Pattern loop create with drumbit https://drumbit. App/ and custom pattern in microsampler. Edit with vst effect in audacity. Precision bpm cut and ready to use. . Happy work. . .
Various slap sounds recorded in a both with an neumann u87i. There is a metallic resonance from one of the music stands. The slaps hit various body parts (face, neck, belly). Feel free to use however you like.
Snare tuned e. I've created it with rob papen punch software synthesizer & saturated in tapey style. It's not very fat 'cause the fundamental tone is above 300hz & it's "low-cutted" by fabfilter eq. .
A small loop i made using fl and gabber master vst, there are 2 loops in one. One includes ch and oh and the other one just the kick. Show me for what you used it please :'3 thanks.
Tried to add sub harmonic content to a snare, so a lot of the punch in this 200hz snare comes from harmonics like 50hz 100 hz etc. Execution prolly wasnt too great but i like how it came out.
Got this amazing pop sound by opening a soda bottle too fast. For me it sounds like someone got just slapped in his/her face :). Enjoy!. Crediting is not required, but i'd be happy to hear where this finds its place.
Some swooshes/ swishes made of many materials. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.
I was trying to imitate the noise that usually happens when someone delivers a comedic punchline, you know, the high hat sound. I used a cheap desktop drumset.
Modified version of 'arrow whoosh 2. R" by saturdaysoundguy:https://freesound. Org/people/saturdaysoundguy/sounds/391444/. Changed pitch using audacity. This sound was used in the free game, multiverse heroes:https://gamejolt. Com/games/multiverse_heroes/312565.
Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. Mic inside wrapped up news paper tapped with a pencil. I read about it and found when layered with punches and other hits, it gives the hit a nice little kick in the sub-woofer.
I've been beating a carpet. Why not capture the whole thing?. ** this recording is longer, with less energy and much more air between the hits **. Captured with zoom h2.
This is a boomy break beat i made at 102bpm. It utilises a variety of individual free percussive hits, sequenced in free tracker program, jeskola buzz.
From my personal library, a packet of kick samples processed with tube input and triton extreme filters. All samples are normalized to 0 db and ready to use.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
The sound of a bed being hit, that's been edited to have more punch and space. Recorded with the zoom h4n recording device. Feel free to use this however you wish.
A simple kick/bass drum sound with a deep, sub-bass hum and a short infrasonic punch right at the onset (around 18hz), inspired by, and somewhat reminiscent of, the sounds of hip-hop/trap music. Made using audacity.
I was inspired by urbexshauny's dark atmos, (http://freesound. Org/people/urbexshauny/sounds/367611/) so i threw the excellent "punch" drum synth at it, with a bit of indigo2 virus and a stack of compression everywhere. Bpm is at 90, the loop is from about 5. 10 thru the end.
O som representa uma pessoa socando outra, e foi gravado com um microfone condensador akg c414gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.
Sound of block in boxing in several different dynamics. Use it however you like and show me results of your job i will glad to show it in my social media. Thanks a lot and have fun!.
This is just a noise taken off my home phone, it is the standard noise that plays after punching in a number. I used a direct feed for this one, although there really was not much different. This is the only sound from a direct feed that wouldn't come in so terribly soft.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
A punchy break produced on my retro roland 808 drum machine, with added sub bass from user, ledit renart downloaded here: http://www. Freesound. Org/people/ledit%20renart/sounds/159977/.
De-noised remix of. . . Https://freesound. Org/people/strangehorizon/sounds/669314/. If it's now too beefy, apply a high-pass filter. Vst plugins used on this remix include. . . Acon digital denoise (version 1. 81, which is old).
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
I've got punched to get the priest mic'ed up in time. Recorded in the marylebone mosque, london using a wisycom wireless system, sanken cos11 mic, sound devices 633 recorder.
Several sounds combined to approximate the sound of someone getting smacked with the butt of a pistol. Whip crack with a metallic clank and a wet crack as it hits bone/flesh. Simulated by layering a whip crack, a punch, a metal clatter, and a squish made from stirring pasta in.
I downloaded the original break from here: http://www. Freesound. Org/people/patchen/sounds/20176/# and split the break into individual hits then reworked it in sony acid with additional free sub kick booms rendered at 102 bpm. Enjoy :).
Many swings with a bamboo fishing rod. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.
Sounds like a cartoon getting hit on the head with a frying pan to me. But it can be whatever you want it to be! would love to know what people use it for :).
Time to give something back here. Hope it's useful. Mix out of a soft synth kick punched up and up, by adding gated attack kick. Compressed and limited, maximal appereance of the kick by giving enough space for other instruments. Also can handle a subbass (+/- sidechaincomp) easily , because of the depth.
