tarnowski.

1st release date: 1938 1st recording date: 29 August 1937 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Robert Reinick (1805-1852) Music arranger(s): none Conductor: none Performer(s): Tenor: Helge Rosvaenge (1897-1972), Pianoforte: Gerald Moore (1899-1987) Vocal range: Tenor with pianoforte accompaniment Title/Work: Gesellenlied Content: - Genre(s): Tone poem

Pieśń z muzyką Władysława Tarnowskiego do wiersza Ludwiga Foglára pt. "Du buch mit sieben siegeln" wydana w Wiedniu r. około 1870, wydawcą był V. Kratochwill. Pieđ} Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 10:59, 6 February 2016 (UTC)). Pieśń była dedykowana Melanie Foglár-Deinhardstein, żonie Ludwiga Foglára, zarówno przez męża-poetę, jak i przez kompozytora. "Du Buch mit sieben siegeln" - song to poem by Ludwig Foglár and score by Władysław Tarnowski, (ed. V. Kratochwill, Vienna, ~1870); accompaniment and instrument instead the voice by Marcin Tarnowski (M.Tarnowski (talk) 10:59, 6 February 2016 (UTC)).

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

Title/Work: The Dream of Gerontius, Op. 38 Content: God's Presence and His very Self (Part 2, Section 5) Genre(s): Oratorios Author(s)/(Composer(s): Edward Elgar (1857-1934) Music arranger(s): none Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Performer(s): Liverpool Philharmonic Orchestra Conductor: Malcolm Sargent (1895-1967) Place of recording: unknown 1st release date: 1945 1st recording date: 8 April 1945

I've benefited from freesound in the past so i wanted to give something back. I created this audio sample of the black speech of mordor (a section of the ring poem), as part of a cinematic orchestral lord of the rings piece to add flavour to it and wondered if others might find a use for it in their own projects. The sample does have added reverb but to my ears this is not excessive. The phrase is:-. Ash nazg durbatulûk,ash nazg gimbatul,ash nazg thrakatulûkagh burzum-ishi krimpatul. This translates to:-. One ring to to rule them allone ring to find themone ring to bring them alland in the darkness bind them. No attribution required but it would be nice to know if anybody uses it. ;-).

The Canadian national anthem, "O Canada", played by the United States Navy Band in the early 2000s. The song was originally commissioned by Lieutenant Governor of Quebec Théodore Robitaille for the Saint-Jean-Baptiste Day ceremony, 1880. The music was written by Calixa Lavallée as a setting of a French Canadian patriotic poem composed by Sir Adolphe-Basile Routhier. The lyrics were translated to English in 1906, Robert Stanley Weir wrote another English version in 1908, which were revised thrice before taking their current form in 2018. Was converted to Ogg format using Audacity (Originally uploaded on en.wikipedia).

Label: His Master's Voice Cat. no.: C 3443 Order number: 2ER 850 Matrix/StamperID: 2ER 850I 1st release date: 1945 1st recording date: 8 April 1945 Place of recording: unknown Author(s)/Composer(s): Edward Elgar (1857-1934) Lyricist(s): Text from the poem by John Henry Newman (1801-1890) Conductor: Malcolm Sargent (1895-1967) Performer(s): Liverpool Philharmonic Orchestra Vocal range: instrumental Title/Work: The Dream of Gerontius, Op. 38 Content: But hark! a grand mysterious harmony (Part 2, Section 5) Genre(s): Oratorio Comments: RCM and ELP

Nicht, dass keine wolke deinen weg überschatte,nicht, dass dein leben künftig ein beet voller rosen sei. Nicht, dass du niemals bereuen müsstest;nicht, dass du niemals schmerzen empfinden solltest. Nein, das wünsche ich dir nicht. Mein wunsch für dich lautet:dass du tapfer bist in stunden der prüfung;wenn andere kreuze auf deine schultern legen. Wenn berge zu erklimmen und klüfte zu überwinden sind;wenn die hoffnung kaum mehr schimmert. Dass jede gabe, die gott dir schenkt, mit dir wachse. Und sie dir dazu diene, denen freude zu schenken, die dich mögen. Dass du immer einen freund hast, der es wert ist, so zu heißen. Dem du vertrauen kannst. Der dir hilft, wenn du traurig bist. Der mit dir gemeinsam den stürmen des alltags trotzt. Und noch etwas wünsche ich dir:dass du in jeder stunde der freude und des schmerzes die nähe gottes spürst. Das ist mein wunsch für dich, und für alle, die dich mögen. Das ist mein wunsch für dich, heute und alle tage. Video:https://vimeo. Com/187460953https://youtu. Be/wwzitt7idro?list=plmdtrkwa9d4pbi9xiaz_ljtlrsw7qzkhyhttp://www. Dailymotion. Com/video/x4xku1k_impulse-irischer-segen-spoken-word-christlich-cc0-konstenlos_creation.

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Šárka, the second from Bedřich Smetana's set of six symphonic poems Má vlast

Writing lines from a few poems on a fountain pen nib on thick paper. Recorded with a shure sm57 through roland r-26.

Montaje sonoro de poesías para tp laboratorio de sonido 1 una. Sound editing of poems for tp sound laboratory 1 una. Created in reaper, with sounds delivered by the faculty chair.

Romeo and Juliet - overture fantasy performed by the Skidmore College Orchestra.

فارسی: سرود «نبرد با آمریکا» از نوار کاست «سرودها، اشعار و مارشهای انقلابی مجاهدین خلق ایران – سری چهارم» منتشرشده در آبان ۱۳۵۷ به تهیه‌کنندگی محمد سیدی کاشانیBattle with the United States (Nabard ba America), a song from the 1979 cassette tape named "Songs, Poems and Revolutionary Marches of the People's Mujahedin of Iran – Serie 4", produced by Mohammad Seyyedi Kashani (uncredited). No one is credited in this album.